190 Résultats
Classification:
livres
livres
Prix:
$143.00
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This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
Titre:
Architecture acoustics: principles and practice, second edition
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$143.00
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This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Architecture acoustics: principles and practice, second edition
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Prix:
$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$25.95
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Résumé:
In ''Permanent Red'', John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true(...)
$25.95
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In ''Permanent Red'', John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true(...)
Titre:
Permanent red: essays in seeing
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$25.95
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In ''Permanent Red'', John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future. First published in 1960, ''Permanent Red'' established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.
Permanent red: essays in seeing
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$25.95
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Résumé:
In ''Permanent Red'', John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future. First published in 1960, ''Permanent Red'' established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.
Classification:
livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Credos IV
Credos IV
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$30.00
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''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown,(...)
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(disponible en magasin)
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''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown,(...)
Publication:
février 2022
février 2022
Titre:
Credos IV
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$30.00
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''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival ''Art in the Open'' in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays. ''Credos IV'' is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
Credos IV
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$30.00
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Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival ''Art in the Open'' in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays. ''Credos IV'' is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
Classification:
livres
livres
Publication:
février 2022
février 2022
Classification:
vidéo
vidéo
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$71.50
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Résumé:
Originally broadcast in April and May of 1998. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic(...)
$71.50
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Résumé:
Originally broadcast in April and May of 1998. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic(...)
Publication:
décembre 2009
décembre 2009
Titre:
From the earth to the moon, Le voyage dans la lune, édition signature
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$71.50
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Résumé:
Originally broadcast in April and May of 1998. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic structure. But each episode is devoted to a crucial aspect of the Apollo program. The cumulative effect is a deep and thorough appreciation of NASA's monumental achievement. With the help of a superlative cast, consistent writing, and a stable of talented directors, Hanks has shared his infectious enthusiasm for space exploration and the inspiring power of conquering the final frontier. 12 épisodes, 12 heures.
From the earth to the moon, Le voyage dans la lune, édition signature
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$71.50
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Résumé:
Originally broadcast in April and May of 1998. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic structure. But each episode is devoted to a crucial aspect of the Apollo program. The cumulative effect is a deep and thorough appreciation of NASA's monumental achievement. With the help of a superlative cast, consistent writing, and a stable of talented directors, Hanks has shared his infectious enthusiasm for space exploration and the inspiring power of conquering the final frontier. 12 épisodes, 12 heures.
Classification:
vidéo
vidéo
Publication:
décembre 2009
décembre 2009
Classification:
livres
livres
Titre:
Jacqueline Hassink: unwired
Jacqueline Hassink: unwired
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$105.00
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"Unwired" combines two concurrent projects by Dutch photographer Jacqueline Hassink (born 1966), both of which address our increasingly digitally connected world. In "Unwired Landscapes", she seeks out those few remaining places where it is still impossible to broadcast a network: remote areas like the Japanese island of Yakushima, the Norwegian group of islands Svalbard(...)
$105.00
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"Unwired" combines two concurrent projects by Dutch photographer Jacqueline Hassink (born 1966), both of which address our increasingly digitally connected world. In "Unwired Landscapes", she seeks out those few remaining places where it is still impossible to broadcast a network: remote areas like the Japanese island of Yakushima, the Norwegian group of islands Svalbard(...)
Titre:
Jacqueline Hassink: unwired
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$105.00
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"Unwired" combines two concurrent projects by Dutch photographer Jacqueline Hassink (born 1966), both of which address our increasingly digitally connected world. In "Unwired Landscapes", she seeks out those few remaining places where it is still impossible to broadcast a network: remote areas like the Japanese island of Yakushima, the Norwegian group of islands Svalbard known as Spitsbergen or the uninhabitable volcanic desert of Iceland, or artificially created dead zones in urban spaces, such as a Digital Detox Hotel in Baden Baden. Her second project, "iPortrait", seems to be the exact opposite of her first: it portrays people immersed in their smartphones in the subways of big cities such as New York, Paris, London, Moscow, Shanghai, Seoul and Tokyo. Here, she reveals the other side of digital networking, showing how it intensifies alienation between people.
Jacqueline Hassink: unwired
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Prix:
$105.00
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Résumé:
"Unwired" combines two concurrent projects by Dutch photographer Jacqueline Hassink (born 1966), both of which address our increasingly digitally connected world. In "Unwired Landscapes", she seeks out those few remaining places where it is still impossible to broadcast a network: remote areas like the Japanese island of Yakushima, the Norwegian group of islands Svalbard known as Spitsbergen or the uninhabitable volcanic desert of Iceland, or artificially created dead zones in urban spaces, such as a Digital Detox Hotel in Baden Baden. Her second project, "iPortrait", seems to be the exact opposite of her first: it portrays people immersed in their smartphones in the subways of big cities such as New York, Paris, London, Moscow, Shanghai, Seoul and Tokyo. Here, she reveals the other side of digital networking, showing how it intensifies alienation between people.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Ryoji Ikeda: dataphonics
Ryoji Ikeda: dataphonics
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
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(disponible sur commande)
Résumé:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
Titre:
Ryoji Ikeda: dataphonics
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$40.00
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Ryoji Ikeda: dataphonics
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$40.00
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Résumé:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Radio territories
Radio territories
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$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
$30.00
(disponible sur commande)
Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
Sujet:
Acoustique
Acoustique
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Titre:
Radio territories
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Prix:
$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Radio territories
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Prix:
$30.00
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Résumé:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Classification:
livres
livres
Publication:
novembre 2006, Los Angeles, Copenhagen, New York
novembre 2006, Los Angeles, Copenhagen, New York
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Exemplaires:
Description:
303 pages : illustrations (color, black & white) ; 22 cm
Description:
303 pages : illustrations (color, black & white) ; 22 cm
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Publication:
Toronto, ON : Coach House Books, [2021], ©2021
Toronto, ON : Coach House Books, [2021], ©2021
Titre:
Indigenous Toronto : stories that carry this place / edited by Denise Bolduc, Mnawaate Gordon-Corbiere, Rebeka Tabobondung, Brian Wright-McLeod.
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Description:
303 pages : illustrations (color, black & white) ; 22 cm
Indigenous Toronto : stories that carry this place / edited by Denise Bolduc, Mnawaate Gordon-Corbiere, Rebeka Tabobondung, Brian Wright-McLeod.
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Description:
303 pages : illustrations (color, black & white) ; 22 cm
Classification:
livres
livres
Publication:
Toronto, ON : Coach House Books, [2021], ©2021
Toronto, ON : Coach House Books, [2021], ©2021
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livres
livres
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$30.95
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Résumé:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
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Résumé:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
Titre:
Background noise: perspectives on sound art
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$30.95
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Résumé:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Background noise: perspectives on sound art
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Prix:
$30.95
(disponible sur commande)
Résumé:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Classification:
livres
livres
Publication:
avril 2006, New York, London
avril 2006, New York, London
Sujet:
Acoustique
Acoustique
Classification:
périodiques
périodiques
Titre:
e-flux index #3
e-flux index #3
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$65.00
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Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
Titre:
e-flux index #3
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Prix:
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Prix:
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
Classification:
périodiques
périodiques
Publication:
décembre 2024
décembre 2024
Sujet:
Revues
Revues
