2348 Résultats
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livres
livres
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Description:
422 pages : illustrations (some color) ; 28 cm
Description:
422 pages : illustrations (some color) ; 28 cm
Auteur:
- Amelunxen, Hubertus von.,
- Appelt, Dieter, 1935-,
- Weibel, Peter.,
- Akademie der Künste (Berlin, Germany),
- Zentrum für Kunst und Medientechnologie Karlsruhe.
Sujet:
- Appelt, Dieter, 1935-,
- Benjamin, Walter, 1892-1940.,
- Brancusi, Constantin, 1876-1957.,
- Brown, Trisha, 1936-2017.,
- Cage, John.,
- Claus, Carlfriedrich, 1930-1998.,
- Eggeling, Viking, 1880-1925.,
- Fischinger, Oskar, 1900-1967.,
- Kiesler, Frederick.,
- Klee, Paul, 1879-1940.,
- Kricke, Norbert, 1922-1984.,
- McCall, Anthony.,
- Paik, Nam June, 1932-2006.,
- Price, Cedric.,
- Riley, Bridget, 1931-,
- Stieglitz, Alfred, 1864-1946.,
- Themerson, Stefan.,
- Tobey, Mark.,
- Twombly, Cy, 1928-2011.,
- Arts Graphic methods Exhibitions.,
- Art Technique Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arts Méthodes graphiques Expositions.,
- Art Technique Expositions.,
- Art 20e siècle Expositions.,
- Art, Modern,
- Art Technique,
- Abstraktion,
- Kunst,
- Künste,
- Wissenschaft,
- Wissenschaft Kunst Ausstellungskatalog,
- Künste Wissenschaft Ausstellungskatalog,
- Wissenschaft Künste Ausstellungskatalog,
- Kunst Wissenschaft Ausstellungskatalog,
- Notation (Musik) Kunst Ausstellungskatalog,
- Kunst Notation (Musik) Ausstellungskatalog,
- Ausstellung Berlin 2008.,
- Publications - k - Exhibition - v.,
- Exhibition catalogs,
- Aufsatzsammlung,
- Ausstellungskatalog,
- Ausstellungskatalog Berlin (ab 3.10.1990) 2008,
- Ausstellungskatalog Berlin 2008,
- Ausstellungskatalog Karlsruhe 2009
Publication:
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Titre:
Notation : Kalkül und Form in den Künsten / herausgegeben von Hubertus von Amelunxen. Dieter Appelt und Peter Weibel in Zusammenarbeit mit Angela Lammert. ; mit Essays von Hubertus von Amelunxen [and others].
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Description:
422 pages : illustrations (some color) ; 28 cm
Notation : Kalkül und Form in den Künsten / herausgegeben von Hubertus von Amelunxen. Dieter Appelt und Peter Weibel in Zusammenarbeit mit Angela Lammert. ; mit Essays von Hubertus von Amelunxen [and others].
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Description:
422 pages : illustrations (some color) ; 28 cm
Classification:
livres
livres
Publication:
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Auteur:
- Amelunxen, Hubertus von.,
- Appelt, Dieter, 1935-,
- Weibel, Peter.,
- Akademie der Künste (Berlin, Germany),
- Zentrum für Kunst und Medientechnologie Karlsruhe.
