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Oil is not new to Saskatchewan. Many of the wells found on farmland across the province date back to the 1950s when the industry began to spread. But there is little doubt that the recent boom (2006–2014) in unconventional oil production has reshaped rural lives and landscapes. While many small towns were suffering from depopulation and decline, others reoriented(...)
Fault lines : life and landscape in Saskatchewan's oil economy
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Oil is not new to Saskatchewan. Many of the wells found on farmland across the province date back to the 1950s when the industry began to spread. But there is little doubt that the recent boom (2006–2014) in unconventional oil production has reshaped rural lives and landscapes. While many small towns were suffering from depopulation and decline, others reoriented themselves around a booming oil industry.In the summer of 2014, at the height of the boom, geographer Emily Eaton and photographer Valerie Zink travelled to oil towns across the province, from the sea-can motel built from shipping containers on the outskirts of Estevan to seismic testing sites on Thunderchild First Nation’s Sundance grounds. In text and photographs, ''Fault Lines'' captures the complexities of engagement, ambivalence, and resistance in communities living amid oil.
Expositions en cours
Bookshops
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In the era of e-books and online trade when the classic book trade has come under increasing pressure, the success of a bookshop is not a foregone conclusion. Booksellers confront these new challenges with very different economic strategies and conceptual measures. Spatial concepts, furnishings and design are indispensable ingredients of a successful sales strategy for(...)
novembre 2012
Bookshops
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In the era of e-books and online trade when the classic book trade has come under increasing pressure, the success of a bookshop is not a foregone conclusion. Booksellers confront these new challenges with very different economic strategies and conceptual measures. Spatial concepts, furnishings and design are indispensable ingredients of a successful sales strategy for newer as well as more tradition steeped bookstores. People like to linger - and buy - where they feel comfortable. This volume is dedicated to the 35 bookstores in the world. The old and the new, classical and innovative, giant stores and paradises in miniature for bibliophiles: What they all have in common is that they create a desire for books and prove that the bookshop as institution will always fulfil a need and without a doubt enjoys a future.
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in(...)
Roni Horn: Mother wonder (Island)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in 1989 and exists only in book form. All the volumes focus on Iceland and the evolving experiences of the artist there; together they form a flowing dialogue addressing the relationship between identity and place. The titles to date in the coveted "To Place" encyclopedia are "Bluff Life" (1990), "Folds" (1991), "Lava" (1992), "Pooling Waters" (1994), "Verne’s Journey" (1995), "Haraldsdóttir" (1996), "Arctic Circles" (1998), "Becoming a Landscape" (2001), "Doubt Box" (2006) and "Haraldsdóttir, Part Two" (2011).
Expositions en cours
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture(...)
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture competitions held in the last seventy years. Especially in recent years, both public and private institutions have organized competitions across Canada, producing hundreds of architectural, urban planning, and landscape design projects. Together these proposals, most of which remain unbuilt, constitute a fantastic treasure in our tangible and intangible common heritage. Given that competition organizers, designers, juries, and critics never operate alone, there is no doubt whatsoever that this book results from the collaboration of a myriad of people, contributing to and competing for excellence in architecture.
Architecture du Canada
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Périphériques’ frequent participation in the international ArchiLab exhibition in Orléans and their contribution to the Architecture Biennale 2002 in Venice are sure signs of the national and international recognition which they are receiving. In 2000, Birkhäuser first published an overview of their architectural work entitled M.I.N.N.E.S.O.T.A. now out of print, and the(...)
Architecture, monographies
juin 2003, Paris / Basel
News : Périphériques Architects
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Périphériques’ frequent participation in the international ArchiLab exhibition in Orléans and their contribution to the Architecture Biennale 2002 in Venice are sure signs of the national and international recognition which they are receiving. In 2000, Birkhäuser first published an overview of their architectural work entitled M.I.N.N.E.S.O.T.A. now out of print, and the time has come to document their latest works. This new volume describes Périphériques´ most recent buildings and projects. Amongst the realised buildings are the Maisons Icone and MR, the transformation of the Place Furstenberg in Paris, the Café Charbon in Paris, and no doubt the high point is the Cabinet d’art graphique at the Centre Georges Pompidou. Also included are a number of fascinating new projects such as the Small Towers in Tsumari, Japan, the concept for the Habitat shops in Paris and the urban plans for the new Parisian Cité Universitaire.
