2709 Résultats
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
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Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Agnes Martin: On beauty
Agnes Martin: On beauty
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$54.00
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"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude(...)
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"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude(...)
Titre:
Agnes Martin: On beauty
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$54.00
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"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude and silence. Poetic and reflective, these texts range from compact insights, as with "Underside of the Leaf" and "Awareness of Perfection," to longer meditations, such as "The Current of the River of Life Moves Us" and "The Untroubled Mind." ''On Beauty'' also includes reproductions of paintings such as Blessings (2000) and Tranquillity (2001), among others, while the front and back covers are debossed with reproductions of Affection (2001) and Little Children Playing with Love (2001). By providing a window into the thoughts and feelings that moved her, this title is the perfect companion for anyone who admires Martin's intuitive approach to art. Canadian American artist Agnes Martin (1912–2004) was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art. Characterized by austere lines and grids superimposed upon grounds of muted color, her paintings elegantly negotiate the confines of structure, space, draftsmanship and the metaphysical. Their underlying ideologies can be found in the writings she composed over the course of her career.
Agnes Martin: On beauty
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$54.00
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"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude and silence. Poetic and reflective, these texts range from compact insights, as with "Underside of the Leaf" and "Awareness of Perfection," to longer meditations, such as "The Current of the River of Life Moves Us" and "The Untroubled Mind." ''On Beauty'' also includes reproductions of paintings such as Blessings (2000) and Tranquillity (2001), among others, while the front and back covers are debossed with reproductions of Affection (2001) and Little Children Playing with Love (2001). By providing a window into the thoughts and feelings that moved her, this title is the perfect companion for anyone who admires Martin's intuitive approach to art. Canadian American artist Agnes Martin (1912–2004) was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art. Characterized by austere lines and grids superimposed upon grounds of muted color, her paintings elegantly negotiate the confines of structure, space, draftsmanship and the metaphysical. Their underlying ideologies can be found in the writings she composed over the course of her career.
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livres
livres
Publication:
mars 2026
mars 2026
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livres
livres
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$13.95
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
Titre:
Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
Classification:
livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$38.95
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In the middle of the night they quickly build houses and seize land before the police destroy their fragile homes. They're squatters, families that risk the wrath of governments and property owners by building dwellings on land they don't own, and they represent one out of every ten people on the planet. Investigative journalist Robert Neuwirth lived among squatter(...)
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In the middle of the night they quickly build houses and seize land before the police destroy their fragile homes. They're squatters, families that risk the wrath of governments and property owners by building dwellings on land they don't own, and they represent one out of every ten people on the planet. Investigative journalist Robert Neuwirth lived among squatter(...)
Titre:
Shadow cities: a billion squatters, a new urban world
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In the middle of the night they quickly build houses and seize land before the police destroy their fragile homes. They're squatters, families that risk the wrath of governments and property owners by building dwellings on land they don't own, and they represent one out of every ten people on the planet. Investigative journalist Robert Neuwirth lived among squatter communities from Rio to Bombay to Nairobi to Istanbul to give us an impassioned, inside view of squatter life and a glimpse into the urban future. He met people in Nairobi who built homes with their bare hands, Turkish families who plot land invasions, and children in Rio whose parents justify outfoxing the authorities as the only path to a better life. And he shows us that in cities like Rio, squatter settlements have become decent places to live for formerly landless people. Tracing the notion of private property from the enclosure movement in Europe to the settlement of the U.S., Neuwirth shows how squatting rights may actually be seen as more "natural" than the current laws practiced in the U.S. In almost every country of the developing world, the most active builders are squatters, creating complex local economies with high rises, shopping strips, banks, and self-government. As they invent new social structures, Neuwirth argues, squatters are at the forefront of the worldwide movement to develop new visions of what constitutes property and community.
Shadow cities: a billion squatters, a new urban world
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In the middle of the night they quickly build houses and seize land before the police destroy their fragile homes. They're squatters, families that risk the wrath of governments and property owners by building dwellings on land they don't own, and they represent one out of every ten people on the planet. Investigative journalist Robert Neuwirth lived among squatter communities from Rio to Bombay to Nairobi to Istanbul to give us an impassioned, inside view of squatter life and a glimpse into the urban future. He met people in Nairobi who built homes with their bare hands, Turkish families who plot land invasions, and children in Rio whose parents justify outfoxing the authorities as the only path to a better life. And he shows us that in cities like Rio, squatter settlements have become decent places to live for formerly landless people. Tracing the notion of private property from the enclosure movement in Europe to the settlement of the U.S., Neuwirth shows how squatting rights may actually be seen as more "natural" than the current laws practiced in the U.S. In almost every country of the developing world, the most active builders are squatters, creating complex local economies with high rises, shopping strips, banks, and self-government. As they invent new social structures, Neuwirth argues, squatters are at the forefront of the worldwide movement to develop new visions of what constitutes property and community.
