43398 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1989.PR01
Description:
This project series documents the Piazza San Nazaro, a public square in Milan, Italy. This project was realized. Riva worked on this project from 1989-1993 in collaboration with Giacomo Borella, Paolo Froncillo, Giovanni Drugman, and Franscesca Riva. Umberto Riva also designed the outdoor furnishings of the piazza, including the street lights and the base of a statue. The project was commissioned by the Metropolitana Milanese and was shown in the exhibition "Umberto Riva, sistemazioni urbane" in 1993, at the Pinacoteca civica Franscesco Podesti in Ancona. The project series contains studies and design development drawings, including a site plan, elevations, sections, plans, and details for the street lamps, as well as a small description for the project.
AP180.S1.1989.PR01
Description:
This project series documents the Piazza San Nazaro, a public square in Milan, Italy. This project was realized. Riva worked on this project from 1989-1993 in collaboration with Giacomo Borella, Paolo Froncillo, Giovanni Drugman, and Franscesca Riva. Umberto Riva also designed the outdoor furnishings of the piazza, including the street lights and the base of a statue. The project was commissioned by the Metropolitana Milanese and was shown in the exhibition "Umberto Riva, sistemazioni urbane" in 1993, at the Pinacoteca civica Franscesco Podesti in Ancona. The project series contains studies and design development drawings, including a site plan, elevations, sections, plans, and details for the street lamps, as well as a small description for the project.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Piazza San Nazaro, Milan, Italy (1989-1993)
Actions:
AP180.S1.1989.PR01
Description:
This project series documents the Piazza San Nazaro, a public square in Milan, Italy. This project was realized. Riva worked on this project from 1989-1993 in collaboration with Giacomo Borella, Paolo Froncillo, Giovanni Drugman, and Franscesca Riva. Umberto Riva also designed the outdoor furnishings of the piazza, including the street lights and the base of a statue. The project was commissioned by the Metropolitana Milanese and was shown in the exhibition "Umberto Riva, sistemazioni urbane" in 1993, at the Pinacoteca civica Franscesco Podesti in Ancona. The project series contains studies and design development drawings, including a site plan, elevations, sections, plans, and details for the street lamps, as well as a small description for the project.
Piazza San Nazaro, Milan, Italy (1989-1993)
Actions:
AP180.S1.1989.PR01
Description:
This project series documents the Piazza San Nazaro, a public square in Milan, Italy. This project was realized. Riva worked on this project from 1989-1993 in collaboration with Giacomo Borella, Paolo Froncillo, Giovanni Drugman, and Franscesca Riva. Umberto Riva also designed the outdoor furnishings of the piazza, including the street lights and the base of a statue. The project was commissioned by the Metropolitana Milanese and was shown in the exhibition "Umberto Riva, sistemazioni urbane" in 1993, at the Pinacoteca civica Franscesco Podesti in Ancona. The project series contains studies and design development drawings, including a site plan, elevations, sections, plans, and details for the street lamps, as well as a small description for the project.
Niveau de description archivistique:
Project
Project
Date:
1991-1993
1991-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Personnes et institutions:
Date:
1994-2015
1994-2015
Titre:
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2015
1994-2015
Personnes et institutions:
Classification:
événements
événements
Titre:
Rotor Deconstruction
Rotor Deconstruction
Actions:
Description:
Maarten Gielen présente les activités de Rotor, un groupe d’architectes, de designers et d’autres professionnels intéressés par les flux de matériaux dans l’industrie et la construction. Le groupe travaille en particulier sur les ressources, les déchets, l’utilisation et la réutilisation des matériaux. Rotor diffuse des stratégies innovatrices de récupération et de(...)
Maarten Gielen présente les activités de Rotor, un groupe d’architectes, de designers et d’autres professionnels intéressés par les flux de matériaux dans l’industrie et la construction. Le groupe travaille en particulier sur les ressources, les déchets, l’utilisation et la réutilisation des matériaux. Rotor diffuse des stratégies innovatrices de récupération et de(...)
Date:
4 février 2016
4 février 2016
Titre:
Rotor Deconstruction
Actions:
Description:
Maarten Gielen présente les activités de Rotor, un groupe d’architectes, de designers et d’autres professionnels intéressés par les flux de matériaux dans l’industrie et la construction. Le groupe travaille en particulier sur les ressources, les déchets, l’utilisation et la réutilisation des matériaux. Rotor diffuse des stratégies innovatrices de récupération et de(...)
Rotor Deconstruction
Actions:
Description:
Maarten Gielen présente les activités de Rotor, un groupe d’architectes, de designers et d’autres professionnels intéressés par les flux de matériaux dans l’industrie et la construction. Le groupe travaille en particulier sur les ressources, les déchets, l’utilisation et la réutilisation des matériaux. Rotor diffuse des stratégies innovatrices de récupération et de(...)
Classification:
événements
événements
Date:
4 février 2016
4 février 2016
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Niveau de description archivistique:
Series
Series
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1985:0272
Description:
- A view of the Villa d'Este and its garden, depicting the central alley down the middle of the garden, with the villa rising above and outlined against the sky. The standpoint from which the view is taken lies at the centre of a circle of cypresses, the cypresses having been omitted to permit an unobstructed prospect of the garden. The effect of perspectival recession is intensified by an artifical but dramatic increase in the size of the foreground fountains and statues (representing the Liberal Arts), and by the diminutive stature of the human figures who work or saunter in the garden nearby. Along the central alley, which links a series of terraces mounting to the villa, are visible the "Fountain of Gentle Dragons", the so-called "viale de Cento Fontane", and the multistoried "Fountain of the Cups" attributed to Gian Lorenzo Bernini. In the far right background can be seen the "Fountain of the Birds" and the "Fountain of Proserpina". Variety and vertical accentuation in the composition are provided by a few cypresses and umbrella pines in the middle distance.
DR1985:0272
Description:
- A view of the Villa d'Este and its garden, depicting the central alley down the middle of the garden, with the villa rising above and outlined against the sky. The standpoint from which the view is taken lies at the centre of a circle of cypresses, the cypresses having been omitted to permit an unobstructed prospect of the garden. The effect of perspectival recession is intensified by an artifical but dramatic increase in the size of the foreground fountains and statues (representing the Liberal Arts), and by the diminutive stature of the human figures who work or saunter in the garden nearby. Along the central alley, which links a series of terraces mounting to the villa, are visible the "Fountain of Gentle Dragons", the so-called "viale de Cento Fontane", and the multistoried "Fountain of the Cups" attributed to Gian Lorenzo Bernini. In the far right background can be seen the "Fountain of the Birds" and the "Fountain of Proserpina". Variety and vertical accentuation in the composition are provided by a few cypresses and umbrella pines in the middle distance.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
published 1773
published 1773
Titre:
A view of the Villa d'Este and its gardens, Tivoli
Actions:
DR1985:0272
Description:
- A view of the Villa d'Este and its garden, depicting the central alley down the middle of the garden, with the villa rising above and outlined against the sky. The standpoint from which the view is taken lies at the centre of a circle of cypresses, the cypresses having been omitted to permit an unobstructed prospect of the garden. The effect of perspectival recession is intensified by an artifical but dramatic increase in the size of the foreground fountains and statues (representing the Liberal Arts), and by the diminutive stature of the human figures who work or saunter in the garden nearby. Along the central alley, which links a series of terraces mounting to the villa, are visible the "Fountain of Gentle Dragons", the so-called "viale de Cento Fontane", and the multistoried "Fountain of the Cups" attributed to Gian Lorenzo Bernini. In the far right background can be seen the "Fountain of the Birds" and the "Fountain of Proserpina". Variety and vertical accentuation in the composition are provided by a few cypresses and umbrella pines in the middle distance.
A view of the Villa d'Este and its gardens, Tivoli
Actions:
DR1985:0272
Description:
- A view of the Villa d'Este and its garden, depicting the central alley down the middle of the garden, with the villa rising above and outlined against the sky. The standpoint from which the view is taken lies at the centre of a circle of cypresses, the cypresses having been omitted to permit an unobstructed prospect of the garden. The effect of perspectival recession is intensified by an artifical but dramatic increase in the size of the foreground fountains and statues (representing the Liberal Arts), and by the diminutive stature of the human figures who work or saunter in the garden nearby. Along the central alley, which links a series of terraces mounting to the villa, are visible the "Fountain of Gentle Dragons", the so-called "viale de Cento Fontane", and the multistoried "Fountain of the Cups" attributed to Gian Lorenzo Bernini. In the far right background can be seen the "Fountain of the Birds" and the "Fountain of Proserpina". Variety and vertical accentuation in the composition are provided by a few cypresses and umbrella pines in the middle distance.
Classification:
oeuvres d'art
oeuvres d'art
Date:
published 1773
published 1773
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Classification:
photographies
photographies
Numéro de référence:
ARCH402406
Description:
Possibly a construction worker.
ARCH402406
Description:
Possibly a construction worker.
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
View of arched structures and a man squatting with an unidentified building in background, possibly in Chandigarh, India
Actions:
ARCH402406
Description:
Possibly a construction worker.
View of arched structures and a man squatting with an unidentified building in background, possibly in Chandigarh, India
Actions:
ARCH402406
Description:
Possibly a construction worker.
Classification:
photographies
photographies
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Personnes et institutions:
Date:
[1800-1868]
[1800-1868]
Titre:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Niveau de description archivistique:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Localisation:
Vitrines
Vitrines
Date:
26 février 1992 au 24 mai 1992
26 février 1992 au 24 mai 1992
Titre:
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Classification:
expositions
expositions
Date:
26 février 1992 au
24 mai 1992
26 février 1992 au
24 mai 1992
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Personnes et institutions:
Date:
1987-1997
1987-1997
Titre:
Viviendas, locales y garajes en la M-30, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Viviendas, locales y garajes en la M-30, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1987-1997
1987-1997
Personnes et institutions:
