5777 Résultats
Quantité:
12 artefact(s)
12 artefact(s)
Numéro de référence:
DR2004:0346:001
DR2004:0346:001
Personnes et institutions:
Date:
1999?
1999?
Quantité:
12 artefact(s)
12 artefact(s)
Date:
1999?
1999?
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.2000.PR08.019
Description:
Original file title: ACCD public interface/exhibition space Pasedena
AP178.S1.2000.PR08.019
Description:
Original file title: ACCD public interface/exhibition space Pasedena
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
Drawings and a photograph for the power plant, Art Center College of Design (Ampliação), Pasedena
Actions:
AP178.S1.2000.PR08.019
Description:
Original file title: ACCD public interface/exhibition space Pasedena
Drawings and a photograph for the power plant, Art Center College of Design (Ampliação), Pasedena
Actions:
AP178.S1.2000.PR08.019
Description:
Original file title: ACCD public interface/exhibition space Pasedena
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
ca. 2001
ca. 2001
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Date:
1994-1995
1994-1995
Titre:
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1994-1995
1994-1995
Personnes et institutions:
Sujet:
architecture de paysage
architecture de paysage
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Personnes et institutions:
Date:
2004
2004
Titre:
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Niveau de description archivistique:
Project
Project
Date:
2004
2004
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1994:0011:030
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
DR1994:0011:030
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Personnes et institutions:
Date:
1955
1955
Titre:
Sketch plan of the 1928-1929 design for an office building on the Friedrichstrasse, Berlin
Actions:
DR1994:0011:030
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Sketch plan of the 1928-1929 design for an office building on the Friedrichstrasse, Berlin
Actions:
DR1994:0011:030
Description:
- Group DR1994:0011:001 R/V - DR1994:0011:030 includes three sketches (DR1994:0011:001 R/V - DR1994:0011:002 R/V and DR1994:0011:030), 24 pages of notes (DR1994:0011:003 - DR1994:0011:026), two sketchbooks (DR1994:0011:027:001-035 and DR1994:0011:028:001-008 R/V), and the envelope in which these materials were housed at acquisition (DR1994:0011:029). The sketches are for various subjects including I-beams (DR1994:0011:001 R/V), a column-to-beam connection and an unidentified building (DR1994:0011:002 R/V), and a sketch plan of Mies' 1928-1929 design for the Friedrichstrasse office building in Berlin (DR1994:0011:030). Notes DR1994:0011:003 - DR1994:0011:024 are written in German and are generally illegible. Many changes have been made to the notes, and some sheets appear to have been reordered or struck out. Some of the notes may be about urban planning. The number in the upper left corner of sheets DR1994:0011:010, DR1994:0011:012-016 and DR1994:0011:020-021 may indicate the order of the topics dealt with in the notes. Notes DR1994:0011:025 are illegible. Notes DR1994:0011:026 are written in English, and may be notes of a lecture. The notes in sketchbook DR1994:0011:027:001-035 are written in German, are generally illegible, and are usually written in point form or sometimes as lists. Chicago is mentioned on several of the sheets. There is a shift in the clarity of the handwriting halfway through the sketchbook and some of the notes in the latter half may relate to Mies' readings of philosophy. Some of the notes in sketchbook DR1994:0028:001-008 R/V are written in German and some in English. The first and second pages of the sketchbook describe measurements for addresses on the campus of IIT, as well as for the Power Plant. The last three pages of the sketchbook discuss the architectural education programm at IIT and an exhibition of student work.
Classification:
dessins
dessins
Date:
1955
1955
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Personnes et institutions:
Date:
1990s-2010
1990s-2010
Titre:
Public art installations and exhibitions
Actions:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Public art installations and exhibitions
Actions:
AP173.S2
Description:
Series documents the public art installations and exhibitions in Europe and Asia of Lars Spuybroek and his architectural firm NOX between the end of the 1990s to 2010. The series includes projects like the exhibition installation WetGRID at the Musée des Beaux-Arts of Nantes in France and the D-Tower in Doetinchem, Netherlands, and many other projects, predominantly in Europe. The material in the series was produced between the 1900s and 2010. The series contains drawings and reprographic copies of conceptual drawings, design development drawings, working drawings and presentation drawings. The series contains also photographic material, predominantly slides, and works of art related to an exhibition in a gallery in Haarlem, Netherlands.
Niveau de description archivistique:
Series
Series
Date:
1990s-2010
1990s-2010
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
Personnes et institutions:
Date:
1998
1998
Titre:
Fundraising kit, IFCCA Prize for the Design of Cities poster, description and conditions brochure, media clippings kit
Actions:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
Fundraising kit, IFCCA Prize for the Design of Cities poster, description and conditions brochure, media clippings kit
Actions:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
Classification:
documents textuels
documents textuels
Date:
1998
1998
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Personnes et institutions:
Date:
1931-1969
1931-1969
Titre:
Exhibitions designs by Mies van der Rohe
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Exhibitions designs by Mies van der Rohe
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Niveau de description archivistique:
series
series
Date:
1931-1969
1931-1969
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP207.S5.040
Description:
Contains posters for the following exhibitions: Venturi, Rauch and Scott-Brown, Accademia delle Arti del Disegno, Firenze (1981) Architettura corretta londinese, Palazzo Te, Mantova (1981) Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers, Piazza SS. Annunziata, Florence (1988) Ettore Sottsass sr. Architetto, Palazzo delle Albere, Trent (1991) Casa Malaparte, Centro d'Arte Spazio Tempo, Florence (1992) Nigel Coates, Zaha Hadid, Jenny Lowe, Peter Wilson: quattro aspetti dell'architettura contemporanea londinese, Azienda Autonoma Turismo, Fiesole (1982) Olmsted: L'origine del parco urbano e del parco naturale contemporaneo, Uffizi Gallery, Florence (1996) Niki de Saint Phalle. Il Giardino dei Tarocchi, Polveriera Guzman, Orbetello (1997) Archipelago. Architettura sperimentale 1959-1999, Palazzo Fabroni Arti Visive Contemporanee, Pistoia (1999) Radical Design. Ricerca e progetto dagli anni ’60 a oggi, Casa Masaccio, San Giovanni Valdarno (2004)
AP207.S5.040
Description:
Contains posters for the following exhibitions: Venturi, Rauch and Scott-Brown, Accademia delle Arti del Disegno, Firenze (1981) Architettura corretta londinese, Palazzo Te, Mantova (1981) Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers, Piazza SS. Annunziata, Florence (1988) Ettore Sottsass sr. Architetto, Palazzo delle Albere, Trent (1991) Casa Malaparte, Centro d'Arte Spazio Tempo, Florence (1992) Nigel Coates, Zaha Hadid, Jenny Lowe, Peter Wilson: quattro aspetti dell'architettura contemporanea londinese, Azienda Autonoma Turismo, Fiesole (1982) Olmsted: L'origine del parco urbano e del parco naturale contemporaneo, Uffizi Gallery, Florence (1996) Niki de Saint Phalle. Il Giardino dei Tarocchi, Polveriera Guzman, Orbetello (1997) Archipelago. Architettura sperimentale 1959-1999, Palazzo Fabroni Arti Visive Contemporanee, Pistoia (1999) Radical Design. Ricerca e progetto dagli anni ’60 a oggi, Casa Masaccio, San Giovanni Valdarno (2004)
Personnes et institutions:
Date:
1981-2004
1981-2004
Titre:
Posters of exhibitions curated by Gianni Pettena
Actions:
AP207.S5.040
Description:
Contains posters for the following exhibitions: Venturi, Rauch and Scott-Brown, Accademia delle Arti del Disegno, Firenze (1981) Architettura corretta londinese, Palazzo Te, Mantova (1981) Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers, Piazza SS. Annunziata, Florence (1988) Ettore Sottsass sr. Architetto, Palazzo delle Albere, Trent (1991) Casa Malaparte, Centro d'Arte Spazio Tempo, Florence (1992) Nigel Coates, Zaha Hadid, Jenny Lowe, Peter Wilson: quattro aspetti dell'architettura contemporanea londinese, Azienda Autonoma Turismo, Fiesole (1982) Olmsted: L'origine del parco urbano e del parco naturale contemporaneo, Uffizi Gallery, Florence (1996) Niki de Saint Phalle. Il Giardino dei Tarocchi, Polveriera Guzman, Orbetello (1997) Archipelago. Architettura sperimentale 1959-1999, Palazzo Fabroni Arti Visive Contemporanee, Pistoia (1999) Radical Design. Ricerca e progetto dagli anni ’60 a oggi, Casa Masaccio, San Giovanni Valdarno (2004)
Posters of exhibitions curated by Gianni Pettena
Actions:
AP207.S5.040
Description:
Contains posters for the following exhibitions: Venturi, Rauch and Scott-Brown, Accademia delle Arti del Disegno, Firenze (1981) Architettura corretta londinese, Palazzo Te, Mantova (1981) Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers, Piazza SS. Annunziata, Florence (1988) Ettore Sottsass sr. Architetto, Palazzo delle Albere, Trent (1991) Casa Malaparte, Centro d'Arte Spazio Tempo, Florence (1992) Nigel Coates, Zaha Hadid, Jenny Lowe, Peter Wilson: quattro aspetti dell'architettura contemporanea londinese, Azienda Autonoma Turismo, Fiesole (1982) Olmsted: L'origine del parco urbano e del parco naturale contemporaneo, Uffizi Gallery, Florence (1996) Niki de Saint Phalle. Il Giardino dei Tarocchi, Polveriera Guzman, Orbetello (1997) Archipelago. Architettura sperimentale 1959-1999, Palazzo Fabroni Arti Visive Contemporanee, Pistoia (1999) Radical Design. Ricerca e progetto dagli anni ’60 a oggi, Casa Masaccio, San Giovanni Valdarno (2004)
Classification:
documents textuels
documents textuels
Date:
1981-2004
1981-2004
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH270241
Description:
Exhibition catalogue for the exhibition "Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo" by the Galerie 54, in Paris.
ARCH270241
Description:
Exhibition catalogue for the exhibition "Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo" by the Galerie 54, in Paris.
Personnes et institutions:
Date:
2005
2005
Titre:
Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo
Actions:
ARCH270241
Description:
Exhibition catalogue for the exhibition "Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo" by the Galerie 54, in Paris.
Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo
Actions:
ARCH270241
Description:
Exhibition catalogue for the exhibition "Table de Jean Prouvé et Jacques André...et autres acquisitions récentes, design, photos, sculptures de 1920 à 1960 par: Arp-Hervé-Le Corbusier-Noll-Pingusson-Prouvé-Vantongerloo" by the Galerie 54, in Paris.
Classification:
livres
livres
Date:
2005
2005
Personnes et institutions:
