29337 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Project records from Mr. Koz
Project records from Mr. Koz
Numéro de référence:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Personnes et institutions:
Date:
1996
1996
Titre:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Niveau de description archivistique:
Series
Series
Date:
1996
1996
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:002:096.2
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
PHCON2002:0016:002:096.2
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Personnes et institutions:
Date:
1974
1974
Titre:
Letter from Gordon Matta-Clark to Wolfgang Becker
Actions:
PHCON2002:0016:002:096.2
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Letter from Gordon Matta-Clark to Wolfgang Becker
Actions:
PHCON2002:0016:002:096.2
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Date:
1974
1974
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:002:096.1
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
PHCON2002:0016:002:096.1
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Personnes et institutions:
Date:
1974
1974
Titre:
Letter from Gordon Matta-Clark to Wolfgang Becker
Actions:
PHCON2002:0016:002:096.1
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Letter from Gordon Matta-Clark to Wolfgang Becker
Actions:
PHCON2002:0016:002:096.1
Description:
Asks for his help in arranging a project or exhibition in Belgium or Germany.
Date:
1974
1974
Personnes et institutions:
Classification:
événements
événements
Titre:
L’inertie du vide
Vernissage
L’inertie du vide
Vernissage
Actions:
Localisation:
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
L’inertie du vide, exposition, Joyce Joumaa
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
L’inertie du vide, exposition, Joyce Joumaa
Date:
9 février 2023, de 18h30 à 21h30
9 février 2023, de 18h30 à 21h30
Classification:
événements
événements
Date:
9 février 2023
de 18h30 à 21h30
9 février 2023
de 18h30 à 21h30
Localisation:
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
L’inertie du vide, exposition, Joyce Joumaa
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
L’inertie du vide, exposition, Joyce Joumaa
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153568
Description:
Correspondence with MoMA about conference and related exhibition at the Cooper Union.
ARCH153568
Description:
Correspondence with MoMA about conference and related exhibition at the Cooper Union.
Personnes et institutions:
Date:
1971
1971
Titre:
Correspondence: MoMA - C.U., etc., 1971
Actions:
ARCH153568
Description:
Correspondence with MoMA about conference and related exhibition at the Cooper Union.
Correspondence: MoMA - C.U., etc., 1971
Actions:
ARCH153568
Description:
Correspondence with MoMA about conference and related exhibition at the Cooper Union.
Classification:
documents textuels
documents textuels
Date:
1971
1971
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Broadcast
Broadcast
Numéro de référence:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Personnes et institutions:
Date:
circa 1990-2000
circa 1990-2000
Titre:
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
circa 1990-2000
circa 1990-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Negatives for many projects
Negatives for many projects
Numéro de référence:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
Personnes et institutions:
Titre:
Negatives for many projects
Actions:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
Negatives for many projects
Actions:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
Classification:
photographies
photographies
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
Personnes et institutions:
Titre:
128 / Survey / + / model / drwgs
Actions:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
128 / Survey / + / model / drwgs
Actions:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
Classification:
dessins
dessins
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
Personnes et institutions:
Titre:
Photographs, publications, including 'The General Strike in Battersea 1926
Actions:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
Photographs, publications, including 'The General Strike in Battersea 1926
Actions:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
