2348 Résultats
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
Titre:
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
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livres
livres
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
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livres
livres
Titre:
New Topographics
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
Titre:
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
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livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Salt and silver
Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where(...)
$67.50
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where(...)
Titre:
Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions. Encompassing many of the great works of the period, the publication includes prints by Edouard Baldus, Louis Blanquart-Evrard, Mathew Brady, Charles Clifford, Louis De Clercq, Maxime Du Camp, Roger Fenton, Jean-Baptiste Frenet, Charles Hugo, David Octavius Hill, Robert Adamson, Calvert Richard Jones, Gustave Le Gray, Henri Le Secq, Charles Marville, Felix Nadar, Charles Negre, Felice Beato, Auguste Salzmann, William Henry Fox Talbot, Felix Teynard and Linnaeus Tripe.
Salt and silver
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$67.50
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions. Encompassing many of the great works of the period, the publication includes prints by Edouard Baldus, Louis Blanquart-Evrard, Mathew Brady, Charles Clifford, Louis De Clercq, Maxime Du Camp, Roger Fenton, Jean-Baptiste Frenet, Charles Hugo, David Octavius Hill, Robert Adamson, Calvert Richard Jones, Gustave Le Gray, Henri Le Secq, Charles Marville, Felix Nadar, Charles Negre, Felice Beato, Auguste Salzmann, William Henry Fox Talbot, Felix Teynard and Linnaeus Tripe.
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livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over(...)
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over(...)
Titre:
The unseen eye: photographs from the unconscious
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of 30 years by New York collector W.M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe and Robert Frank, as well as works by lesser-known artists and vernacular images. Hunt's instinctive pursuit of striking images has resulted in a collection that manages to evoke a picture of humanity from birth to death, with all the associated nuances of memory, wit, eroticism, fear, grief and horror. More than 350 evocative and frequently surreal images are brilliantly sequenced in this volume; the cumulative effect is unnerving and riveting. Most critically, the images are drawn together by the narrative of the collector himself, in a highly personal monologue that weaves throughout the book, in which Hunt offers his own perceptive responses to the images he has gathered over many years. The result is a series of surprising epiphanies about how and why one collects.
The unseen eye: photographs from the unconscious
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of 30 years by New York collector W.M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe and Robert Frank, as well as works by lesser-known artists and vernacular images. Hunt's instinctive pursuit of striking images has resulted in a collection that manages to evoke a picture of humanity from birth to death, with all the associated nuances of memory, wit, eroticism, fear, grief and horror. More than 350 evocative and frequently surreal images are brilliantly sequenced in this volume; the cumulative effect is unnerving and riveting. Most critically, the images are drawn together by the narrative of the collector himself, in a highly personal monologue that weaves throughout the book, in which Hunt offers his own perceptive responses to the images he has gathered over many years. The result is a series of surprising epiphanies about how and why one collects.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Photographie- collections
Photographie- collections
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Description:
359 pages : illustrations (some color) ; 34 cm + 1 videodisc (4 3/4 in.)
Description:
359 pages : illustrations (some color) ; 34 cm + 1 videodisc (4 3/4 in.)
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[México, D.F.] : Fundación Televisa ; New York, N.Y. : Aperture Foundation : Distributed by D.A.P., [2010], New York, N.Y. : Distributed by D.A.P., ©2010
[México, D.F.] : Fundación Televisa ; New York, N.Y. : Aperture Foundation : Distributed by D.A.P., [2010], New York, N.Y. : Distributed by D.A.P., ©2010
Titre:
Paul Strand in Mexico / by James Krippner ; historical essay by Alfonso Morales Carillo ; additional texts by Katherine Ware, Leo Hurwitz, and David Alfaro Siqueiros ; process notes by Anthony Montoya ; including an archive catalog of Paul Strand's photographs from Mexico.
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359 pages : illustrations (some color) ; 34 cm + 1 videodisc (4 3/4 in.)
Paul Strand in Mexico / by James Krippner ; historical essay by Alfonso Morales Carillo ; additional texts by Katherine Ware, Leo Hurwitz, and David Alfaro Siqueiros ; process notes by Anthony Montoya ; including an archive catalog of Paul Strand's photographs from Mexico.
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Description:
359 pages : illustrations (some color) ; 34 cm + 1 videodisc (4 3/4 in.)
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livres
livres
Publication:
[México, D.F.] : Fundación Televisa ; New York, N.Y. : Aperture Foundation : Distributed by D.A.P., [2010], New York, N.Y. : Distributed by D.A.P., ©2010
[México, D.F.] : Fundación Televisa ; New York, N.Y. : Aperture Foundation : Distributed by D.A.P., [2010], New York, N.Y. : Distributed by D.A.P., ©2010
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Titre:
But still, it turns
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
$80.00
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
Titre:
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
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livres
livres
Publication:
février 2021
février 2021
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$74.00
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Résumé:
A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
$74.00
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
Titre:
The altered landscape: photographs of a changing environment
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
The altered landscape: photographs of a changing environment
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$81.95
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Résumé:
Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the(...)
$81.95
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Résumé:
Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Titre:
The collectible moment : catalogue of photographs in the Norton Simon Museum
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Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. In "The Collectible Moment" Therese Mulligan outlines the character, quality, and importance of the Norton Simon collection, and Gloria Williams Sander explores the history of the Museum’s photography department in the context of the local art organizations in general and community of photographers specifically. First-person recollections by a number of important figures in the world of photography provide immediate and vivid accounts of the period and the photo artists of this important historical moment.
The collectible moment : catalogue of photographs in the Norton Simon Museum
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$81.95
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Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. In "The Collectible Moment" Therese Mulligan outlines the character, quality, and importance of the Norton Simon collection, and Gloria Williams Sander explores the history of the Museum’s photography department in the context of the local art organizations in general and community of photographers specifically. First-person recollections by a number of important figures in the world of photography provide immediate and vivid accounts of the period and the photo artists of this important historical moment.
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livres
livres
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
La ville écrite
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est(...)
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est(...)
Titre:
La ville écrite
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$26.95
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est traversée par l'histoire de l'écriture et vice versa. Depuis les premiers relevés photographiques des hiéroglyphes égyptiens jusqu'aux graffitis urbains, en passant par les néons publicitaires qui éclairent la nuit des grandes villes, l'écrit hante la photographie. L'image photographique a aussi, à l'inverse, profondément modifié notre regard sur l'écriture. A l'époque moderne, la ville est devenue un immense réservoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, poétique ou politique. Des surréalistes à Andreas Gursky, de Brassaï à William Klein, c'est à cette lecture urbaine que nous invite ce livre.
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est traversée par l'histoire de l'écriture et vice versa. Depuis les premiers relevés photographiques des hiéroglyphes égyptiens jusqu'aux graffitis urbains, en passant par les néons publicitaires qui éclairent la nuit des grandes villes, l'écrit hante la photographie. L'image photographique a aussi, à l'inverse, profondément modifié notre regard sur l'écriture. A l'époque moderne, la ville est devenue un immense réservoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, poétique ou politique. Des surréalistes à Andreas Gursky, de Brassaï à William Klein, c'est à cette lecture urbaine que nous invite ce livre.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Prix:
$60.00
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Résumé:
The photographs of the Pictorialist movement are among the most spectacular works of art in the medium's history. Showcasing soft focus, dramatic effects of light, unusual camera angles, and bold technical experimentation, the Pictorialists created highly atmospheric works that expanded photography's visual vocabulary and remain influential today. Truth Beauty (...)
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The photographs of the Pictorialist movement are among the most spectacular works of art in the medium's history. Showcasing soft focus, dramatic effects of light, unusual camera angles, and bold technical experimentation, the Pictorialists created highly atmospheric works that expanded photography's visual vocabulary and remain influential today. Truth Beauty (...)
Titre:
Truth beauty: pictorialism and the photograph as art, 1845-1945
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The photographs of the Pictorialist movement are among the most spectacular works of art in the medium's history. Showcasing soft focus, dramatic effects of light, unusual camera angles, and bold technical experimentation, the Pictorialists created highly atmospheric works that expanded photography's visual vocabulary and remain influential today. Truth Beauty celebrates this 100-year movement with stunning examples and an engaging history of its rise, scope, and impact on other branches of photography and on art.
Truth beauty: pictorialism and the photograph as art, 1845-1945
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The photographs of the Pictorialist movement are among the most spectacular works of art in the medium's history. Showcasing soft focus, dramatic effects of light, unusual camera angles, and bold technical experimentation, the Pictorialists created highly atmospheric works that expanded photography's visual vocabulary and remain influential today. Truth Beauty celebrates this 100-year movement with stunning examples and an engaging history of its rise, scope, and impact on other branches of photography and on art.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Photographie- collections
Photographie- collections
