33365 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Antologico… Enciclopedico [Anthological... Encyclopedic] (2012)
Actions:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Antologico… Enciclopedico [Anthological... Encyclopedic] (2012)
Actions:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
circa 2013
circa 2013
Titre:
Testacoda [Back to Surface] (2013)
Actions:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
Testacoda [Back to Surface] (2013)
Actions:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
circa 2013
circa 2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Personnes et institutions:
Date:
1926-1927
1926-1927
Titre:
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Niveau de description archivistique:
project
project
Date:
1926-1927
1926-1927
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Niveau de description archivistique:
Series
Series
Date:
1958-2016
1958-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
National Competition for the Calgary Olympic Arches
Actions:
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
National Competition for the Calgary Olympic Arches
Actions:
AP066.S3.D6
Description:
Le dossier documente la soumission pour le concours sur invitation tenu en hiver 1987 pour des arches des "Olympic Winter Games" de 1988, à Calgary, Alberta. Le dossier contient des dessins, des documents textuels, des photographies, une maquette et une reprographie. Objectifs du concours: "Twenty Canadian architects have been commissioned to submit designs for a ceremonial Olympic arch that will capture the spirit of the Olympic Winter Games in Calgary. The models and accompanying drawings will be exhibited during the Olympic Arts Festival, next Jan. 23 to Feb. 28." The Globe and Mail, 27 février 1987. Description du projet: "It explores the theme of "Boundary" as space. It delineates the outside and the outside, skin and structure, tension and pressure. It assembles the given and the withheld, the synthesis and the enigma." Jacques Rousseau, extrait du texte faisant partie de la soumission du projet (25-03-1987)
Niveau de description archivistique:
Dossier 6
Dossier 6
Date:
1987-1988
1987-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1973.PR24
Description:
This project series documents furnishings for the Toronto Sun building in downtown Toronto from 1973-1975. The office identified the project number as 7324. This project consisted of the detailed planning of layouts for furnishings inside the Toronto Sun press plant and office building at 333 King Street East, which was constructed by Parkin Architects Planners beginning in the same year. The furnishings included lighting, cabinets, appliances, furniture, partitions and carpeting as well as special considerations for departments such as the photo lab, engraving, and publishing. The project is recorded through drawings and textual records dating from around 1973-1975. The drawings consist mainly of floor plans showing detailed layouts of the building. The textual records include correspondence, conference reports, interoffice letters and the process description.
AP018.S1.1973.PR24
Description:
This project series documents furnishings for the Toronto Sun building in downtown Toronto from 1973-1975. The office identified the project number as 7324. This project consisted of the detailed planning of layouts for furnishings inside the Toronto Sun press plant and office building at 333 King Street East, which was constructed by Parkin Architects Planners beginning in the same year. The furnishings included lighting, cabinets, appliances, furniture, partitions and carpeting as well as special considerations for departments such as the photo lab, engraving, and publishing. The project is recorded through drawings and textual records dating from around 1973-1975. The drawings consist mainly of floor plans showing detailed layouts of the building. The textual records include correspondence, conference reports, interoffice letters and the process description.
Personnes et institutions:
Date:
circa 1973-1975
circa 1973-1975
Titre:
The Toronto Sun Publishing Limited, Press Plant and Office Building, Detailed Layouts, Toronto (1973)
Actions:
AP018.S1.1973.PR24
Description:
This project series documents furnishings for the Toronto Sun building in downtown Toronto from 1973-1975. The office identified the project number as 7324. This project consisted of the detailed planning of layouts for furnishings inside the Toronto Sun press plant and office building at 333 King Street East, which was constructed by Parkin Architects Planners beginning in the same year. The furnishings included lighting, cabinets, appliances, furniture, partitions and carpeting as well as special considerations for departments such as the photo lab, engraving, and publishing. The project is recorded through drawings and textual records dating from around 1973-1975. The drawings consist mainly of floor plans showing detailed layouts of the building. The textual records include correspondence, conference reports, interoffice letters and the process description.
