2644 Résultats
Classification:
livres
livres
Exemplaires:
Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Auteur:
Sujet:
- Sultans Tanzania Zanzibar Biography.,
- Sultans Tanzanie Zanzibar Biographies.,
- East Africa.,
- Zanzibar.,
- Oman.,
- United Kingdom.,
- colonial conquest.,
- colonialism.,
- Politics and government,
- International relations,
- Sultans,
- Zanzibar Politics and government To 1964.,
- Oman Relations Tanzania Zanzibar.,
- Zanzibar Relations Oman.,
- Zanzibar Politique et gouvernement Jusqu'à 1964.,
- Tanzania Zanzibar,
- Biographies
Publication:
New Delhi : Lancers Books, 1988.
New Delhi : Lancers Books, 1988.
Titre:
Omani sultans in Zanzibar, 1832-1964 / Ahmed Hamoud al-Maamiry.
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Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Omani sultans in Zanzibar, 1832-1964 / Ahmed Hamoud al-Maamiry.
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Exemplaires:
Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Classification:
livres
livres
Publication:
New Delhi : Lancers Books, 1988.
New Delhi : Lancers Books, 1988.
Auteur:
Sujet:
- Sultans Tanzania Zanzibar Biography.,
- Sultans Tanzanie Zanzibar Biographies.,
- East Africa.,
- Zanzibar.,
- Oman.,
- United Kingdom.,
- colonial conquest.,
- colonialism.,
- Politics and government,
- International relations,
- Sultans,
- Zanzibar Politics and government To 1964.,
- Oman Relations Tanzania Zanzibar.,
- Zanzibar Relations Oman.,
- Zanzibar Politique et gouvernement Jusqu'à 1964.,
- Tanzania Zanzibar,
- Biographies
Classification:
livres
livres
Actions:
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Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Auteur:
Sujet:
- Wooden-frame houses Massachusetts.,
- Architecture Massachusetts History.,
- Architecture, Colonial Massachusetts.,
- Architecture, Domestic Massachusetts.,
- Architecture United States English influences.,
- Historic buildings Massachusetts.,
- Maisons en bois Massachusetts (Colonie),
- Architecture Massachusetts (Colonie) 17e siècle.,
- Architecture Massachusetts (Colonie) 18e siècle.,
- Architecture coloniale Massachusetts (Colonie),
- Architecture domestique Massachusetts (Colonie),
- Architecture États-Unis Influence anglaise.,
- Monuments historiques Massachusetts.,
- Architecture Massachusetts Histoire.,
- Architecture coloniale Massachusetts.,
- Architecture.,
- Architecture, Colonial.,
- Architecture, Domestic.,
- Architecture English influences.,
- Historic buildings.,
- Wooden-frame houses.,
- Haus,
- Architecture, Modern Massachusetts History.,
- World War, 1914-1918 Great Britain Fiction.,
- Large print books.,
- Massachusetts.,
- United States.,
- Great Britain Fiction.,
- Massachusetts Massachusetts Bay region Timber framed houses Architectural features, 1625-1725,
- History.,
- Love stories.
Publication:
Cambridge, Mass. : Belknap Press, 1979.
Cambridge, Mass. : Belknap Press, 1979.
Titre:
The framed houses of Massachusetts Bay, 1625-1725 / Abbott Lowell Cummings.
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Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
The framed houses of Massachusetts Bay, 1625-1725 / Abbott Lowell Cummings.
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Exemplaires:
Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : Belknap Press, 1979.
Cambridge, Mass. : Belknap Press, 1979.
Auteur:
Sujet:
- Wooden-frame houses Massachusetts.,
- Architecture Massachusetts History.,
- Architecture, Colonial Massachusetts.,
- Architecture, Domestic Massachusetts.,
- Architecture United States English influences.,
- Historic buildings Massachusetts.,
- Maisons en bois Massachusetts (Colonie),
- Architecture Massachusetts (Colonie) 17e siècle.,
- Architecture Massachusetts (Colonie) 18e siècle.,
- Architecture coloniale Massachusetts (Colonie),
- Architecture domestique Massachusetts (Colonie),
- Architecture États-Unis Influence anglaise.,
- Monuments historiques Massachusetts.,
- Architecture Massachusetts Histoire.,
- Architecture coloniale Massachusetts.,
- Architecture.,
- Architecture, Colonial.,
- Architecture, Domestic.,
- Architecture English influences.,
- Historic buildings.,
- Wooden-frame houses.,
- Haus,
- Architecture, Modern Massachusetts History.,
- World War, 1914-1918 Great Britain Fiction.,
- Large print books.,
- Massachusetts.,
- United States.,
- Great Britain Fiction.,
- Massachusetts Massachusetts Bay region Timber framed houses Architectural features, 1625-1725,
- History.,
- Love stories.
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Classification:
livres
livres
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Classification:
livres
livres
Sujet:
- Imperialism,
- Cosmology,
- Motion pictures,
- Culture and globalization,
- Historiography,
- Natural Resources,
- Racism,
- Sociology,
- Violence,
- Text
Publication:
Centre for Contemporary Arts, Glasgow 2021
Centre for Contemporary Arts, Glasgow 2021
Classification:
livres
livres
Publication:
Centre for Contemporary Arts, Glasgow 2021
Centre for Contemporary Arts, Glasgow 2021
Sujet:
- Imperialism,
- Cosmology,
- Motion pictures,
- Culture and globalization,
- Historiography,
- Natural Resources,
- Racism,
- Sociology,
- Violence,
- Text
Classification:
livres
livres
Titre:
Old Hanoi / Mark Sidel.
Old Hanoi / Mark Sidel.
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Description:
vii, 72 pages : illustrations (some color) ; 20 cm.
Description:
vii, 72 pages : illustrations (some color) ; 20 cm.
Auteur:
Sujet:
- Airplanes Motors.,
- Architecture Vietnam Hanoi.,
- Travel.,
- Hanoi (Vietnam) History.,
- Hanoi (Vietnam) Description and travel.,
- Hanoi (Viêt-nam) Histoire.,
- Hanoi (Viêt-nam) Descriptions et voyages.,
- Vietnam Hanoi.,
- History.
Publication:
Kuala Lumpur ; New York : Oxford University Press, 1998.
Kuala Lumpur ; New York : Oxford University Press, 1998.
Titre:
Old Hanoi / Mark Sidel.
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Description:
vii, 72 pages : illustrations (some color) ; 20 cm.
Old Hanoi / Mark Sidel.
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Description:
vii, 72 pages : illustrations (some color) ; 20 cm.
Classification:
livres
livres
Publication:
Kuala Lumpur ; New York : Oxford University Press, 1998.
Kuala Lumpur ; New York : Oxford University Press, 1998.
Auteur:
Sujet:
- Airplanes Motors.,
- Architecture Vietnam Hanoi.,
- Travel.,
- Hanoi (Vietnam) History.,
- Hanoi (Vietnam) Description and travel.,
- Hanoi (Viêt-nam) Histoire.,
- Hanoi (Viêt-nam) Descriptions et voyages.,
- Vietnam Hanoi.,
- History.
Classification:
livres
livres
Exemplaires:
Description:
xii, 70 pages illustrations, plans 25 cm
Description:
xii, 70 pages illustrations, plans 25 cm
Auteur:
Sujet:
Publication:
[Hobart] Tasmanian Historical Research Association, 1962.
[Hobart] Tasmanian Historical Research Association, 1962.
Titre:
John Lee Archer, Tasmanian architect and engineer.
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Description:
xii, 70 pages illustrations, plans 25 cm
John Lee Archer, Tasmanian architect and engineer.
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Description:
xii, 70 pages illustrations, plans 25 cm
Classification:
livres
livres
Publication:
[Hobart] Tasmanian Historical Research Association, 1962.
[Hobart] Tasmanian Historical Research Association, 1962.
Auteur:
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Classification:
livres
livres
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Description:
xi, 143 pages ; 22 cm.
Description:
xi, 143 pages ; 22 cm.
Auteur:
Sujet:
- Bhabha, Homi K., 1949-,
- Architecture Philosophy.,
- Architecture Philosophie.
Publication:
London : Routledge, 2009.
London : Routledge, 2009.
