29901 Résultats
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Personnes et institutions:
Date:
1957-2002
1957-2002
Titre:
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Classification:
archives
Niveau de description archivistique:
Collection 172
archives
Niveau de description archivistique:
Collection 172
Date:
1957-2002
1957-2002
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Personnes et institutions:
Date:
1989-1999, predominant 1989-1994
1989-1999, predominant 1989-1994
Titre:
Drawings and other graphic material
Actions:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Drawings and other graphic material
Actions:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Niveau de description archivistique:
Series 2
Series 2
Date:
1989-1999, predominant 1989-1994
1989-1999, predominant 1989-1994
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S4.D5
Description:
Documents relating to the exhibition "Myron Goldsmith: Poet of Structure", at the CCA from 13 March to 21 June, 1991. Papers include correspondence, catalogue text drafts, press clippings, mailing lists, brochures, notes and notebook, loan agreement, pledge request and photos of Chimanbhai House by Le Corbusier.
AP032.S4.D5
Description:
Documents relating to the exhibition "Myron Goldsmith: Poet of Structure", at the CCA from 13 March to 21 June, 1991. Papers include correspondence, catalogue text drafts, press clippings, mailing lists, brochures, notes and notebook, loan agreement, pledge request and photos of Chimanbhai House by Le Corbusier.
Personnes et institutions:
Date:
1991
1991
Titre:
Myron Goldsmith: Poet of Structure
Actions:
AP032.S4.D5
Description:
Documents relating to the exhibition "Myron Goldsmith: Poet of Structure", at the CCA from 13 March to 21 June, 1991. Papers include correspondence, catalogue text drafts, press clippings, mailing lists, brochures, notes and notebook, loan agreement, pledge request and photos of Chimanbhai House by Le Corbusier.
Myron Goldsmith: Poet of Structure
Actions:
AP032.S4.D5
Description:
Documents relating to the exhibition "Myron Goldsmith: Poet of Structure", at the CCA from 13 March to 21 June, 1991. Papers include correspondence, catalogue text drafts, press clippings, mailing lists, brochures, notes and notebook, loan agreement, pledge request and photos of Chimanbhai House by Le Corbusier.
Niveau de description archivistique:
File 5
File 5
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Personnes et institutions:
Date:
2008
2008
Titre:
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Niveau de description archivistique:
Subseries
Subseries
Date:
2008
2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Personnes et institutions:
Date:
1926-1927
1926-1927
Titre:
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Niveau de description archivistique:
project
project
Date:
1926-1927
1926-1927
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Personnes et institutions:
Date:
2004-2005, predominant 2005
2004-2005, predominant 2005
Titre:
Aichi, exposición (2005)
Actions:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Aichi, exposición (2005)
Actions:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
2004-2005, predominant 2005
2004-2005, predominant 2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
San Diego Convention Center
San Diego Convention Center
Numéro de référence:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
Personnes et institutions:
Date:
1981-1985
1981-1985
Titre:
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
Niveau de description archivistique:
Project
Project
Date:
1981-1985
1981-1985
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Walls Paper
Walls Paper
Numéro de référence:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Personnes et institutions:
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
Titre:
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Niveau de description archivistique:
File 32
File 32
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Carol Goodden
Collection Carol Goodden
Numéro de référence:
CD028
Résumé:
The Carol Goodden collection primarily documents photocopies of letters and postcards from Gordon Matta-Clark to Carol Goodden written between 1971 and 1978. Additionally, the collection includes an interview with, and writings by Goodden, including an essay on the restaurant "Food" and a copy of her autobiography.
CD028
Résumé:
The Carol Goodden collection primarily documents photocopies of letters and postcards from Gordon Matta-Clark to Carol Goodden written between 1971 and 1978. Additionally, the collection includes an interview with, and writings by Goodden, including an essay on the restaurant "Food" and a copy of her autobiography.
Personnes et institutions:
Date:
circa 1946-2009
circa 1946-2009
Titre:
Collection Carol Goodden
Actions:
CD028
Résumé:
The Carol Goodden collection primarily documents photocopies of letters and postcards from Gordon Matta-Clark to Carol Goodden written between 1971 and 1978. Additionally, the collection includes an interview with, and writings by Goodden, including an essay on the restaurant "Food" and a copy of her autobiography.
Collection Carol Goodden
Actions:
CD028
Résumé:
The Carol Goodden collection primarily documents photocopies of letters and postcards from Gordon Matta-Clark to Carol Goodden written between 1971 and 1978. Additionally, the collection includes an interview with, and writings by Goodden, including an essay on the restaurant "Food" and a copy of her autobiography.
Classification:
archives
Niveau de description archivistique:
Documentary Collection 28
archives
Niveau de description archivistique:
Documentary Collection 28
Date:
circa 1946-2009
circa 1946-2009
Personnes et institutions:
