3069 Résultats
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Première monographie sur le travail cinématographique de Véronique Goël, à l'intersection du cinéma indépendant, de l'art contemporain, de la photographie et de l'installation. Cinéaste et plasticienne, Véronique Goël (née en 1951 à Rolle, Suisse, vit et travaille à Genève) développe depuis le milieu des années 1970 un travail cinématographique et photographique(...)
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Première monographie sur le travail cinématographique de Véronique Goël, à l'intersection du cinéma indépendant, de l'art contemporain, de la photographie et de l'installation. Cinéaste et plasticienne, Véronique Goël (née en 1951 à Rolle, Suisse, vit et travaille à Genève) développe depuis le milieu des années 1970 un travail cinématographique et photographique(...)
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Véronique Goël : Films et installations, 1979-2023
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Première monographie sur le travail cinématographique de Véronique Goël, à l'intersection du cinéma indépendant, de l'art contemporain, de la photographie et de l'installation. Cinéaste et plasticienne, Véronique Goël (née en 1951 à Rolle, Suisse, vit et travaille à Genève) développe depuis le milieu des années 1970 un travail cinématographique et photographique important, décryptant la mémoire, les liens interpersonnels et les rapports des individus avec les structures sociales, politiques et architecturales.
Véronique Goël : Films et installations, 1979-2023
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Première monographie sur le travail cinématographique de Véronique Goël, à l'intersection du cinéma indépendant, de l'art contemporain, de la photographie et de l'installation. Cinéaste et plasticienne, Véronique Goël (née en 1951 à Rolle, Suisse, vit et travaille à Genève) développe depuis le milieu des années 1970 un travail cinématographique et photographique important, décryptant la mémoire, les liens interpersonnels et les rapports des individus avec les structures sociales, politiques et architecturales.
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novembre 2024
novembre 2024
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico,(...)
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico,(...)
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Jason Fulford: Picture summer on Kodak film
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
Jason Fulford: Picture summer on Kodak film
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
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livres
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juin 2020
juin 2020
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Monographies photo
Monographies photo
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Broadway avenue in downtown Los Angeles holds an extraordinary collection of twelve once-luxurious and now abandoned film-palaces, built between 1910 and 1931. In most cities worldwide, such a concentration of cinemas would have been demolished long ago - here however the buildings have survived the end of film-projection intact, some of their interiors ruined and gutted,(...)
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Broadway avenue in downtown Los Angeles holds an extraordinary collection of twelve once-luxurious and now abandoned film-palaces, built between 1910 and 1931. In most cities worldwide, such a concentration of cinemas would have been demolished long ago - here however the buildings have survived the end of film-projection intact, some of their interiors ruined and gutted,(...)
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Abandoned images: film and film's end
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Broadway avenue in downtown Los Angeles holds an extraordinary collection of twelve once-luxurious and now abandoned film-palaces, built between 1910 and 1931. In most cities worldwide, such a concentration of cinemas would have been demolished long ago - here however the buildings have survived the end of film-projection intact, some of their interiors ruined and gutted, others transformed and re-used as churches, nightclubs and storage spaces. Stephen Barber begins with an exploration of these remarkable derelicts, and broadens to ask questions about the abandonment of film itself.
Abandoned images: film and film's end
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Broadway avenue in downtown Los Angeles holds an extraordinary collection of twelve once-luxurious and now abandoned film-palaces, built between 1910 and 1931. In most cities worldwide, such a concentration of cinemas would have been demolished long ago - here however the buildings have survived the end of film-projection intact, some of their interiors ruined and gutted, others transformed and re-used as churches, nightclubs and storage spaces. Stephen Barber begins with an exploration of these remarkable derelicts, and broadens to ask questions about the abandonment of film itself.
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février 2010
février 2010
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The Cinematic Tango explores the cultural politics of over sixty years of filmmaking in Argentina. From the 1940s when film was a successful studio product to the 1980s post-dictatorship period when national cinema was utilized as a public relations tool, Tamara L. Falicov explores how national culture on film has been shaped, articulated, and debated. She provides(...)
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The Cinematic Tango explores the cultural politics of over sixty years of filmmaking in Argentina. From the 1940s when film was a successful studio product to the 1980s post-dictatorship period when national cinema was utilized as a public relations tool, Tamara L. Falicov explores how national culture on film has been shaped, articulated, and debated. She provides(...)
Titre:
The cinematic tango: contemporary Argentine film
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The Cinematic Tango explores the cultural politics of over sixty years of filmmaking in Argentina. From the 1940s when film was a successful studio product to the 1980s post-dictatorship period when national cinema was utilized as a public relations tool, Tamara L. Falicov explores how national culture on film has been shaped, articulated, and debated. She provides in-depth analysis of Argentina's contemporary period, when financial incentives led to the production of commercial "blockbusters" as well as new opportunities for first-time directors, sparking a surge of low-budget, independent filmmaking.
The cinematic tango: contemporary Argentine film
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The Cinematic Tango explores the cultural politics of over sixty years of filmmaking in Argentina. From the 1940s when film was a successful studio product to the 1980s post-dictatorship period when national cinema was utilized as a public relations tool, Tamara L. Falicov explores how national culture on film has been shaped, articulated, and debated. She provides in-depth analysis of Argentina's contemporary period, when financial incentives led to the production of commercial "blockbusters" as well as new opportunities for first-time directors, sparking a surge of low-budget, independent filmmaking.
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janvier 2012
janvier 2012
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87 Seiten 29 cm, 540 g
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87 Seiten 29 cm, 540 g
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Leipzig Spector Books [2020]
Leipzig Spector Books [2020]
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Encuentro Chiapas 1996 photographies Bruno Serralongue ; essai et entretien Philippe Bazin
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87 Seiten 29 cm, 540 g
Encuentro Chiapas 1996 photographies Bruno Serralongue ; essai et entretien Philippe Bazin
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87 Seiten 29 cm, 540 g
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Leipzig Spector Books [2020]
Leipzig Spector Books [2020]
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CCA.
CCA.
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1 videoreel (8 min., 8 sec.) : sound, color ; 1 in. master, 1 videocassette (VHS) (8 min., 8 sec.) : sound, color ; 1/2 in. consultation copy, 1 videodisc (DVD) : sound,...
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1 videoreel (8 min., 8 sec.) : sound, color ; 1 in. master, 1 videocassette (VHS) (8 min., 8 sec.) : sound, color ; 1/2 in. consultation copy, 1 videodisc (DVD) : sound,...
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Montréal : Zone Productions, 1989.
Montréal : Zone Productions, 1989.
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CCA.
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1 videoreel (8 min., 8 sec.) : sound, color ; 1 in. master, 1 videocassette (VHS) (8 min., 8 sec.) : sound, color ; 1/2 in. consultation copy, 1 videodisc (DVD) : sound,...
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Montréal : Zone Productions, 1989.
Montréal : Zone Productions, 1989.
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156 pages
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156 pages
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Washington, D.C. : Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress, (1984)
Washington, D.C. : Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress, (1984)
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Archival moving image materials : a cataloging manual.
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156 pages
Archival moving image materials : a cataloging manual.
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156 pages
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Washington, D.C. : Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress, (1984)
Washington, D.C. : Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress, (1984)
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vidéo
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On What We Owe.
On What We Owe.
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1 online resource
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[Place of publication not identified] : Triple Canopy, 2020.
[Place of publication not identified] : Triple Canopy, 2020.
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[Place of publication not identified] : Triple Canopy, 2020.
[Place of publication not identified] : Triple Canopy, 2020.
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between(...)
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between(...)
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septembre 2013
septembre 2013
Titre:
World film locations : Hong Kong
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.
World film locations : Hong Kong
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.
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septembre 2013
septembre 2013
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1 online resource (130 PDF pages) : illustrations
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Paris : Onestar Press, 2001
Paris : Onestar Press, 2001
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Safari typographique. volume 1 / Philippe Buschinger
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1 online resource (130 PDF pages) : illustrations
Safari typographique. volume 1 / Philippe Buschinger
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1 online resource (130 PDF pages) : illustrations
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Paris : Onestar Press, 2001
Paris : Onestar Press, 2001
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