31212 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2004:1092
Description:
notes, sketches, drawings, clippings, correspondence, competition documents, brochures, forms, exhibition catalogue from the Aedes project, competition invitation, text, map, newsletter, and note from Bernard Tschumi
DR2004:1092
Description:
notes, sketches, drawings, clippings, correspondence, competition documents, brochures, forms, exhibition catalogue from the Aedes project, competition invitation, text, map, newsletter, and note from Bernard Tschumi
Personnes et institutions:
Titre:
Notes, sketches, drawings, clippings, correspondence
Actions:
DR2004:1092
Description:
notes, sketches, drawings, clippings, correspondence, competition documents, brochures, forms, exhibition catalogue from the Aedes project, competition invitation, text, map, newsletter, and note from Bernard Tschumi
Notes, sketches, drawings, clippings, correspondence
Actions:
DR2004:1092
Description:
notes, sketches, drawings, clippings, correspondence, competition documents, brochures, forms, exhibition catalogue from the Aedes project, competition invitation, text, map, newsletter, and note from Bernard Tschumi
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Personnes et institutions:
Date:
1976
1976
Titre:
Postcard from Sigeo Anzai to Gordon Matta-Clark
Actions:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Postcard from Sigeo Anzai to Gordon Matta-Clark
Actions:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Classification:
documents textuels
documents textuels
Date:
1976
1976
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Personnes et institutions:
Date:
2008
2008
Titre:
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Niveau de description archivistique:
Subseries
Subseries
Date:
2008
2008
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Personnes et institutions:
Date:
1989-1999, predominant 1989-1994
1989-1999, predominant 1989-1994
Titre:
Drawings and other graphic material
Actions:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Drawings and other graphic material
Actions:
AP165.S2
Description:
File contains drawings, photographs and prints depicting a variety of conceptual schemes for transformable structures such as folding shelters, stadiums roofs, retractable doors, and sculpture. There is also some material relating to the Projects 45 exhibition held at the Museum of Modern Art in 1994. Material in this series was produced between 1989 and 1999.
Niveau de description archivistique:
Series 2
Series 2
Date:
1989-1999, predominant 1989-1994
1989-1999, predominant 1989-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Personnes et institutions:
Date:
2004-2005, predominant 2005
2004-2005, predominant 2005
Titre:
Aichi, exposición (2005)
Actions:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Aichi, exposición (2005)
Actions:
AP164.S1.2005.D12
Description:
This project series documents the Aichi exhibition, also known as Eurasia Extrema, where works by Abalos & Herreros were shown, such as the deCoro design (AP164.S1.2004.D8). The firm identified this project as number 204. Documenting the exhibiton are presentation and design development drawings, correspondence, reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
2004-2005, predominant 2005
2004-2005, predominant 2005
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
PHCON2002:0016:085
Description:
Exhibition poster for "A special project done at the Mus. of Contemporary Art. At the Annex: Daily tours from 11-Noon and 4-5 pm. February 1978".
PHCON2002:0016:085
Description:
Exhibition poster for "A special project done at the Mus. of Contemporary Art. At the Annex: Daily tours from 11-Noon and 4-5 pm. February 1978".
Personnes et institutions:
Date:
1978
1978
Titre:
Circus or The Caribbean Orange
Actions:
PHCON2002:0016:085
Description:
Exhibition poster for "A special project done at the Mus. of Contemporary Art. At the Annex: Daily tours from 11-Noon and 4-5 pm. February 1978".
Circus or The Caribbean Orange
Actions:
PHCON2002:0016:085
Description:
Exhibition poster for "A special project done at the Mus. of Contemporary Art. At the Annex: Daily tours from 11-Noon and 4-5 pm. February 1978".
Classification:
graphique
graphique
Date:
1978
1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Personnes et institutions:
Date:
1926-1927
1926-1927
Titre:
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Niveau de description archivistique:
project
project
Date:
1926-1927
1926-1927
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Walls Paper
Walls Paper
Numéro de référence:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Personnes et institutions:
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
Titre:
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Niveau de description archivistique:
File 32
File 32
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
IAUS: correspondence, 1974
IAUS: correspondence, 1974
Numéro de référence:
ARCH153579
Description:
Letters between PDE, Ed Logue of NYS Urban Development Corporation, and Arthur Drexler of MoMA about budget overruns concerning Low Rise High Density exhibition and catalogue
ARCH153579
Description:
Letters between PDE, Ed Logue of NYS Urban Development Corporation, and Arthur Drexler of MoMA about budget overruns concerning Low Rise High Density exhibition and catalogue
Personnes et institutions:
Date:
1974
1974
Titre:
IAUS: correspondence, 1974
Actions:
ARCH153579
Description:
Letters between PDE, Ed Logue of NYS Urban Development Corporation, and Arthur Drexler of MoMA about budget overruns concerning Low Rise High Density exhibition and catalogue
IAUS: correspondence, 1974
Actions:
ARCH153579
Description:
Letters between PDE, Ed Logue of NYS Urban Development Corporation, and Arthur Drexler of MoMA about budget overruns concerning Low Rise High Density exhibition and catalogue
Classification:
documents textuels
documents textuels
Date:
1974
1974
Personnes et institutions:
