1981 Résultats
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the(...)
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the(...)
Titre:
Renate Aller: The space between memory and expectation
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the interconnectedness of distant environments, opening up conversations between the different (political) landscapes in which we live. Renate Aller is a German living in New York. Her large-scale photographs are held in numerous museums including the Hamburger Kunsthalle, the National Gallery of Art, Washington D. C., the Yale University Art Gallery, the George Eastman Museum, the New York Historical Society Museum, the Musée des Beaux-Arts, Le Locle, and the Parrish Art Museum.
Renate Aller: The space between memory and expectation
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the interconnectedness of distant environments, opening up conversations between the different (political) landscapes in which we live. Renate Aller is a German living in New York. Her large-scale photographs are held in numerous museums including the Hamburger Kunsthalle, the National Gallery of Art, Washington D. C., the Yale University Art Gallery, the George Eastman Museum, the New York Historical Society Museum, the Musée des Beaux-Arts, Le Locle, and the Parrish Art Museum.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
Titre:
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
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livres
livres
Publication:
août 2022
août 2022
Sujet:
Biennale
Biennale
Classification:
périodiques
périodiques
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis(...)
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis(...)
Titre:
AV Mongraphs 211-212 : BIG Bjarke Ingels Group
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis Fernández-Galiano, in which the Danish architect goes over his career, the monograph presents 35 works and designs drawn up since 2013, including the Maritime Museum of Denmark in Helsingør, the VIA 57 West residential building in New York, the LEGO House in Billund, the Amager waste treatment plant and skiing slope in Copenhagen, the 2 World Trade Center in New York, and the experimental project to build cities on Mars.
AV Mongraphs 211-212 : BIG Bjarke Ingels Group
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis Fernández-Galiano, in which the Danish architect goes over his career, the monograph presents 35 works and designs drawn up since 2013, including the Maritime Museum of Denmark in Helsingør, the VIA 57 West residential building in New York, the LEGO House in Billund, the Amager waste treatment plant and skiing slope in Copenhagen, the 2 World Trade Center in New York, and the experimental project to build cities on Mars.
Classification:
périodiques
périodiques
Publication:
avril 2019
avril 2019
Sujet:
Revues
Revues
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livres
livres
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed(...)
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed(...)
Sujet:
Monographies photo
Monographies photo
Publication:
février 2018
février 2018
Titre:
Robert Polidori: synchrony and diachrony. Photographs of the J. Paul Getty Museum 1997
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed inside it. In September 1997 the New Yorker commissioned Robert Polidori (born 1951) to photograph Meier’s building. Within 48 hours he had made images of its exterior but was dissatisfied. Polidori wanted to document the museum’s interior, and proceeded to photograph the rooms in which artworks were either freshly installed or still being so. The resulting photos show the museum in the process of taking shape, expose the mechanics of curatorship.
Robert Polidori: synchrony and diachrony. Photographs of the J. Paul Getty Museum 1997
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed inside it. In September 1997 the New Yorker commissioned Robert Polidori (born 1951) to photograph Meier’s building. Within 48 hours he had made images of its exterior but was dissatisfied. Polidori wanted to document the museum’s interior, and proceeded to photograph the rooms in which artworks were either freshly installed or still being so. The resulting photos show the museum in the process of taking shape, expose the mechanics of curatorship.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$78.00
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not(...)
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not(...)
Titre:
Renate Aller: mountain interval
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not overpowering. Similar to the sand dune images from "Ocean | Desert", the artist engages us with these giants in all their detail, the veins and textures of the rocks in their constantly transient state. Aller isolates the mountain from its expected surroundings, using and presenting the familiar and the known in an intimate way, relating to parallel realities from different locations, opening up conversations between the different (political) landscapes in which we live.
Renate Aller: mountain interval
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not overpowering. Similar to the sand dune images from "Ocean | Desert", the artist engages us with these giants in all their detail, the veins and textures of the rocks in their constantly transient state. Aller isolates the mountain from its expected surroundings, using and presenting the familiar and the known in an intimate way, relating to parallel realities from different locations, opening up conversations between the different (political) landscapes in which we live.
Classification:
livres
livres
Publication:
juillet 2018
juillet 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how(...)
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how(...)
Titre:
Andy Warhol: from a to b and back
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Andy Warhol: from a to b and back
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Classification:
livres
livres
Titre:
Synthetic: how life got made
Synthetic: how life got made
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In "Synthetic: How Life Got Made", cultural anthropologist Sophia Roosth reveals how synthetic biologists make new living things in order to understand better how life works. The first book-length ethnographic study of this discipline, "Synthetic" documents the social, cultural, rhetorical, economic, and imaginative transformations biology has undergone in the(...)
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In "Synthetic: How Life Got Made", cultural anthropologist Sophia Roosth reveals how synthetic biologists make new living things in order to understand better how life works. The first book-length ethnographic study of this discipline, "Synthetic" documents the social, cultural, rhetorical, economic, and imaginative transformations biology has undergone in the(...)
