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When Willem Sandberg, the newly appointed director of Amsterdam’s Stedelijk Museum, held an exhibition in 1946 in honour of Piet Mondrian, he did something quite remarkable. He placed a Swiss cheese plant next to Mondrian’s paintings. For Sandberg, the aesthetic placement of a plant in the museum made a statement. No longer would the Stedelijk be an elite temple for art;(...)
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When Willem Sandberg, the newly appointed director of Amsterdam’s Stedelijk Museum, held an exhibition in 1946 in honour of Piet Mondrian, he did something quite remarkable. He placed a Swiss cheese plant next to Mondrian’s paintings. For Sandberg, the aesthetic placement of a plant in the museum made a statement. No longer would the Stedelijk be an elite temple for art;(...)
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Inge Meijer: The plant collection
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When Willem Sandberg, the newly appointed director of Amsterdam’s Stedelijk Museum, held an exhibition in 1946 in honour of Piet Mondrian, he did something quite remarkable. He placed a Swiss cheese plant next to Mondrian’s paintings. For Sandberg, the aesthetic placement of a plant in the museum made a statement. No longer would the Stedelijk be an elite temple for art; rather, he wanted the public to become accustomed to contemporary art in a familiar, domestic environment. Artist Inge Meijer investigated the vanished and subsequently forgotten vegetation in the museum during the 1945–1983 period for this book, rendering its history once again visible.
Inge Meijer: The plant collection
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When Willem Sandberg, the newly appointed director of Amsterdam’s Stedelijk Museum, held an exhibition in 1946 in honour of Piet Mondrian, he did something quite remarkable. He placed a Swiss cheese plant next to Mondrian’s paintings. For Sandberg, the aesthetic placement of a plant in the museum made a statement. No longer would the Stedelijk be an elite temple for art; rather, he wanted the public to become accustomed to contemporary art in a familiar, domestic environment. Artist Inge Meijer investigated the vanished and subsequently forgotten vegetation in the museum during the 1945–1983 period for this book, rendering its history once again visible.
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livres
livres
Publication:
juillet 2019
juillet 2019
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Monographies photo
Monographies photo
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100 pages : chiefly illustrations ; 31 cm
Description:
100 pages : chiefly illustrations ; 31 cm
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New York : Metropolitan Museum of Art ; New Haven ; London : Yale University Press, [2003]
New York : Metropolitan Museum of Art ; New Haven ; London : Yale University Press, [2003]
Titre:
Light on stone : Greek and Roman sculpture in the Metropolitan Museum of Art : a photographic essay / photographs by Joseph Coscia, Jr. ; text by Elizabeth Milleker.
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100 pages : chiefly illustrations ; 31 cm
Light on stone : Greek and Roman sculpture in the Metropolitan Museum of Art : a photographic essay / photographs by Joseph Coscia, Jr. ; text by Elizabeth Milleker.
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100 pages : chiefly illustrations ; 31 cm
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New York : Metropolitan Museum of Art ; New Haven ; London : Yale University Press, [2003]
New York : Metropolitan Museum of Art ; New Haven ; London : Yale University Press, [2003]
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
Publication:
avril 2012
avril 2012
Titre:
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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livres
Publication:
avril 2012
avril 2012
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livres
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$50.50
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into(...)
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into(...)
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...Someone always had a camera. Private photography in East Germany, 1980–2000
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into terminal decline and then an entire society was turned upside down goes all but unseen in the pictures of children on their first day at school, weekend jaunts, and people exchanging Christmas presents. "... someone always had a camera ..." takes stock of a project that, since 2020, has been looking at private albums from these two decades to examine the world of private images they contain, informed by interviews with contemporary witnesses. In the essays in this volume, private photography is treated as a social practice, and the authors discuss how images were produced, organized in albums, and viewed, and how political conditions were registered in them.
...Someone always had a camera. Private photography in East Germany, 1980–2000
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into terminal decline and then an entire society was turned upside down goes all but unseen in the pictures of children on their first day at school, weekend jaunts, and people exchanging Christmas presents. "... someone always had a camera ..." takes stock of a project that, since 2020, has been looking at private albums from these two decades to examine the world of private images they contain, informed by interviews with contemporary witnesses. In the essays in this volume, private photography is treated as a social practice, and the authors discuss how images were produced, organized in albums, and viewed, and how political conditions were registered in them.
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livres
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Publication:
avril 2025
avril 2025
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Photographie- collections
Photographie- collections
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[10], 60 p. : ill., plan ; 23 cm.