Sujet:
- Appelt, Dieter, 1935-,
- Benjamin, Walter, 1892-1940.,
- Brancusi, Constantin, 1876-1957.,
- Brown, Trisha, 1936-2017.,
- Cage, John.,
- Claus, Carlfriedrich, 1930-1998.,
- Eggeling, Viking, 1880-1925.,
- Fischinger, Oskar, 1900-1967.,
- Kiesler, Frederick.,
- Klee, Paul, 1879-1940.,
- Kricke, Norbert, 1922-1984.,
- McCall, Anthony.,
- Paik, Nam June, 1932-2006.,
- Price, Cedric.,
- Riley, Bridget, 1931-,
- Stieglitz, Alfred, 1864-1946.,
- Themerson, Stefan.,
- Tobey, Mark.,
- Twombly, Cy, 1928-2011.,
- Arts Graphic methods Exhibitions.,
- Art Technique Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arts Méthodes graphiques Expositions.,
- Art Technique Expositions.,
- Art 20e siècle Expositions.,
- Art, Modern,
- Art Technique,
- Abstraktion,
- Kunst,
- Künste,
- Wissenschaft,
- Wissenschaft Kunst Ausstellungskatalog,
- Künste Wissenschaft Ausstellungskatalog,
- Wissenschaft Künste Ausstellungskatalog,
- Kunst Wissenschaft Ausstellungskatalog,
- Notation (Musik) Kunst Ausstellungskatalog,
- Kunst Notation (Musik) Ausstellungskatalog,
- Ausstellung Berlin 2008.,
- Publications - k - Exhibition - v.,
- Exhibition catalogs,
- Aufsatzsammlung,
- Ausstellungskatalog,
- Ausstellungskatalog Berlin (ab 3.10.1990) 2008,
- Ausstellungskatalog Berlin 2008,
- Ausstellungskatalog Karlsruhe 2009
Classification:
livres
livres
Prix:
$68.95
(disponible sur commande)
Résumé:
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century.
$68.95
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Résumé:
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century.
Titre:
Piercing time : Paris after Marville and Atget 1865-2012
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$68.95
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Résumé:
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century.
Piercing time : Paris after Marville and Atget 1865-2012
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$68.95
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Résumé:
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century.
Classification:
livres
livres
Publication:
septembre 2013
septembre 2013
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Prix:
$54.95
(disponible sur commande)
Résumé:
The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a(...)
$54.95
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Résumé:
The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a(...)
Titre:
The radical camera: New York's Photo League 1936-1951
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$54.95
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Résumé:
The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. Presenting 150 works of the members of the Photo League alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
The radical camera: New York's Photo League 1936-1951
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$54.95
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Résumé:
The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. Presenting 150 works of the members of the Photo League alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$131.00
(disponible en magasin)
Résumé:
"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
$131.00
(disponible en magasin)
Résumé:
"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can(...)
Titre:
Ka Me Ra: Modern Japanese architecture through the photographer's lens
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$131.00
(disponible en magasin)
Résumé:
"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
Ka Me Ra: Modern Japanese architecture through the photographer's lens
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Prix:
$131.00
(disponible en magasin)
Résumé:
"KA ME RA" introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country’s spectacular postwar buildings. Through the illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes- and camera lenses-- of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
Classification:
livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$40.00
(disponible sur commande)
Résumé:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
$40.00
(disponible sur commande)
Résumé:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
mai 2019
mai 2019
Titre:
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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Prix:
$40.00
(disponible sur commande)
Résumé:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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Prix:
$40.00
(disponible sur commande)
Résumé:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
Classification:
livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Prix:
$42.00
(disponible sur commande)
Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated(...)
$42.00
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Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated(...)
Titre:
Modern Photographs : The machine the body and the city
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Prix:
$42.00
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Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated strengths--featuring works by Atget, Arbus, Cartier-Bresson, Eggleston, Evans, Hockney, Frank, Mapplethorpe, Ruscha, Schorr, Sherman, Sugimoto, Warhol, Weegee and Winogrand, among many others. Renowned photography critic Andy Grundberg presents a precise analysis of the collection along with studied observations about the nature of photography and how it has become the art form that it is today. Cowles provides an engaging inside look at the development of a collection in an era when photography gained acceptance as an acknowledged art form. And Miami Art Museum Director Terence Riley contributes an introduction.
Modern Photographs : The machine the body and the city
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Prix:
$42.00
(disponible sur commande)
Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated strengths--featuring works by Atget, Arbus, Cartier-Bresson, Eggleston, Evans, Hockney, Frank, Mapplethorpe, Ruscha, Schorr, Sherman, Sugimoto, Warhol, Weegee and Winogrand, among many others. Renowned photography critic Andy Grundberg presents a precise analysis of the collection along with studied observations about the nature of photography and how it has become the art form that it is today. Cowles provides an engaging inside look at the development of a collection in an era when photography gained acceptance as an acknowledged art form. And Miami Art Museum Director Terence Riley contributes an introduction.
Classification:
livres
livres
Publication:
juin 2007, Miami
juin 2007, Miami
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Description:
239 pages : illustrations (chiefly color), map ; 32 cm.
Description:
239 pages : illustrations (chiefly color), map ; 32 cm.
Auteur:
Sujet:
- Palaces Iran.,
- Islamic architecture Iran.,
- Gardens, Persian.,
- Water in landscape architecture Iran.,
- Palaces Iran History.,
- Gardens Iran History.,
- Architecture Iran.,
- Palais Iran Histoire.,
- Jardins Iran Histoire.,
- Jardins perses.,
- Architecture islamique Iran.,
- Palais Iran.,
- Eau dans l'architecture du paysage Iran.,
- Gardens,
- Architecture,
- Islamic architecture,
- Palaces,
- Water in landscape architecture,
- Palast,
- Gartenkunst,
- Paleizen.,
- Tuinen.,
- Bouwkunst.,
- Tuinarchitectuur.,
- Iran,
- Persian Architecture Palaces and Gardens,
- History
Publication:
Paris : Flammarion, ©2002.
Paris : Flammarion, ©2002.
Titre:
Palais et jardins de Perse / texte, Yves Porter ; photographies, Arthur Thévenart.
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Description:
239 pages : illustrations (chiefly color), map ; 32 cm.
Palais et jardins de Perse / texte, Yves Porter ; photographies, Arthur Thévenart.
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Description:
239 pages : illustrations (chiefly color), map ; 32 cm.
Classification:
livres
livres
Publication:
Paris : Flammarion, ©2002.
Paris : Flammarion, ©2002.
Auteur:
Sujet:
- Palaces Iran.,
- Islamic architecture Iran.,
- Gardens, Persian.,
- Water in landscape architecture Iran.,
- Palaces Iran History.,
- Gardens Iran History.,
- Architecture Iran.,
- Palais Iran Histoire.,
- Jardins Iran Histoire.,
- Jardins perses.,
- Architecture islamique Iran.,
- Palais Iran.,
- Eau dans l'architecture du paysage Iran.,
- Gardens,
- Architecture,
- Islamic architecture,
- Palaces,
- Water in landscape architecture,
- Palast,
- Gartenkunst,
- Paleizen.,
- Tuinen.,
- Bouwkunst.,
- Tuinarchitectuur.,
- Iran,
- Persian Architecture Palaces and Gardens,
- History
Classification:
livres
livres
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Prix:
$99.95
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Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry(...)
$99.95
(disponible sur commande)
Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
novembre 2004, London
novembre 2004, London
Titre:
The photobook : a history, volume 1
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$99.95
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Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, "The Photobook" provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, ‘The Photobook: Between the Film and the Novel’ by Badger, which is accompanied by a preface written by Parr.
The photobook : a history, volume 1
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Prix:
$99.95
(disponible sur commande)
Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, "The Photobook" provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, ‘The Photobook: Between the Film and the Novel’ by Badger, which is accompanied by a preface written by Parr.
Classification:
livres
livres
Publication:
novembre 2004, London
novembre 2004, London
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$60.00
(disponible sur commande)
Résumé:
The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
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Résumé:
The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
Titre:
The bitter years: Edward Steichen and the Farm Security Administration photographs
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Prix:
$60.00
(disponible sur commande)
Résumé:
The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
The bitter years: Edward Steichen and the Farm Security Administration photographs
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Prix:
$60.00
(disponible sur commande)
Résumé:
The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Image ecology
Image ecology
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Prix:
$65.00
(disponible en magasin)
Résumé:
A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
$65.00
(disponible en magasin)
Résumé:
A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
Titre:
Image ecology
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Prix:
$65.00
(disponible en magasin)
Résumé:
A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
Image ecology
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Prix:
$65.00
(disponible en magasin)
Résumé:
A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
Classification:
livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Photographie- collections
Photographie- collections