The Toronto Sun Publishing Limited, Press Plant and Office Building, Detailed Layouts, Toronto (1973)
Actions:
AP018.S1.1973.PR24
Description:
This project series documents furnishings for the Toronto Sun building in downtown Toronto from 1973-1975. The office identified the project number as 7324. This project consisted of the detailed planning of layouts for furnishings inside the Toronto Sun press plant and office building at 333 King Street East, which was constructed by Parkin Architects Planners beginning in the same year. The furnishings included lighting, cabinets, appliances, furniture, partitions and carpeting as well as special considerations for departments such as the photo lab, engraving, and publishing. The project is recorded through drawings and textual records dating from around 1973-1975. The drawings consist mainly of floor plans showing detailed layouts of the building. The textual records include correspondence, conference reports, interoffice letters and the process description.
Niveau de description archivistique:
Project
Project
Date:
circa 1973-1975
circa 1973-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1970.PR05
Description:
This project series documents an expansion to a warehouse at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70059. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing cargo block B warehouse, with the planning of future expansions to this building and its adjacent offices. The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, details, sections, elevations and electrical drawings.
AP018.S1.1970.PR05
Description:
This project series documents an expansion to a warehouse at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70059. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing cargo block B warehouse, with the planning of future expansions to this building and its adjacent offices. The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, details, sections, elevations and electrical drawings.
Personnes et institutions:
Date:
1970
1970
Titre:
Warehouse Expansion Block B, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR05
Description:
This project series documents an expansion to a warehouse at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70059. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing cargo block B warehouse, with the planning of future expansions to this building and its adjacent offices. The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, details, sections, elevations and electrical drawings.
Warehouse Expansion Block B, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR05
Description:
This project series documents an expansion to a warehouse at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70059. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing cargo block B warehouse, with the planning of future expansions to this building and its adjacent offices. The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, details, sections, elevations and electrical drawings.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1973.PR11
Description:
This project series documents a feasibility study for the Ontario Association of Architects headquarters in Toronto from 1973-1975. The office identified the project number as 7311. This project consisted of an investigation into the feasibility of purchasing an additional lot next to the headquarters building so an expansion could be completed. This study also looked at the possibility of an addition on the back of the building, and the state of the electrical and mechanical systems at that time. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through textual records dating from 1973-1975, which consist of correspondence, conference reports, interoffice letters, and consultancy records.
AP018.S1.1973.PR11
Description:
This project series documents a feasibility study for the Ontario Association of Architects headquarters in Toronto from 1973-1975. The office identified the project number as 7311. This project consisted of an investigation into the feasibility of purchasing an additional lot next to the headquarters building so an expansion could be completed. This study also looked at the possibility of an addition on the back of the building, and the state of the electrical and mechanical systems at that time. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through textual records dating from 1973-1975, which consist of correspondence, conference reports, interoffice letters, and consultancy records.
Personnes et institutions:
Date:
1973-1975
1973-1975
Titre:
Ontario Association of Architects, Feasibility Study, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR11
Description:
This project series documents a feasibility study for the Ontario Association of Architects headquarters in Toronto from 1973-1975. The office identified the project number as 7311. This project consisted of an investigation into the feasibility of purchasing an additional lot next to the headquarters building so an expansion could be completed. This study also looked at the possibility of an addition on the back of the building, and the state of the electrical and mechanical systems at that time. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through textual records dating from 1973-1975, which consist of correspondence, conference reports, interoffice letters, and consultancy records.
Ontario Association of Architects, Feasibility Study, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR11
Description:
This project series documents a feasibility study for the Ontario Association of Architects headquarters in Toronto from 1973-1975. The office identified the project number as 7311. This project consisted of an investigation into the feasibility of purchasing an additional lot next to the headquarters building so an expansion could be completed. This study also looked at the possibility of an addition on the back of the building, and the state of the electrical and mechanical systems at that time. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through textual records dating from 1973-1975, which consist of correspondence, conference reports, interoffice letters, and consultancy records.
Niveau de description archivistique:
Project
Project
Date:
1973-1975
1973-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
Personnes et institutions:
Date:
1973-1982
1973-1982
Titre:
Ottawa Health Sciences Centre, Conceptual Site Planning Easterly and Westerly Auxiliary Lands, Ottawa, Ontario (1978-1979)
Actions:
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
Ottawa Health Sciences Centre, Conceptual Site Planning Easterly and Westerly Auxiliary Lands, Ottawa, Ontario (1978-1979)
Actions:
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
Niveau de description archivistique:
Project
Project
Date:
1973-1982
1973-1982
Personnes et institutions:
