8363 Résultats
Classification:
expositions
expositions
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Localisation:
Salles principales
Salles principales
Date:
13 novembre 2012 au 31 mars 2013
13 novembre 2012 au 31 mars 2013
Titre:
ABC : MTL – Un autoportrait de Montréal
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
ABC : MTL – Un autoportrait de Montréal
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Classification:
expositions
expositions
Date:
13 novembre 2012 au
31 mars 2013
13 novembre 2012 au
31 mars 2013
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
OCEAN reference files
OCEAN reference files
Numéro de référence:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Personnes et institutions:
Date:
1998
1998
Titre:
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Niveau de description archivistique:
Series
Series
Date:
1998
1998
Personnes et institutions:
Classification:
articles
articles
Actions:
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Publié:
3 juin 2024
3 juin 2024
Titre:
Travailler intelligemment, plutôt que péniblement
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Actions:
Travailler intelligemment, plutôt que péniblement
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Actions:
Classification:
événements
événements
Titre:
T pour Typographie
T pour Typographie
Actions:
Description:
Feed est un studio de design graphique indépendant fondé en 1999 par Anouk Pennel et Raphaël Daudelin. Feed se spécialise dans le développement d’image de marque, la mise en livre et le dessin de polices de caractères. En lien avec les propositions graphiques faites pour l’exposition ABC : MTL, Feed propose un atelier de dessin typographique pour les étudiants(...)
Feed est un studio de design graphique indépendant fondé en 1999 par Anouk Pennel et Raphaël Daudelin. Feed se spécialise dans le développement d’image de marque, la mise en livre et le dessin de polices de caractères. En lien avec les propositions graphiques faites pour l’exposition ABC : MTL, Feed propose un atelier de dessin typographique pour les étudiants(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
21 février 2013, 15h - 17h
21 février 2013, 15h - 17h
Titre:
T pour Typographie
Actions:
Description:
Feed est un studio de design graphique indépendant fondé en 1999 par Anouk Pennel et Raphaël Daudelin. Feed se spécialise dans le développement d’image de marque, la mise en livre et le dessin de polices de caractères. En lien avec les propositions graphiques faites pour l’exposition ABC : MTL, Feed propose un atelier de dessin typographique pour les étudiants(...)
T pour Typographie
Actions:
Description:
Feed est un studio de design graphique indépendant fondé en 1999 par Anouk Pennel et Raphaël Daudelin. Feed se spécialise dans le développement d’image de marque, la mise en livre et le dessin de polices de caractères. En lien avec les propositions graphiques faites pour l’exposition ABC : MTL, Feed propose un atelier de dessin typographique pour les étudiants(...)
Classification:
événements
événements
Date:
21 février 2013
15h - 17h
21 février 2013
15h - 17h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
photographies
photographies
Titre:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
Numéro de référence:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
événements
événements
Description:
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
Date:
27 juin 2016 au 30 juin 2016
27 juin 2016 au 30 juin 2016
Titre:
Outils d’aujourd’hui : Mots-clés pour l’environnement
Actions:
Description:
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
Outils d’aujourd’hui : Mots-clés pour l’environnement
Actions:
Description:
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
Classification:
événements
événements
Date:
27 juin 2016 au
30 juin 2016
27 juin 2016 au
30 juin 2016
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
événements
événements
Titre:
Devices of Design
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
18 novembre 2004 au 19 novembre 2004
18 novembre 2004 au 19 novembre 2004
Titre:
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Classification:
événements
événements
Date:
18 novembre 2004 au
19 novembre 2004
18 novembre 2004 au
19 novembre 2004
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