Architecture, monographies
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Without a doubt the most brilliant architectural innovator of his day, Sir John Soane (1753-1837) displayed a remarkable ability to adapt and modernize the language ofclassical architecture. The range of his built designs, from the ingenuity of his own house in London's Lincoln's Inn Fields (now Sir John Soane's Museum) to the opulence and originality of the Bank of(...)
Architecture, monographies
mars 2015
John Soane, architect: master of space and light
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Without a doubt the most brilliant architectural innovator of his day, Sir John Soane (1753-1837) displayed a remarkable ability to adapt and modernize the language ofclassical architecture. The range of his built designs, from the ingenuity of his own house in London's Lincoln's Inn Fields (now Sir John Soane's Museum) to the opulence and originality of the Bank of England, places him on a par with other leading European neoclassicists, such as Ledoux and Schinkel. His architectural vocabulary remains infl uential to this day. Back in print, this landmark publication considers Soane's architectural achievements as well as his life and public role. It reproduces more than 100 of Soane's drawings and contains specially commissioned photographs of his original models and existing buildings. Contributors discuss all of the architect's major commissions, including the Dulwich Picture Gallery, the Law Courts at Westminster, and the Bank of England.
Architecture, monographies
Lee Friedlander: Christmas
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Whether or not you celebrated Christmas at some point during the last 70 years, you have no doubt encountered many of the scenes shown here in Lee Friedlander's eclectic black-and-white documentation of the holiday season across America. From city sidewalks to cookie-cutter suburbs, Friedlander captures it all: main street store window displays; plastic nativities on(...)
Lee Friedlander: Christmas
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Whether or not you celebrated Christmas at some point during the last 70 years, you have no doubt encountered many of the scenes shown here in Lee Friedlander's eclectic black-and-white documentation of the holiday season across America. From city sidewalks to cookie-cutter suburbs, Friedlander captures it all: main street store window displays; plastic nativities on snow-covered lawns; inflatable snowglobes and Santa Clauses; questionable St. Nicholas–themed lingerie; oversize or underwhelming Christmas trees; and houses so covered in string lights as to demand nothing short of a miracle from the local power grid. As in all of his work, Friedlander's images of Christmas reflect his own version of the holiday. Is Christmas in America a religious celebration? A commercial precept? A misunderstanding? An indulgent blasphemy? Or all of the above? The only certain thing is that December 25 has provided an opportunity for the people's photographer to hold up a mirror to a flawed, inventive, preoccupied and wonderful society.
Monographies photo
livres
Description:
408 pages : illustrations (some color) ; 29 cm
Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
Revisiting the white city : American art at the 1893 World's Fair / organized by Carolyn Kinder Carr and George Gurney ; essays by Robert W. Rydell and Carolyn Kinder Carr ; catalogue of works by Brandon Brame Fortune and Michelle Mead.
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408 pages : illustrations (some color) ; 29 cm
livres
Washington, D.C. : National Museum of American Art and National Portrait Gallery, Smithsonian Institution ; Hanover : Distributed by the University Press of New England, 1993.
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Camouflages
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Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created(...)
Camouflages
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Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created using famous artworks as moulds, passing through paradoxical miracles and fake botanical plates. The purpose is to spread 'doubt' in the mind of the observer. The stars are midges and dust on the windscreen of a car, behind the terrorist hides an ordinary actor and an imaginary Russian astronaut disappears in space as well as in all documents and official photographs.Through these images Fontcuberta, with an ironic and disillusioned eye, deals with broader subjects: the role of religion in society and politics, criticising superstition and irrational; the limitations connected with the idea of authorship, style, signature and authenticity of a work of art; a reflection upon realism conceived as 'belief', 'faith' or conviction.
Théorie de la photographie