4455 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS3.005
Description:
Contains documents related to: - Sir Geoffrey Jellicoe Award in 2011 (a certificate congratulating Cornelia Hahn Oberlander from Joyce Murrry, Vancouver M.P. - Golden Jubilee Medal in 2002 (certificate signed by Governor General Adrienne Clarkson, programme for the awards ceremony held 16 Dec. 2002 at the Shaughnessy Golf and Country Club, Vancouver, BC.) - Order of Canada in 1991 (photograph of Cornelia Hahn Oberlander accepting her first Order of Canada - from Governor General Ramon John Hnatyshyn).
AP075.S3.SS3.005
Description:
Contains documents related to: - Sir Geoffrey Jellicoe Award in 2011 (a certificate congratulating Cornelia Hahn Oberlander from Joyce Murrry, Vancouver M.P. - Golden Jubilee Medal in 2002 (certificate signed by Governor General Adrienne Clarkson, programme for the awards ceremony held 16 Dec. 2002 at the Shaughnessy Golf and Country Club, Vancouver, BC.) - Order of Canada in 1991 (photograph of Cornelia Hahn Oberlander accepting her first Order of Canada - from Governor General Ramon John Hnatyshyn).
Personnes et institutions:
Date:
1991-2011
1991-2011
Titre:
Governmental awards received by Cornelia Hahn Oberlander
Actions:
AP075.S3.SS3.005
Description:
Contains documents related to: - Sir Geoffrey Jellicoe Award in 2011 (a certificate congratulating Cornelia Hahn Oberlander from Joyce Murrry, Vancouver M.P. - Golden Jubilee Medal in 2002 (certificate signed by Governor General Adrienne Clarkson, programme for the awards ceremony held 16 Dec. 2002 at the Shaughnessy Golf and Country Club, Vancouver, BC.) - Order of Canada in 1991 (photograph of Cornelia Hahn Oberlander accepting her first Order of Canada - from Governor General Ramon John Hnatyshyn).
Governmental awards received by Cornelia Hahn Oberlander
Actions:
AP075.S3.SS3.005
Description:
Contains documents related to: - Sir Geoffrey Jellicoe Award in 2011 (a certificate congratulating Cornelia Hahn Oberlander from Joyce Murrry, Vancouver M.P. - Golden Jubilee Medal in 2002 (certificate signed by Governor General Adrienne Clarkson, programme for the awards ceremony held 16 Dec. 2002 at the Shaughnessy Golf and Country Club, Vancouver, BC.) - Order of Canada in 1991 (photograph of Cornelia Hahn Oberlander accepting her first Order of Canada - from Governor General Ramon John Hnatyshyn).
Classification:
documents textuels
documents textuels
Date:
1991-2011
1991-2011
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Date:
15 octobre 2016, 15h
15 octobre 2016, 15h
Titre:
Bas Princen : balades à dos de volcan
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Bas Princen : balades à dos de volcan
Actions:
Description:
Lors de cette causerie, le photographe Bas Princen parlera de l’état d’avancement du projet 17 volcans, et évoquera les résonances existant entre les travaux de Franz Wilhelm Junghuhn, les œuvres de photographes néerlandais du début du XXe siècle (comme van Nieuwenhuis) à Java, ainsi que sa propre pratique. Si la découverte de nouveaux lieux semble impossible aujourd’hui,(...)
Classification:
événements
événements
Date:
15 octobre 2016
15h
15 octobre 2016
15h
Classification:
périodiques, photographies
périodiques, photographies
Titre:
Periodicals
Periodicals
Numéro de référence:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Personnes et institutions:
Date:
circa 1957-2015
circa 1957-2015
Titre:
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Classification:
périodiques, photographies
périodiques, photographies
Date:
circa 1957-2015
circa 1957-2015
Personnes et institutions:
Classification:
articles
articles
Titre:
Souvenirs imprévus
Souvenirs imprévus
Actions:
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
Les vies des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Naoya Hatakeyama, conversation, histoire orale
Les vies des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Naoya Hatakeyama, conversation, histoire orale
Publié:
11 septembre 2023
11 septembre 2023
Titre:
Souvenirs imprévus
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Actions:
Souvenirs imprévus
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Personnes et institutions:
Date:
1947, 1970-2012
1947, 1970-2012
Titre:
Fonds Minimum Cost Housing Group
Actions:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Fonds Minimum Cost Housing Group
Actions:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947, 1970-2012
1947, 1970-2012
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic works
Academic works
Numéro de référence:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Personnes et institutions:
Date:
1995-2011
1995-2011
Titre:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Niveau de description archivistique:
Series
Series
Date:
1995-2011
1995-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Jean-Louis Cohen fonds
Jean-Louis Cohen fonds
Numéro de référence:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Personnes et institutions:
Date:
1968 - 2023
1968 - 2023
Titre:
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1968 - 2023
1968 - 2023
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
1973-2017
1973-2017
Titre:
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1973-2017
1973-2017
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
Personnes et institutions:
Date:
circa 1960-2016
circa 1960-2016
Titre:
Kenneth Frampton photographs, certificates, and gifts
Actions:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
Kenneth Frampton photographs, certificates, and gifts
Actions:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
circa 1960-2016
circa 1960-2016
Personnes et institutions:
