202 Résultats
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livres
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Ari Marcopoulos: Beware
Ari Marcopoulos: Beware
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and(...)
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and(...)
Titre:
Ari Marcopoulos: Beware
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and puzzling works. Some of the artists were already familiar, while others were new to him. The process was not so different from his process as a filmmaker and photographer: so much of his work is about finding things. This book is a new look at photographs from around the time Marcopoulos shot ‘'Brown Bag'’.
Ari Marcopoulos: Beware
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and puzzling works. Some of the artists were already familiar, while others were new to him. The process was not so different from his process as a filmmaker and photographer: so much of his work is about finding things. This book is a new look at photographs from around the time Marcopoulos shot ‘'Brown Bag'’.
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livres
livres
Publication:
juin 2024
juin 2024
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Monographies photo
Monographies photo
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livres
livres
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the(...)
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the(...)
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Maya Deren: Choreographed for camera
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the history of cinema is immeasurable. This is the first full biography of Deren. Based on years of research, interviews with some of Deren’s closest collaborators, and generously illustrated with film stills and photographs, author Mark Alice Durant creates a vivid and accessible narrative exploring the complexities and contradictions in the life and work of this remarkable and charismatic artist.
Maya Deren: Choreographed for camera
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the history of cinema is immeasurable. This is the first full biography of Deren. Based on years of research, interviews with some of Deren’s closest collaborators, and generously illustrated with film stills and photographs, author Mark Alice Durant creates a vivid and accessible narrative exploring the complexities and contradictions in the life and work of this remarkable and charismatic artist.
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livres
livres
Publication:
juillet 2022
juillet 2022
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Monographies photo
Monographies photo
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livres
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper,(...)
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper,(...)
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Rirkrit Tiravanija: A LOT OF PEOPLE
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years.
Rirkrit Tiravanija: A LOT OF PEOPLE
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
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$27.50
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This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
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This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
Titre:
Learning to look: dispatches from the art world
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This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
Learning to look: dispatches from the art world
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This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
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livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Théorie de l’art
Théorie de l’art
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Description:
111 pages : illustrations ; 21 cm
Description:
111 pages : illustrations ; 21 cm
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Cambridge, Mass. : MIT Press, ©2011.
Cambridge, Mass. : MIT Press, ©2011.
Titre:
Urban code : 100 lessons for understanding the city / Anne Mikoleit, Moritz Pürckhauer.
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Description:
111 pages : illustrations ; 21 cm
Urban code : 100 lessons for understanding the city / Anne Mikoleit, Moritz Pürckhauer.
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Description:
111 pages : illustrations ; 21 cm
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livres
livres
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Cambridge, Mass. : MIT Press, ©2011.
Cambridge, Mass. : MIT Press, ©2011.
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Titre:
Book of ruins
Book of ruins
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when(...)
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2022
septembre 2022
Titre:
Book of ruins
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film ''Requiem for Detroit''), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
Book of ruins
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film ''Requiem for Detroit''), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin(...)
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In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin(...)
Titre:
Sonic somatic: performances of the unsound body
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In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording “I Am Sitting in a Room”; Erik Satie's looped composition “Vexations”; Marina Abramovic's confrontational performance “Rhythm 0”; Adrian Piper's “Untitled Performance for Max's Kansas City”; Herman Melville's short story “Bartleby, the Scrivener”; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm-shifting 1952 composition “4'33” .”
Sonic somatic: performances of the unsound body
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In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording “I Am Sitting in a Room”; Erik Satie's looped composition “Vexations”; Marina Abramovic's confrontational performance “Rhythm 0”; Adrian Piper's “Untitled Performance for Max's Kansas City”; Herman Melville's short story “Bartleby, the Scrivener”; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm-shifting 1952 composition “4'33” .”
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livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Acoustique
Acoustique
Classification:
périodiques
périodiques
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$7.50
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in(...)
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in(...)
Titre:
Uniformagazine no.6 Spring-Summer 2016
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.
Uniformagazine no.6 Spring-Summer 2016
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
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livres
livres
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$35.00
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an(...)
$35.00
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an(...)
Titre:
Henry Wessel: A dark thread (français)
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$35.00
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an idea further by commissioning over a dozen renowned noir writers to produce a short story in response to one or more of Wessel’s black and white photographs. This first version of the project brings together French translations of stories by Art Taylor, Ivy Pochoda, and Alexander MacLeod, together with the photographs that inspired them. Straddling the space between literary publishing and photobook, this slim volume offers a new and original means of understanding Henry Wessel’s photography and accompanies a retrospective of his work at the Maison de la Photograhie in Paris (June 2019).
Henry Wessel: A dark thread (français)
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an idea further by commissioning over a dozen renowned noir writers to produce a short story in response to one or more of Wessel’s black and white photographs. This first version of the project brings together French translations of stories by Art Taylor, Ivy Pochoda, and Alexander MacLeod, together with the photographs that inspired them. Straddling the space between literary publishing and photobook, this slim volume offers a new and original means of understanding Henry Wessel’s photography and accompanies a retrospective of his work at the Maison de la Photograhie in Paris (June 2019).
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livres
livres
Publication:
juin 2019
juin 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban(...)
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban(...)
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
Titre:
Gordon Matta-Clark : the space between
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban performance pieces. His aim was to unravel the grammar of architecture and "turn a building into a state of mind". The 'building cuts' remain Matta-Clark’s best-known works, although today they exist only through film and photographic documentation. Armed with a movie camera, he explored the hidden spaces beneath Paris and London. He handed out free food and 'fresh air' on the streets, created architecture from refuse, and planned visionary architectural projects. His engagement with the urban landscape also led him to set up an artist-run restaurant, Food. This elegant produced book complements an exhibition at the Centre for Contemporary Art, Glasgow and the Architectural Association, London.
Gordon Matta-Clark : the space between
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban performance pieces. His aim was to unravel the grammar of architecture and "turn a building into a state of mind". The 'building cuts' remain Matta-Clark’s best-known works, although today they exist only through film and photographic documentation. Armed with a movie camera, he explored the hidden spaces beneath Paris and London. He handed out free food and 'fresh air' on the streets, created architecture from refuse, and planned visionary architectural projects. His engagement with the urban landscape also led him to set up an artist-run restaurant, Food. This elegant produced book complements an exhibition at the Centre for Contemporary Art, Glasgow and the Architectural Association, London.
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livres
livres
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