Classification:
livres
livres
Publication:
décembre 2004, New York
décembre 2004, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$39.00
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they(...)
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they(...)
Titre:
A manufactured wilderness: summer camps and the shaping of american youth
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$39.00
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.
A manufactured wilderness: summer camps and the shaping of american youth
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.
Classification:
livres
livres
Publication:
octobre 2006, Minnesota
octobre 2006, Minnesota
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$62.00
(disponible sur commande)
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Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the(...)
$62.00
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Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the(...)
Titre:
Kara Walker : my complement, my enevy, my oppressor, my love
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$62.00
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Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.
Kara Walker : my complement, my enevy, my oppressor, my love
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$62.00
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Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.
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livres
livres
Publication:
mars 2007, Minneapolis
mars 2007, Minneapolis
Classification:
livres
livres
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$85.00
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
$85.00
(disponible en magasin)
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
Titre:
Frank Lloyd Wright: unpacking the archive
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$85.00
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Frank Lloyd Wright: unpacking the archive
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$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$63.00
(disponible sur commande)
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366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children,(...)
$63.00
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Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children,(...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 2008, New York
octobre 2008, New York
Titre:
The atlas of the real world: mapping the way we live
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$63.00
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366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children, television viewing figures, and endangered species. But how do we represent and compare data from one part of the world to another in a useful way? Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics. The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live. This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries. 366 color maps. About the Author Daniel Dorling is Professor of Human Geography at the University of Sheffield, England. Mark Newman is Assistant Professor of Physics and Complex Systems at the University of Michigan. Anna Barford is a Research Associate at the University of Sheffield.
The atlas of the real world: mapping the way we live
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$63.00
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Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children, television viewing figures, and endangered species. But how do we represent and compare data from one part of the world to another in a useful way? Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics. The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live. This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries. 366 color maps. About the Author Daniel Dorling is Professor of Human Geography at the University of Sheffield, England. Mark Newman is Assistant Professor of Physics and Complex Systems at the University of Michigan. Anna Barford is a Research Associate at the University of Sheffield.
Classification:
livres
livres
Publication:
octobre 2008, New York
octobre 2008, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Titre:
Nozone x: forecast
Nozone x: forecast
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$27.95
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Résumé:
Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
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(disponible sur commande)
Résumé:
Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated(...)
Publication:
septembre 2008, New York
septembre 2008, New York
Titre:
Nozone x: forecast
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Prix:
$27.95
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Résumé:
Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
Nozone x: forecast
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Prix:
$27.95
(disponible sur commande)
Résumé:
Conspiracy theories, pending Ice Ages, potential revolutions, viral epidemics, and other doomsday prophecies: wherever you look–from the cover of Time magazine to the weird weather outside your window–the message seems universal: the Earth our children inherit will certainly be nothing like the one we currently inhabit. UN reports and newspaper articles are illustrated with dry charts and graphs predicting technological, economic, and ecological transformations that are already dramatically altering the way we live. Forecast revisualizes these abstractions about everything from our environment to our waistlines, from the stock market to the Middle East through the eyes of cartoonists and graphic designers who have made comics with a conscience: Ward Sutton imagines a nation divided into a red and a blue zone; Paula Scher maps out the Northern Hemisphere of 2100; Elizabeth Amon interviews New Yorker journalist Elizabeth Kolbert on global warming; and Tom Tomorrow looks back on the legacy of Bush-Cheney. Ultimately, Forecast is an optimistic book: using humor, it encourages all of us to take responsibility for predictions of the future and to take action to affect change. Forecast is the latest installment of Nozone. Featured in the Cooper Hewitt's Design Triennial, Nozone is a decade-old political graphic design and comics zine, edited around a theme. Nicholas Blechman is principal of Knickerbocker Design in New York City and art director of the New York Times Book Review. He is the editor of Empire and co-author of Evil, both published by Princeton Architectural Press. Blechman is publisher of the award-winning political underground magazine Nozone.
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livres
Publication:
septembre 2008, New York
septembre 2008, New York
Classification:
livres
livres
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$67.95
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Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2003, Zurich, Berlin and New York
juin 2003, Zurich, Berlin and New York
Titre:
Robert Frank : London / Wales
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$67.95
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Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Robert Frank : London / Wales
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Prix:
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Classification:
livres
livres
Publication:
juin 2003, Zurich, Berlin and New York
juin 2003, Zurich, Berlin and New York
Sujet:
Monographies photo
Monographies photo
