33366 Résultats
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0342
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "DORICA[E]", this is not one of the traditional orders of architecture: the acanthus leaves on the capital suggest a Corinthian model while other details, such as the dolphin heads, suggest a more personal interpretation. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of this print is unknown.
DR1987:0342
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "DORICA[E]", this is not one of the traditional orders of architecture: the acanthus leaves on the capital suggest a Corinthian model while other details, such as the dolphin heads, suggest a more personal interpretation. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of this print is unknown.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1543
1543
Titre:
Design for the capital and base of a column
Actions:
DR1987:0342
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "DORICA[E]", this is not one of the traditional orders of architecture: the acanthus leaves on the capital suggest a Corinthian model while other details, such as the dolphin heads, suggest a more personal interpretation. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of this print is unknown.
Design for the capital and base of a column
Actions:
DR1987:0342
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "DORICA[E]", this is not one of the traditional orders of architecture: the acanthus leaves on the capital suggest a Corinthian model while other details, such as the dolphin heads, suggest a more personal interpretation. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of this print is unknown.
Classification:
oeuvres d'art
oeuvres d'art
Date:
1543
1543
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Actions:
Description:
Cette exposition se consacre aux projets architecturaux récents de Stephen Taylor à Londres et de Ryue Nishizawa à Tokyo, qui proposent de nouvelles approches de la vie en milieu urbain. Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa marque la première présentation en Amérique du Nord des projets résidentiels de Taylor et Nishizawa(...)
Cette exposition se consacre aux projets architecturaux récents de Stephen Taylor à Londres et de Ryue Nishizawa à Tokyo, qui proposent de nouvelles approches de la vie en milieu urbain. Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa marque la première présentation en Amérique du Nord des projets résidentiels de Taylor et Nishizawa(...)
Localisation:
Salles principales
Salles principales
Date:
14 mai 2008 au 26 octobre 2008
14 mai 2008 au 26 octobre 2008
Titre:
Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa
Actions:
Description:
Cette exposition se consacre aux projets architecturaux récents de Stephen Taylor à Londres et de Ryue Nishizawa à Tokyo, qui proposent de nouvelles approches de la vie en milieu urbain. Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa marque la première présentation en Amérique du Nord des projets résidentiels de Taylor et Nishizawa(...)
Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa
Actions:
Description:
Cette exposition se consacre aux projets architecturaux récents de Stephen Taylor à Londres et de Ryue Nishizawa à Tokyo, qui proposent de nouvelles approches de la vie en milieu urbain. Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa marque la première présentation en Amérique du Nord des projets résidentiels de Taylor et Nishizawa(...)
Classification:
expositions
expositions
Date:
14 mai 2008 au
26 octobre 2008
14 mai 2008 au
26 octobre 2008
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Titre:
Strike
Strike
Numéro de référence:
AP144.S2.D99
Description:
File documents the exhibition design for 'Remember 1926: An Exhibition on the General Strike' which took place in July 1976 at the Flower Market in Covent Garden, London, England. Cedric Price was the architect for the exhibition which was organized by the Committee to Commemorate the 50th Anniversary of the General Strike. Archigram appear as collaborators for projection and photographic materials. Competition drawings for Domain (AP144.S2.D108) are included in the file. Material in the file was produced between 1976 and 1977. Many of the drawings in group DR2004:1273 in Strike (AP144.S2.D99) are attributed to David Price. The Small Works Department of Sir Robert McAlpine & Sons Ltd were involved in the exhibition installation. File contains design drawings, photographic materials, posters, a model, and textual records.
AP144.S2.D99
Description:
File documents the exhibition design for 'Remember 1926: An Exhibition on the General Strike' which took place in July 1976 at the Flower Market in Covent Garden, London, England. Cedric Price was the architect for the exhibition which was organized by the Committee to Commemorate the 50th Anniversary of the General Strike. Archigram appear as collaborators for projection and photographic materials. Competition drawings for Domain (AP144.S2.D108) are included in the file. Material in the file was produced between 1976 and 1977. Many of the drawings in group DR2004:1273 in Strike (AP144.S2.D99) are attributed to David Price. The Small Works Department of Sir Robert McAlpine & Sons Ltd were involved in the exhibition installation. File contains design drawings, photographic materials, posters, a model, and textual records.