Titre:
Bhabha for architects / by Felipe Hernandez.
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Description:
xi, 143 pages ; 22 cm.
Bhabha for architects / by Felipe Hernandez.
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Exemplaires:
Description:
xi, 143 pages ; 22 cm.
Classification:
livres
livres
Publication:
London : Routledge, 2009.
London : Routledge, 2009.
Auteur:
Sujet:
- Bhabha, Homi K., 1949-,
- Architecture Philosophy.,
- Architecture Philosophie.
Classification:
livres
livres
Prix:
$69.95
(disponible sur commande)
Résumé:
Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth(...)
$69.95
(disponible sur commande)
Résumé:
Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth(...)
Publication:
août 2001, New York
août 2001, New York
Titre:
Casablanca : colonial myths and architectural ventures
Actions:
Prix:
$69.95
(disponible sur commande)
Résumé:
Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth century, attracting remarkable teams of architects and planners. Their commissions came from clients who were interested in innovation and modernization, thereby fostering the emergence of Casablanca as a laboratory for legislative, technological, and visual experimentation. Having studied the city for ten years, Jean-Louis Cohen and Monique Eleb trace, from the late nineteenth century to the early 1960s, the rebirth of a once-forgotten port and its metamorphosis into a teeming metropolis that is an amalgam of Mediterranean culture from Tunisia, Algeria, Spain, and Italy. The extensive presentation of the significant buildings of this hybrid city -- where, alongside the French, Muslim and Jewish Moroccan patrons commissioned provocative buildings -- is drawn from French and Moroccan archives, including hundreds of previously unpublished photographs.
Casablanca : colonial myths and architectural ventures
Actions:
Prix:
$69.95
(disponible sur commande)
Résumé:
Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth century, attracting remarkable teams of architects and planners. Their commissions came from clients who were interested in innovation and modernization, thereby fostering the emergence of Casablanca as a laboratory for legislative, technological, and visual experimentation. Having studied the city for ten years, Jean-Louis Cohen and Monique Eleb trace, from the late nineteenth century to the early 1960s, the rebirth of a once-forgotten port and its metamorphosis into a teeming metropolis that is an amalgam of Mediterranean culture from Tunisia, Algeria, Spain, and Italy. The extensive presentation of the significant buildings of this hybrid city -- where, alongside the French, Muslim and Jewish Moroccan patrons commissioned provocative buildings -- is drawn from French and Moroccan archives, including hundreds of previously unpublished photographs.
Classification:
livres
livres
Publication:
août 2001, New York
août 2001, New York
Classification:
audio
audio
Titre:
Land.
Land.
Actions:
Description:
1 online resource.
Auteur:
- Crawford, Kate, 1976-,
- Michel, Arthur Holland,,
- Misrach, Richard,,
- Syms, Martine,,
- Therrien, Noah,,
- Library Stack,,
- SandenWolff,,
- Library Stack.
Sujet:
- Artificial intelligence.,
- Documentary photography.,
- Electronic surveillance in art.,
- Photographic criticism.,
- Intelligence artificielle.,
- Photographie documentaire.,
- Surveillance électronique dans l'art.,
- Critique photographique.,
- artificial intelligence.,
- documentary photography.,
- Podcasts.,
- Émissions baladodiffusées.
Publication:
[Place of publication not identified] : Carnegie Museum of Art, 2021.
[Place of publication not identified] : Carnegie Museum of Art, 2021.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Carnegie Museum of Art, 2021.
[Place of publication not identified] : Carnegie Museum of Art, 2021.
Auteur:
- Crawford, Kate, 1976-,
- Michel, Arthur Holland,,
- Misrach, Richard,,
- Syms, Martine,,
- Therrien, Noah,,
- Library Stack,,
- SandenWolff,,
- Library Stack.
Sujet:
- Artificial intelligence.,
- Documentary photography.,
- Electronic surveillance in art.,
- Photographic criticism.,
- Intelligence artificielle.,
- Photographie documentaire.,
- Surveillance électronique dans l'art.,
- Critique photographique.,
- artificial intelligence.,
- documentary photography.,
- Podcasts.,
- Émissions baladodiffusées.
