4194 Résultats
Classification:
événements
événements
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Date:
27 octobre 2016, 18h
27 octobre 2016, 18h
Titre:
Legislating Architecture : Arno Brandlhuber et Christopher Roth
Actions:
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Legislating Architecture : Arno Brandlhuber et Christopher Roth
Actions:
Description:
Legislating Architecture examine comment la loi et d’autres systèmes de règlementation sociétale façonnent l’architecture. Réalisé par Arno Brandlhuber et Christopher Roth, le film présente des extraits de conversations avec des architectes, dont Luigi Snozzi, Adam Caruso, Tom Emerson et Christian Kerez. Il a inspiré un numéro d’ARCH+ aussi intitulé Legislating(...)
Classification:
événements
événements
Date:
27 octobre 2016
18h
27 octobre 2016
18h
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
TopSolid development
TopSolid development
Numéro de référence:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
Niveau de description archivistique:
Series
Series
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Personnes et institutions:
Date:
1998-2002
1998-2002
Titre:
Documents d’archives de Peter Yeadon pour le Prix de Rome
Actions:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Documents d’archives de Peter Yeadon pour le Prix de Rome
Actions:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2002
1998-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Personnes et institutions:
Date:
1973-2018
1973-2018
Titre:
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Niveau de description archivistique:
Project
Project
Date:
1973-2018
1973-2018
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Personnes et institutions:
Date:
1963-1967
1963-1967
Titre:
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1963-1967
1963-1967
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
22 septembre 2016, 18h
22 septembre 2016, 18h
Titre:
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Classification:
événements
événements
Date:
22 septembre 2016
18h
22 septembre 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Luc Laporte
Fonds Luc Laporte
Numéro de référence:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Fonds Luc Laporte
Actions:
AP068
Résumé:
Le Fond Luc Laporte documente les propositions et les réalisations issus de l'atelier de Luc Laporte pour le secteur est du Vieux-Port de Montréal.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-1993
1991-1993
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Objectile records
Objectile records
Numéro de référence:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Personnes et institutions:
Date:
1993-2011
1993-2011
Titre:
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Niveau de description archivistique:
Series
Series
Date:
1993-2011
1993-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Depocas
Fonds Victor Depocas
Numéro de référence:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Personnes et institutions:
Date:
1921-1986
1921-1986
Titre:
Fonds Victor Depocas
Actions:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Fonds Victor Depocas
Actions:
AP028
Résumé:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1921-1986
1921-1986
Personnes et institutions:
