$68.00
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How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, "Architecture and affect in the Middle Ages" explores the(...)
Architecture and affect in the Middle Ages
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How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, "Architecture and affect in the Middle Ages" explores the relationship between medieval buildings and the complexity of experience they engendered. Paul Binski examines long-standing misconceptions about the way viewers responded to medieval architecture across Western Europe and in Byzantine and Arabic culture between late antiquity and the end of the medieval period. He emphasizes the importance of the experience itself within these built environments, essentially places of action, space, and structure but also, crucially, of sound and emotion.
Théorie de l’architecture
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263 pages : chiefly illustrations (some color) ; 29 cm
New York : Harry N. Abrams, [1990], ©1990
Women photographers / edited by Constance Sullivan ; essay by Eugenia Parry Janis.
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263 pages : chiefly illustrations (some color) ; 29 cm
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New York : Harry N. Abrams, [1990], ©1990
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
décembre 2008, Berlin, Ostfildern
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
$65.00
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Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. This volume accompanies the first comprehensive exhibition to be organized in the United States of this American artist.
Jim Hodges : give more than you take
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Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. This volume accompanies the first comprehensive exhibition to be organized in the United States of this American artist.
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Description:
332 pages : illustrations (some color) ; 28 cm
New York : H.N Abrams, 1992, 1995.
Art of the Third Reich / Peter Adam.
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332 pages : illustrations (some color) ; 28 cm
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New York : H.N Abrams, 1992, 1995.
Mike Meiré The FARM project
$63.00
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Curator Mike Meiré designed and produced this amazing installation/performance space/working farm kitchen--featuring everything from a lamb pen to major appliances to feast equipment--for Skulptur Projekte Münster 07. It celebrated the quintessential site of living, making and sensuality; a site between functionality and emotion; a site of creation.
Mike Meiré The FARM project
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$63.00
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Curator Mike Meiré designed and produced this amazing installation/performance space/working farm kitchen--featuring everything from a lamb pen to major appliances to feast equipment--for Skulptur Projekte Münster 07. It celebrated the quintessential site of living, making and sensuality; a site between functionality and emotion; a site of creation.
Design, monographies
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Cet ouvrage rassemble une vingtaine d'articles et de conférences. Le groupement est thématique. «Perception de l'architecture, matériaux, avant-gardes, maison de l'architecte, contruction du lieu par l'architecture, fondation d'une école à Lausanne», ainsi s'articule la table des matières. Disséminés dans des revues et des catalogues d'exposition, les textes sont repris(...)
Motion, émotions : thèmes d'histoire et d'architecture
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Cet ouvrage rassemble une vingtaine d'articles et de conférences. Le groupement est thématique. «Perception de l'architecture, matériaux, avant-gardes, maison de l'architecte, contruction du lieu par l'architecture, fondation d'une école à Lausanne», ainsi s'articule la table des matières. Disséminés dans des revues et des catalogues d'exposition, les textes sont repris sans retouche ni complément bibliographique. Le livre vise moins un effet de fragmentation qu'un témoignage obsessif à l'état brut.
Théorie de l’architecture
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Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design.
Architecture and embodiment: the implications of the new sciences and humanities for design
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Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design.
Théorie de l’architecture
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Description:
xii, 179 pages : illustrations ; 24 cm
New York : McGraw-Hill, ©1995.
Housing by lifestyle : the component method of residential design / James W. Wentling.
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xii, 179 pages : illustrations ; 24 cm
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New York : McGraw-Hill, ©1995.
livres
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xi, 274 pages, 16 unnumbered pages of plates : illustrations, maps ; 24 cm
London : Murray, 1996.
Horace Walpole : the great outsider / Timothy Mowl.
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xi, 274 pages, 16 unnumbered pages of plates : illustrations, maps ; 24 cm
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London : Murray, 1996.