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[10], 60 p. : ill., plan ; 23 cm.
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Harrow : J.C. Wilbee, 1894.
Harrow : J.C. Wilbee, 1894.
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Catalogue of a series of photographs, illustrating the development of Gothic architecture in England : presented to the Butler Museum, Harrow School / by Samuel Gardner.
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[10], 60 p. : ill., plan ; 23 cm.
Catalogue of a series of photographs, illustrating the development of Gothic architecture in England : presented to the Butler Museum, Harrow School / by Samuel Gardner.
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[10], 60 p. : ill., plan ; 23 cm.
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Harrow : J.C. Wilbee, 1894.
Harrow : J.C. Wilbee, 1894.
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Description:
231 pages : illustrations ; 21 x 26 cm
Description:
231 pages : illustrations ; 21 x 26 cm
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Morgantown : West Virginia University Press, 2012.
Morgantown : West Virginia University Press, 2012.
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New Deal photographs of West Virginia, 1934-1943 / edited by Betty Rivard ; foreword by Carl Fleischhauer ; introduction by Jerry Bruce Thomas.
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231 pages : illustrations ; 21 x 26 cm
New Deal photographs of West Virginia, 1934-1943 / edited by Betty Rivard ; foreword by Carl Fleischhauer ; introduction by Jerry Bruce Thomas.
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231 pages : illustrations ; 21 x 26 cm
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Morgantown : West Virginia University Press, 2012.
Morgantown : West Virginia University Press, 2012.
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$40.00
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Ce projet regroupe la travail de huit passionnés de l'image photographique qui ont beaucoup plus en tête la finalité que représente l'image à exposer que le chemin à emprunter pour y parvenir.
$40.00
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Ce projet regroupe la travail de huit passionnés de l'image photographique qui ont beaucoup plus en tête la finalité que représente l'image à exposer que le chemin à emprunter pour y parvenir.
Sujet:
Photographie- collections
Photographie- collections
Publication:
septembre 2015
septembre 2015
Titre:
Autrement en photographie / other ways in photography
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$40.00
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Ce projet regroupe la travail de huit passionnés de l'image photographique qui ont beaucoup plus en tête la finalité que représente l'image à exposer que le chemin à emprunter pour y parvenir.
Autrement en photographie / other ways in photography
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$40.00
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Ce projet regroupe la travail de huit passionnés de l'image photographique qui ont beaucoup plus en tête la finalité que représente l'image à exposer que le chemin à emprunter pour y parvenir.
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livres
livres
Publication:
septembre 2015
septembre 2015
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Photographie- collections
Photographie- collections
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livres
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The future of yesterday / Ives Maes ; [texts, Elena Filipovic, Catherine L. Futter, and others].
The future of yesterday / Ives Maes ; [texts, Elena Filipovic, Catherine L. Futter, and others].
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Description:
220 pages : illustrations ; 29 cm
Description:
220 pages : illustrations ; 29 cm
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Amsterdam : Ludion, 2013.
Amsterdam : Ludion, 2013.
Titre:
The future of yesterday / Ives Maes ; [texts, Elena Filipovic, Catherine L. Futter, and others].
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Description:
220 pages : illustrations ; 29 cm
The future of yesterday / Ives Maes ; [texts, Elena Filipovic, Catherine L. Futter, and others].
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220 pages : illustrations ; 29 cm
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Amsterdam : Ludion, 2013.
Amsterdam : Ludion, 2013.
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73 pages, 51 unnumbered pages of plates : color illustrations ; 19 cm
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73 pages, 51 unnumbered pages of plates : color illustrations ; 19 cm
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Berlin : Bom Dia Boa Tarde Boa Noite, [2023], ©2023
Berlin : Bom Dia Boa Tarde Boa Noite, [2023], ©2023
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Dopostoria / Christoph Keller.
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73 pages, 51 unnumbered pages of plates : color illustrations ; 19 cm
Dopostoria / Christoph Keller.
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73 pages, 51 unnumbered pages of plates : color illustrations ; 19 cm
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Berlin : Bom Dia Boa Tarde Boa Noite, [2023], ©2023
Berlin : Bom Dia Boa Tarde Boa Noite, [2023], ©2023
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$29.95
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with(...)
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with(...)
Titre:
Outsiders: American photography and film ,1950s-1980
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs.
Outsiders: American photography and film ,1950s-1980
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs.
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livres
livres
Publication:
avril 2016
avril 2016
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Photographie- collections
Photographie- collections