Titre:
Synthetic: how life got made
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In "Synthetic: How Life Got Made", cultural anthropologist Sophia Roosth reveals how synthetic biologists make new living things in order to understand better how life works. The first book-length ethnographic study of this discipline, "Synthetic" documents the social, cultural, rhetorical, economic, and imaginative transformations biology has undergone in the post-genomic age. Roosth traces this new science from its origins at MIT to start-ups, laboratories, conferences, and hackers’ garages across the United States—even to contemporary efforts to resurrect extinct species. Her careful research reveals that rather than opening up a limitless new field, these biologists’ own experimental tactics circularly determine the biological features, theories, and limits they fasten upon. Exploring the life sciences emblematic of our time, "Synthetic" tells the origin story of the astonishing claim that biological making fosters biological knowing.
Synthetic: how life got made
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In "Synthetic: How Life Got Made", cultural anthropologist Sophia Roosth reveals how synthetic biologists make new living things in order to understand better how life works. The first book-length ethnographic study of this discipline, "Synthetic" documents the social, cultural, rhetorical, economic, and imaginative transformations biology has undergone in the post-genomic age. Roosth traces this new science from its origins at MIT to start-ups, laboratories, conferences, and hackers’ garages across the United States—even to contemporary efforts to resurrect extinct species. Her careful research reveals that rather than opening up a limitless new field, these biologists’ own experimental tactics circularly determine the biological features, theories, and limits they fasten upon. Exploring the life sciences emblematic of our time, "Synthetic" tells the origin story of the astonishing claim that biological making fosters biological knowing.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Classification:
livres
livres
Titre:
The city that never was
The city that never was
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One of the most troubling consequences of the--2008 global financial collapse was the midstream abandonment of several large-scale speculative urban and suburban projects. The resulting scars on the landscape, large subdivisions with only marked-out plots and half-finished roads, are the subject of The City That Never Was, an eye-opening look at what happens when(...)
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One of the most troubling consequences of the--2008 global financial collapse was the midstream abandonment of several large-scale speculative urban and suburban projects. The resulting scars on the landscape, large subdivisions with only marked-out plots and half-finished roads, are the subject of The City That Never Was, an eye-opening look at what happens when(...)
Titre:
The city that never was
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One of the most troubling consequences of the--2008 global financial collapse was the midstream abandonment of several large-scale speculative urban and suburban projects. The resulting scars on the landscape, large subdivisions with only marked-out plots and half-finished roads, are the subject of The City That Never Was, an eye-opening look at what happens when development, particularly what the author calls "speculative urbanism," is out-of-sync with financial reality. Presenting historical and recent examples from around the world---from the sprawl of the US Sun Belt and the unoccupied towns of western China, to the "ghost estates" of Ireland---and focusing on case studies in Spain, Marcinkoski proposes an ecologically based model in place of the capricious economic and political factors that typically drive development today.
The city that never was
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One of the most troubling consequences of the--2008 global financial collapse was the midstream abandonment of several large-scale speculative urban and suburban projects. The resulting scars on the landscape, large subdivisions with only marked-out plots and half-finished roads, are the subject of The City That Never Was, an eye-opening look at what happens when development, particularly what the author calls "speculative urbanism," is out-of-sync with financial reality. Presenting historical and recent examples from around the world---from the sprawl of the US Sun Belt and the unoccupied towns of western China, to the "ghost estates" of Ireland---and focusing on case studies in Spain, Marcinkoski proposes an ecologically based model in place of the capricious economic and political factors that typically drive development today.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Prix:
$60.00
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
Titre:
Italian futurism, 1909-1944: reconstructing the universe
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Italian futurism, 1909-1944: reconstructing the universe
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$60.00
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Art, époques et styles
Art, époques et styles
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livres
livres
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In Walls, Oles shows how our minds and our politics are shaped by –and shape– our divisions in the landscape. He traces the rich array of practices and meanings connected to the making and marking of boundaries across history and prehistory, and he describes how these practices have declined in recent centuries. The consequence, he argues, is all around us in the(...)
$57.95
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Résumé:
In Walls, Oles shows how our minds and our politics are shaped by –and shape– our divisions in the landscape. He traces the rich array of practices and meanings connected to the making and marking of boundaries across history and prehistory, and he describes how these practices have declined in recent centuries. The consequence, he argues, is all around us in the(...)
Titre:
Walls : enclosure & ethics in the modern landscape
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In Walls, Oles shows how our minds and our politics are shaped by –and shape– our divisions in the landscape. He traces the rich array of practices and meanings connected to the making and marking of boundaries across history and prehistory, and he describes how these practices have declined in recent centuries. The consequence, he argues, is all around us in the contemporary landscape, riven by walls shoddy in material and mean in spirit. Yet even today, Oles demonstrates, every wall remains potentially an opening, a stage, that critical place in the landscape where people present themselves and define their obligations to one another. In an evocative epilogue, Oles brings to life a society of productive, intentional, and ethical enclosure—one that will leave readers more hopeful about the divided landscapes of the future.
Walls : enclosure & ethics in the modern landscape
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In Walls, Oles shows how our minds and our politics are shaped by –and shape– our divisions in the landscape. He traces the rich array of practices and meanings connected to the making and marking of boundaries across history and prehistory, and he describes how these practices have declined in recent centuries. The consequence, he argues, is all around us in the contemporary landscape, riven by walls shoddy in material and mean in spirit. Yet even today, Oles demonstrates, every wall remains potentially an opening, a stage, that critical place in the landscape where people present themselves and define their obligations to one another. In an evocative epilogue, Oles brings to life a society of productive, intentional, and ethical enclosure—one that will leave readers more hopeful about the divided landscapes of the future.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
