25835 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Critical regionalism (1983)
Critical regionalism (1983)
Numéro de référence:
AP197.S1.SS5
Description:
This subseries consists of Frampton’s writings on critical regionalism and research materials related to the subject of regionalism. Originally a book project, his research was published as an essay in 1983 entitled as "Towards a critical regionalism: six points for an architecture of resistance." Materials comprise of copies of "Towards a critical regionalism: six points for an architecture of resistance (1983)," "Luogo, forma, identita cultural (Domus, 1986)," "Critical regionalism revisited: the case of Spain (1995)," and various articles on regionalism authored by others.
AP197.S1.SS5
Description:
This subseries consists of Frampton’s writings on critical regionalism and research materials related to the subject of regionalism. Originally a book project, his research was published as an essay in 1983 entitled as "Towards a critical regionalism: six points for an architecture of resistance." Materials comprise of copies of "Towards a critical regionalism: six points for an architecture of resistance (1983)," "Luogo, forma, identita cultural (Domus, 1986)," "Critical regionalism revisited: the case of Spain (1995)," and various articles on regionalism authored by others.
Personnes et institutions:
Date:
1968-2015
1968-2015
Titre:
Critical regionalism (1983)
Actions:
AP197.S1.SS5
Description:
This subseries consists of Frampton’s writings on critical regionalism and research materials related to the subject of regionalism. Originally a book project, his research was published as an essay in 1983 entitled as "Towards a critical regionalism: six points for an architecture of resistance." Materials comprise of copies of "Towards a critical regionalism: six points for an architecture of resistance (1983)," "Luogo, forma, identita cultural (Domus, 1986)," "Critical regionalism revisited: the case of Spain (1995)," and various articles on regionalism authored by others.
Critical regionalism (1983)
Actions:
AP197.S1.SS5
Description:
This subseries consists of Frampton’s writings on critical regionalism and research materials related to the subject of regionalism. Originally a book project, his research was published as an essay in 1983 entitled as "Towards a critical regionalism: six points for an architecture of resistance." Materials comprise of copies of "Towards a critical regionalism: six points for an architecture of resistance (1983)," "Luogo, forma, identita cultural (Domus, 1986)," "Critical regionalism revisited: the case of Spain (1995)," and various articles on regionalism authored by others.
Niveau de description archivistique:
Subseries
Subseries
Date:
1968-2015
1968-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personnes et institutions:
Date:
1984-1990
1984-1990
Titre:
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Classification:
documents textuels
documents textuels
Date:
1984-1990
1984-1990
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Personnes et institutions:
Date:
1976-1984
1976-1984
Titre:
Peter Eisenman - Personal Work
Actions:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Peter Eisenman - Personal Work
Actions:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Niveau de description archivistique:
Subseries
Subseries
Date:
1976-1984
1976-1984
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S6.D3
Description:
Assorted papers relating to Goldsmith's tenure as Eliot Noyes visiting professor of architecture in the Graduate School of Design from 1982-1983. Includes documents concerning the exhibition of Goldsmith's work (1982) and grant applications for the book Myron Goldsmith: Building and Concepts published in 1987.
AP032.S6.D3
Description:
Assorted papers relating to Goldsmith's tenure as Eliot Noyes visiting professor of architecture in the Graduate School of Design from 1982-1983. Includes documents concerning the exhibition of Goldsmith's work (1982) and grant applications for the book Myron Goldsmith: Building and Concepts published in 1987.
Personnes et institutions:
Date:
1982-1986
1982-1986
Titre:
Harvard University, Cambridge - Miscellaneous Papers
Actions:
AP032.S6.D3
Description:
Assorted papers relating to Goldsmith's tenure as Eliot Noyes visiting professor of architecture in the Graduate School of Design from 1982-1983. Includes documents concerning the exhibition of Goldsmith's work (1982) and grant applications for the book Myron Goldsmith: Building and Concepts published in 1987.
Harvard University, Cambridge - Miscellaneous Papers
Actions:
AP032.S6.D3
Description:
Assorted papers relating to Goldsmith's tenure as Eliot Noyes visiting professor of architecture in the Graduate School of Design from 1982-1983. Includes documents concerning the exhibition of Goldsmith's work (1982) and grant applications for the book Myron Goldsmith: Building and Concepts published in 1987.
Niveau de description archivistique:
File 3
File 3
Date:
1982-1986
1982-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D12
Description:
The subseries documents the travelling exhibition “Reciclando Madrid” curated by Abalos & Herreros and by the architectural firm BOPBAA. A book was also published in Spanish with the same title and in English as “Recycling Madrid.” The exhibition and publication are based on the firm’s projects. It was held, among other places, at the Col.legi d’Arquitectes de Catalunya, Barcelona (June 20th to September 9th, 2000). The exhibition was coordinated with two other exhibitions: Emergencias, by the Ministeri de Foment, cero9, Ángel Borregoi and Eduardo Arroyo; and Fotografías : s’exposarà l’obra fotogràfica de Luís Asín sobre el paisatge de l’abocador de Valdemingómez, obra dels arquitectes Abalos & Herreros. Documenting the exhibition are presentation and working drawings, correspondence, press-kit, exhibition ephemera and brochures, clippings, and reference, digital, graphic and photographic materials.
AP164.S1.2000.D12
Description:
The subseries documents the travelling exhibition “Reciclando Madrid” curated by Abalos & Herreros and by the architectural firm BOPBAA. A book was also published in Spanish with the same title and in English as “Recycling Madrid.” The exhibition and publication are based on the firm’s projects. It was held, among other places, at the Col.legi d’Arquitectes de Catalunya, Barcelona (June 20th to September 9th, 2000). The exhibition was coordinated with two other exhibitions: Emergencias, by the Ministeri de Foment, cero9, Ángel Borregoi and Eduardo Arroyo; and Fotografías : s’exposarà l’obra fotogràfica de Luís Asín sobre el paisatge de l’abocador de Valdemingómez, obra dels arquitectes Abalos & Herreros. Documenting the exhibition are presentation and working drawings, correspondence, press-kit, exhibition ephemera and brochures, clippings, and reference, digital, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2001
1996-2001
Titre:
Reciclando Madrid
Actions:
AP164.S1.2000.D12
Description:
The subseries documents the travelling exhibition “Reciclando Madrid” curated by Abalos & Herreros and by the architectural firm BOPBAA. A book was also published in Spanish with the same title and in English as “Recycling Madrid.” The exhibition and publication are based on the firm’s projects. It was held, among other places, at the Col.legi d’Arquitectes de Catalunya, Barcelona (June 20th to September 9th, 2000). The exhibition was coordinated with two other exhibitions: Emergencias, by the Ministeri de Foment, cero9, Ángel Borregoi and Eduardo Arroyo; and Fotografías : s’exposarà l’obra fotogràfica de Luís Asín sobre el paisatge de l’abocador de Valdemingómez, obra dels arquitectes Abalos & Herreros. Documenting the exhibition are presentation and working drawings, correspondence, press-kit, exhibition ephemera and brochures, clippings, and reference, digital, graphic and photographic materials.
Reciclando Madrid
Actions:
AP164.S1.2000.D12
Description:
The subseries documents the travelling exhibition “Reciclando Madrid” curated by Abalos & Herreros and by the architectural firm BOPBAA. A book was also published in Spanish with the same title and in English as “Recycling Madrid.” The exhibition and publication are based on the firm’s projects. It was held, among other places, at the Col.legi d’Arquitectes de Catalunya, Barcelona (June 20th to September 9th, 2000). The exhibition was coordinated with two other exhibitions: Emergencias, by the Ministeri de Foment, cero9, Ángel Borregoi and Eduardo Arroyo; and Fotografías : s’exposarà l’obra fotogràfica de Luís Asín sobre el paisatge de l’abocador de Valdemingómez, obra dels arquitectes Abalos & Herreros. Documenting the exhibition are presentation and working drawings, correspondence, press-kit, exhibition ephemera and brochures, clippings, and reference, digital, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2001
1996-2001
Personnes et institutions:
Classification:
expositions
expositions
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
26 janvier 2012 au 29 avril 2012
26 janvier 2012 au 29 avril 2012
Titre:
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Classification:
expositions
expositions
Date:
26 janvier 2012 au
29 avril 2012
26 janvier 2012 au
29 avril 2012
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications about Wood
Publications about Wood
Numéro de référence:
CD046.S2
Description:
Much of this material is concerned with the contributions of British Columbia's wood industry to architectural production. After 1940, demands for B.C. wood grew rapidly due to requirements for war-time ships and aircraft, followed by the post-war housing boom in Canada. In particular, the series contains publications from the 1950s and 1960s by the Plywood Manufacturers Association of British Columbia. The Association developed and promoted successful prefabricated building systems, such as the "Trend House," beginning in 1952, prefab recreational cabins and roof trusses, and a practical post and beam building system for residences. The documents include special publications as well as a number of issues of the quarterly journal Plywood World from 1961-1962. Material in this series was produced between 1951 and 1964. Series contains a book and publications.
CD046.S2
Description:
Much of this material is concerned with the contributions of British Columbia's wood industry to architectural production. After 1940, demands for B.C. wood grew rapidly due to requirements for war-time ships and aircraft, followed by the post-war housing boom in Canada. In particular, the series contains publications from the 1950s and 1960s by the Plywood Manufacturers Association of British Columbia. The Association developed and promoted successful prefabricated building systems, such as the "Trend House," beginning in 1952, prefab recreational cabins and roof trusses, and a practical post and beam building system for residences. The documents include special publications as well as a number of issues of the quarterly journal Plywood World from 1961-1962. Material in this series was produced between 1951 and 1964. Series contains a book and publications.
Personnes et institutions:
Date:
1951-1964
1951-1964
Titre:
Publications about Wood
Actions:
CD046.S2
Description:
Much of this material is concerned with the contributions of British Columbia's wood industry to architectural production. After 1940, demands for B.C. wood grew rapidly due to requirements for war-time ships and aircraft, followed by the post-war housing boom in Canada. In particular, the series contains publications from the 1950s and 1960s by the Plywood Manufacturers Association of British Columbia. The Association developed and promoted successful prefabricated building systems, such as the "Trend House," beginning in 1952, prefab recreational cabins and roof trusses, and a practical post and beam building system for residences. The documents include special publications as well as a number of issues of the quarterly journal Plywood World from 1961-1962. Material in this series was produced between 1951 and 1964. Series contains a book and publications.
Publications about Wood
Actions:
CD046.S2
Description:
Much of this material is concerned with the contributions of British Columbia's wood industry to architectural production. After 1940, demands for B.C. wood grew rapidly due to requirements for war-time ships and aircraft, followed by the post-war housing boom in Canada. In particular, the series contains publications from the 1950s and 1960s by the Plywood Manufacturers Association of British Columbia. The Association developed and promoted successful prefabricated building systems, such as the "Trend House," beginning in 1952, prefab recreational cabins and roof trusses, and a practical post and beam building system for residences. The documents include special publications as well as a number of issues of the quarterly journal Plywood World from 1961-1962. Material in this series was produced between 1951 and 1964. Series contains a book and publications.
Niveau de description archivistique:
Series
Series
Date:
1951-1964
1951-1964
Personnes et institutions:
Classification:
expositions
expositions
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
2 mai 2001 au 16 septembre 2001
2 mai 2001 au 16 septembre 2001
Titre:
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Piero en tête
Actions:
Description:
Piero en tête présente des sculptures contemporaines de l’artiste canado-britannique Geoffrey Smedley, ainsi que 30 livres rares datant du XVe au XVIIIe siècle. Les sculptures de Smedley s’inspirent d’une série de dessins de tête humaine, réalisés par le maître de la Renaissance Piero della Francesca. L’exposition relie ces dessins et les sculptures de Smedley à la(...)
Classification:
expositions
expositions
Date:
2 mai 2001 au
16 septembre 2001
2 mai 2001 au
16 septembre 2001
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Classification:
documents textuels
documents textuels
Date:
1997-1998
1997-1998
Personnes et institutions:
