Architecture du téléphone
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Le téléphone est inventé en 1876 par l'Américain Graham Bell et le cadran d'appel circulaire apparaît en 1892. Le téléphone fait alors rapidement sa percée en Europe et le central téléphonique, associé ou non à un bâtiment postal, devient un des symboles de la modernité. En Belgique, la Régie des Télégraphes et Téléphones, créée en 1930, confie ses édifices les plus(...)
septembre 2019
Architecture du téléphone
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Le téléphone est inventé en 1876 par l'Américain Graham Bell et le cadran d'appel circulaire apparaît en 1892. Le téléphone fait alors rapidement sa percée en Europe et le central téléphonique, associé ou non à un bâtiment postal, devient un des symboles de la modernité. En Belgique, la Régie des Télégraphes et Téléphones, créée en 1930, confie ses édifices les plus emblématiques à de grands architectes. Ces « architectures du téléphone » sont présentées ici d'après des archives, des photographies d'époque et des vues contemporaines réalisées par deux photographes renommés, Karin Borghouts et Filip Dujardin.
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This book examines the key role of the digital image in architecture over four decades – in the process of digitizing knowledge in theory and practice – as well as its influence on architectural design and visualization: The transition from the analogue to the digital age is analyzed on the basis of 51 design visualizations, from hand drawings to photomontage to computer(...)
Architecture numérique
novembre 2024
Architecture transformed: the digital image in architecture 1980-2020
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This book examines the key role of the digital image in architecture over four decades – in the process of digitizing knowledge in theory and practice – as well as its influence on architectural design and visualization: The transition from the analogue to the digital age is analyzed on the basis of 51 design visualizations, from hand drawings to photomontage to computer renderings, in order to illustrate how architecture has been impacted by digital methods and media. "Architecture transformed" is the result of a collaboration between the Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg and the Chair of Architecture and Visualization at Brandenburg University of Technology Cottbus-Senftenberg as part of the German Research Foundation program entitled "The Digital Image."
Architecture numérique
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
janvier 1999, Montréal, Vancouver
Manifeste pour une architecture douce, soft architecture, a manifesto
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
livres
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Épuisé / out of print
Théorie de l’architecture
septembre 2002, Berlin
Rethinking : space, time, architecture - a dialogue between art and architecture
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Épuisé / out of print
livres
septembre 2002, Berlin
Théorie de l’architecture
Critical Architecture
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Critical Architecture examines the relationship between design and criticism in architecture. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to fields such as art, cultural and literary criticism, and considers how critical practice in design operates through a number of different modes: buildings, drawings(...)
Théorie de l’architecture
octobre 2007, London, New York
Critical Architecture
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Critical Architecture examines the relationship between design and criticism in architecture. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to fields such as art, cultural and literary criticism, and considers how critical practice in design operates through a number of different modes: buildings, drawings and texts. With thirty-six essays by an international cast of leading academics and designers, organised under four thematic headings, Critical Architecture brings together a diverse range of projects and writings, which taken together challenge the view that the terms 'design' and 'criticism' should be divided.
Théorie de l’architecture
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Presenting the first formulation of the central subject, this volume challenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.D. 300 to the early nineteenth century.
Architecture as icon: Perception and representation of architecture in Byzantine art
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Presenting the first formulation of the central subject, this volume challenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.D. 300 to the early nineteenth century.
Théorie de l’architecture
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The Autopoiesis of Architecture , which presents the topic as a discipline with its own unique logic. Architecture's conception of itself is addressed as well as its development within wider contemporary society.The first of two volumes that together present a comprehensive account of architecture's autopoiesis, this book elaborates the theory of architecture's(...)
The Autopoiesis of architecture: a new framework for architecture. Vol. 1
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The Autopoiesis of Architecture , which presents the topic as a discipline with its own unique logic. Architecture's conception of itself is addressed as well as its development within wider contemporary society.The first of two volumes that together present a comprehensive account of architecture's autopoiesis, this book elaborates the theory of architecture's autopoeisis in 8 parts, 50 sections and 200 chapters. Each of the 50 sections poses a thesis drawing a central message from the insights articulated within the respective section. The 200 chapters are gathering and sorting the accumulated intelligence of the discipline according to the new conceptual framework adopted, in order to catalyze and elaborate the new formulations and insights that are then encapsulated in the theses.
Théorie de l’architecture
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular(...)
The Autopoiesis of architecture: a new agenda for architecture. Vol. 2
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular self-organizing system and has since been transposed into a theory of social systems. This new approach offers architecture an arsenal of general comparative concepts. It allows architecture to be understood as a distinct discipline, which can be analyzed in elaborate detail while at the same time offering insightful comparisons with other subject areas, such as art, science and political discourse
Théorie de l’architecture
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This volume considers existing contexts as an opportunity to use the potential of place, as well as the creativity of inhabitants and users and the power of the social and urban fabric, to respond to needs and urgent topics. It outlines eleven actions, compelling examples from different places and design practices worldwide, which in turn are related to an array of(...)
Architecture contemporaine
février 2021
Rewriting architecture: 10 + 1 actions for an adaptive architecture
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This volume considers existing contexts as an opportunity to use the potential of place, as well as the creativity of inhabitants and users and the power of the social and urban fabric, to respond to needs and urgent topics. It outlines eleven actions, compelling examples from different places and design practices worldwide, which in turn are related to an array of architects, design professionals, and other specialists working in art, biology, ecology, fashion, pop culture, and philosophy. As such, it generates a broader framework of thought in order to demonstrate how makers with diverse design attitudes are responding to today’s spatial, social, environmental, and aesthetic challenges.
Architecture contemporaine
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why(...)
The architecture of happiness
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks. de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life.
Théorie de l’architecture