Personnes et institutions:
Date:
1976-1977
1976-1977
Titre:
Strike
Actions:
AP144.S2.D99
Description:
File documents the exhibition design for 'Remember 1926: An Exhibition on the General Strike' which took place in July 1976 at the Flower Market in Covent Garden, London, England. Cedric Price was the architect for the exhibition which was organized by the Committee to Commemorate the 50th Anniversary of the General Strike. Archigram appear as collaborators for projection and photographic materials. Competition drawings for Domain (AP144.S2.D108) are included in the file. Material in the file was produced between 1976 and 1977. Many of the drawings in group DR2004:1273 in Strike (AP144.S2.D99) are attributed to David Price. The Small Works Department of Sir Robert McAlpine & Sons Ltd were involved in the exhibition installation. File contains design drawings, photographic materials, posters, a model, and textual records.
Strike
Actions:
AP144.S2.D99
Description:
File documents the exhibition design for 'Remember 1926: An Exhibition on the General Strike' which took place in July 1976 at the Flower Market in Covent Garden, London, England. Cedric Price was the architect for the exhibition which was organized by the Committee to Commemorate the 50th Anniversary of the General Strike. Archigram appear as collaborators for projection and photographic materials. Competition drawings for Domain (AP144.S2.D108) are included in the file. Material in the file was produced between 1976 and 1977. Many of the drawings in group DR2004:1273 in Strike (AP144.S2.D99) are attributed to David Price. The Small Works Department of Sir Robert McAlpine & Sons Ltd were involved in the exhibition installation. File contains design drawings, photographic materials, posters, a model, and textual records.
Niveau de description archivistique:
File 99
File 99
Date:
1976-1977
1976-1977
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Circlorama
Circlorama
Numéro de référence:
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
Personnes et institutions:
Date:
1962-1964, 1967
1962-1964, 1967
Titre:
Circlorama
Actions:
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
Circlorama
Actions:
AP144.S2.D51
Description:
File documents proposals for a portable circular cinema for Circlorama Theatres Limited, of London, England, United Kingdom. Thumbnail sketches show positioning of concrete bases; erection of the cinema, central tower, and trussed wall frames; and the installation of the radially-trussed roof, interior fixtures, and exterior aluminum cladding. Diagrammatic sections show alternate designs for the structure and structural systems. A flow diagram illustrates projected circulation patterns. Also included in the group are fabrication drawings for the cinema by various consultants which Price may have used for reference purposes. Material in this file was produced between 1962 and 1964. File contains drawings by the following firms: Lawrence Colebrook (Construction Equipment) Co. Ltd, Andrew Smith Harkness Ltd, Cotton Ballard & Blow Architects & Surveyors. File contains design development drawings and textual records.
Niveau de description archivistique:
File 51
File 51
Date:
1962-1964, 1967
1962-1964, 1967
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
Personnes et institutions:
Date:
1955-1996, predominant 1986-1996
1955-1996, predominant 1986-1996
Titre:
Aronoff Center for Design and Art (DAAP), University of Cincinnati, Ohio
Actions:
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
Aronoff Center for Design and Art (DAAP), University of Cincinnati, Ohio
Actions:
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
Niveau de description archivistique:
File 78
File 78
Date:
1955-1996, predominant 1986-1996
1955-1996, predominant 1986-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
circa 2014
circa 2014
Titre:
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
circa 2014
circa 2014
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
L'anarchitetto (1973)
L'anarchitetto (1973)
Numéro de référence:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Personnes et institutions:
Date:
2001-2010
2001-2010
Titre:
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
2001-2010
2001-2010
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
Personnes et institutions:
Date:
1970
1970
Titre:
Office Expansion Block B, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
Office Expansion Block B, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR10
Description:
This project series documents an expansion to an office building at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70060. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of an expansion of the existing offices attached to cargo block B warehouse. The warehouse was also undergoing expansion at this time (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1970, which include site and floor plans, sections, elevations and electrical and mechanical drawings.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Personnes et institutions:
Date:
1992-1996
1992-1996
Titre:
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Niveau de description archivistique:
Project
Project
Date:
1992-1996
1992-1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Research
Research
Numéro de référence:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Personnes et institutions:
Date:
1929-1993
1929-1993
Titre:
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Niveau de description archivistique:
Series
Series
Date:
1929-1993
1929-1993
Personnes et institutions:
