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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
Titre:
Utopia, from Tomas More to Walter Benjamin
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
Utopia, from Tomas More to Walter Benjamin
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
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The arcades project
The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`)(...)
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`)(...)
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The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`) was constructed over the course of thirteen years - 'the theater', as Benjamin called it, 'of all my struggles and all my ideas.'
The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`) was constructed over the course of thirteen years - 'the theater', as Benjamin called it, 'of all my struggles and all my ideas.'
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livres
livres
Publication:
mars 2002, London
mars 2002, London
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Théorie/ philosophie
Théorie/ philosophie
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de(...)
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de(...)
Titre:
Walter Benjamin à l'ère du monde digital
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de l’irruption du monde digital. La logique de l’accessibilité mondiale prend racine dans le monde de la reproductibilité mécanique et en révèle le sens. De la même façon que le philosophe a pris au sérieux la technique de la radiodiffusion, au point de devenir lui-même réalisateur d’émissions à la fin des années 20, nous proposons de relire ses textes à l’aune d’une observation matérialiste du monde numérique, où chaque lecteur est en train de devenir auteur et producteur, témoin de sa propre existence en voie de dédoublement.
Walter Benjamin à l'ère du monde digital
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de l’irruption du monde digital. La logique de l’accessibilité mondiale prend racine dans le monde de la reproductibilité mécanique et en révèle le sens. De la même façon que le philosophe a pris au sérieux la technique de la radiodiffusion, au point de devenir lui-même réalisateur d’émissions à la fin des années 20, nous proposons de relire ses textes à l’aune d’une observation matérialiste du monde numérique, où chaque lecteur est en train de devenir auteur et producteur, témoin de sa propre existence en voie de dédoublement.
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livres
livres
Publication:
décembre 2022
décembre 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
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$32.00
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives(...)
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives(...)
Titre:
Walter Benjamin reimagined: a graphic translation of poetry, prose, aphorisms and dreams
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments.
Walter Benjamin reimagined: a graphic translation of poetry, prose, aphorisms and dreams
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Résumé:
Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments.
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livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Illustration
Illustration
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$21.50
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues(...)
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues(...)
Titre:
Reflections: essays, aphorisms, autobiographical writings
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
Reflections: essays, aphorisms, autobiographical writings
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
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livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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415 pages : illustrations (some color), portraits ; 30 cm
Description:
415 pages : illustrations (some color), portraits ; 30 cm
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Göttingen, Germany : Steidl, 2015.
Göttingen, Germany : Steidl, 2015.
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The order of things : photography from the Walther Collection / edited by Brian Wallis ; texts by George Baker [and 10 others].
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415 pages : illustrations (some color), portraits ; 30 cm
The order of things : photography from the Walther Collection / edited by Brian Wallis ; texts by George Baker [and 10 others].
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415 pages : illustrations (some color), portraits ; 30 cm
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Göttingen, Germany : Steidl, 2015.
Göttingen, Germany : Steidl, 2015.
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Titre:
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
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livres
livres
Publication:
mars 2018
mars 2018
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Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of(...)
$21.99
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Résumé:
Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of(...)
Titre:
Illuminations: essays and reflections
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Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in a dark historical era.
Illuminations: essays and reflections
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Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in a dark historical era.
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livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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xv, 240 pages : illustrations ; 24 cm
Description:
xv, 240 pages : illustrations ; 24 cm
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London : I.B. Tauris, 2006.
London : I.B. Tauris, 2006.
Titre:
Art and architecture : a place between / Jane Rendell.
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xv, 240 pages : illustrations ; 24 cm
Art and architecture : a place between / Jane Rendell.
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xv, 240 pages : illustrations ; 24 cm
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London : I.B. Tauris, 2006.
London : I.B. Tauris, 2006.
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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory(...)
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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory(...)
Titre:
The Storyteller : Tales out of Loneliness
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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
The Storyteller : Tales out of Loneliness
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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Littérature et poésie
Littérature et poésie
