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volumes <1-4> : illustrations ; 26 cm
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volumes <1-4> : illustrations ; 26 cm
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New York : Random House, [1991], © 1991
New York : Random House, [1991], © 1991
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A life of Picasso / John Richardson with the collaboration of Marilyn McCully.
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volumes <1-4> : illustrations ; 26 cm
A life of Picasso / John Richardson with the collaboration of Marilyn McCully.
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volumes <1-4> : illustrations ; 26 cm
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New York : Random House, [1991], © 1991
New York : Random House, [1991], © 1991
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$60.00
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Résumé:
This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to(...)
$60.00
(disponible sur commande)
Résumé:
This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to(...)
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Théorie de l’urbanisme
Théorie de l’urbanisme
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décembre 2006, Rotterdam
décembre 2006, Rotterdam
Titre:
De-/signing the urban : techno-genesis and the urban image
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$60.00
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to matters which have come to increasingly shift our understanding of architecture and urbanism. The authors offer insight on urban processes and the aesthetic challenge for contemporary design in relation to image, technology and life sciences. Contributions include discussion on : the structure of the network city in terms of temporal manipulations; the virtual emergence and resilience of contemporary urban place in the context of Beijing; the practice of the 'production of space' is detailed with a study of Nowa Huta, Poland, a post communist city and a phenomenological account of habitat and the urban body is presented in relation to Bogotá.
De-/signing the urban : techno-genesis and the urban image
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$60.00
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Résumé:
This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to matters which have come to increasingly shift our understanding of architecture and urbanism. The authors offer insight on urban processes and the aesthetic challenge for contemporary design in relation to image, technology and life sciences. Contributions include discussion on : the structure of the network city in terms of temporal manipulations; the virtual emergence and resilience of contemporary urban place in the context of Beijing; the practice of the 'production of space' is detailed with a study of Nowa Huta, Poland, a post communist city and a phenomenological account of habitat and the urban body is presented in relation to Bogotá.
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livres
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décembre 2006, Rotterdam
décembre 2006, Rotterdam
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Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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CAC : Hadid Studio Yale
CAC : Hadid Studio Yale
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$4.99
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In spring 2000, as the Eero Saarinen Visiting Professor at Yale University, Zaha Hadid led an intense studio on the topic of the contemporary art center. Such centers are proliferating across the United States and around the world, yet their architectural form remains abstract and open-ended, subject to continual reinterpretation. Hadid’s studio - one leader, three studio(...)
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In spring 2000, as the Eero Saarinen Visiting Professor at Yale University, Zaha Hadid led an intense studio on the topic of the contemporary art center. Such centers are proliferating across the United States and around the world, yet their architectural form remains abstract and open-ended, subject to continual reinterpretation. Hadid’s studio - one leader, three studio(...)
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livres soldés
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mai 2002, New York
mai 2002, New York
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CAC : Hadid Studio Yale
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$4.99
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In spring 2000, as the Eero Saarinen Visiting Professor at Yale University, Zaha Hadid led an intense studio on the topic of the contemporary art center. Such centers are proliferating across the United States and around the world, yet their architectural form remains abstract and open-ended, subject to continual reinterpretation. Hadid’s studio - one leader, three studio assistants, twelve students, and numerous critics - interpreted the contemporary art center as an invitation to experiment with new forms of public space. Specific contemporary works of art became the programme for a series of radical architectural concepts that expand the space of the art, taking on the scale and materiality of full-scale architectural constructs. The studio - and this volume - was divided into ten segments, addressing such issues as programme analysis, spatialities, system conditions, current contemporary art centers, building types, sites, and linearities. Each segment is represented by original renderings, including computer images. The accompanying text is drawn from transcripts of the studio reviews by the critics: Robert A. M. Stern, dean of the Yale School of Architecture; Terence Riley and Paola Antonelli of the Museum of Modern Art; and architects, critics, and scholars Jeffrey Kipnis, Thomas Krens, Sulan Kolatan, William MacDonald, Fabian Marcaccio, Rebeca Mendez, Paola Sanguinetti, Joseph Giovannini, Marc Cousins, Greg Lynn, and Gail Witwer.
CAC : Hadid Studio Yale
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$4.99
(disponible sur commande)
Résumé:
In spring 2000, as the Eero Saarinen Visiting Professor at Yale University, Zaha Hadid led an intense studio on the topic of the contemporary art center. Such centers are proliferating across the United States and around the world, yet their architectural form remains abstract and open-ended, subject to continual reinterpretation. Hadid’s studio - one leader, three studio assistants, twelve students, and numerous critics - interpreted the contemporary art center as an invitation to experiment with new forms of public space. Specific contemporary works of art became the programme for a series of radical architectural concepts that expand the space of the art, taking on the scale and materiality of full-scale architectural constructs. The studio - and this volume - was divided into ten segments, addressing such issues as programme analysis, spatialities, system conditions, current contemporary art centers, building types, sites, and linearities. Each segment is represented by original renderings, including computer images. The accompanying text is drawn from transcripts of the studio reviews by the critics: Robert A. M. Stern, dean of the Yale School of Architecture; Terence Riley and Paola Antonelli of the Museum of Modern Art; and architects, critics, and scholars Jeffrey Kipnis, Thomas Krens, Sulan Kolatan, William MacDonald, Fabian Marcaccio, Rebeca Mendez, Paola Sanguinetti, Joseph Giovannini, Marc Cousins, Greg Lynn, and Gail Witwer.
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livres
livres
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mai 2002, New York
mai 2002, New York
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livres soldés
livres soldés
