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Serpentine 2020
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Serpentine 2020
audio
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1 online resource.
[Place of publication not identified] : Secession, 2022.
audio
[Place of publication not identified] : Secession, 2022.
audio
Shumi Bose, KoozArch.
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1 online resource
[Place of publication not identified] : Women Writing Architecture, 2026.
audio
[Place of publication not identified] : Women Writing Architecture, 2026.
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iv, 16, [16] pages of plates : illustrations (1 color) ; 22 cm
London : Published for the Guild of St George by Brentham, 1991.
Ruskin and Siena / Anthony Harris.
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iv, 16, [16] pages of plates : illustrations (1 color) ; 22 cm
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London : Published for the Guild of St George by Brentham, 1991.
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Link Editions 2011
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Link Editions 2011
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Link Editions 2014
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Link Editions 2014
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Description:
205 pages : color illustrations ; 29 cm
Warrandyte North : Uro Media, 2011.
Falls the shadow : from idea to reality, the National Gallery of Australia / [Col Madigan] ; editor Paul McGillick.
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205 pages : color illustrations ; 29 cm
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Warrandyte North : Uro Media, 2011.
$68.75
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate(...)
BioMedia: The age of media with life-like behavior
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate various different aspects of life beyond movement and raise fundamental questions about the interaction between human and non-human beings and what inorganic life might mean in the future. The term ''BioMedia'' or biomimetic media is used here to refer to media that exhibit life-like forms of behaviour. Over sixty artists have contributed works illustrating the exhibition themes. The book accompanying the show focuses on the artworks, which are described in detail in richly illustrated texts.
$152.50
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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Résumé:
The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Théorie de l’art
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
Rogue archives: digital cultural memory and the media fandom
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.