2318 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
dessins
Quantité:
11 File
dessins
Quantité:
11 File
Numéro de référence:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Personnes et institutions:
Titre:
Elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor
Actions:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor
Actions:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Classification:
dessins
Quantité:
11 File
dessins
Quantité:
11 File
Personnes et institutions:
Numéro de référence:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Personnes et institutions:
Titre:
Boîte d'instruments de travail
Actions:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Boîte d'instruments de travail
Actions:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Personnes et institutions:
Date:
1929
1929
Titre:
Coupes et détails de portes coulissantes pour un projet non identifié
Actions:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Coupes et détails de portes coulissantes pour un projet non identifié
Actions:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Personnes et institutions:
Date:
ca. 1880
ca. 1880
Titre:
View of the grounds of Edward Anthony's summer home, Alexandria Bay, New York, United States
Actions:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
View of the grounds of Edward Anthony's summer home, Alexandria Bay, New York, United States
Actions:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Classification:
photographies
photographies
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Numéro de référence:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Personnes et institutions:
Titre:
Projecteur de films, bobines (reels), ampoule et feuillet d'instructions dans leur boîtier
Actions:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Projecteur de films, bobines (reels), ampoule et feuillet d'instructions dans leur boîtier
Actions:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
dessins
Quantité:
14 File
dessins
Quantité:
14 File
Numéro de référence:
ARCH23458
Description:
plans, sections, elevations of substation, digester house, blow pit, screen room, bleacher room, mill room, machine room, shipping room and train shed, steam plant
ARCH23458
Description:
plans, sections, elevations of substation, digester house, blow pit, screen room, bleacher room, mill room, machine room, shipping room and train shed, steam plant
Personnes et institutions:
Titre:
Plans, sections, elevations of substation, digester house, blow pit, screen room
Actions:
ARCH23458
Description:
plans, sections, elevations of substation, digester house, blow pit, screen room, bleacher room, mill room, machine room, shipping room and train shed, steam plant
Plans, sections, elevations of substation, digester house, blow pit, screen room
Actions:
ARCH23458
Description:
plans, sections, elevations of substation, digester house, blow pit, screen room, bleacher room, mill room, machine room, shipping room and train shed, steam plant
Classification:
dessins
Quantité:
14 File
dessins
Quantité:
14 File
Personnes et institutions:
Classification:
photographies
photographies
Titre:
View of the Haight family mausoleum and cemetery at 370 Main Street, Goshen, New York, United States
View of the Haight family mausoleum and cemetery at 370 Main Street, Goshen, New York, United States
Actions:
Numéro de référence:
PH1984:0977:354
Description:
Side view of the mausoleum. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
PH1984:0977:354
Description:
Side view of the mausoleum. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Personnes et institutions:
Date:
ca. 1880
ca. 1880
Titre:
View of the Haight family mausoleum and cemetery at 370 Main Street, Goshen, New York, United States
Actions:
PH1984:0977:354
Description:
Side view of the mausoleum. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
View of the Haight family mausoleum and cemetery at 370 Main Street, Goshen, New York, United States
Actions:
PH1984:0977:354
Description:
Side view of the mausoleum. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Classification:
photographies
photographies
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0977:349
Description:
The private home of Edward Anthony. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
PH1984:0977:349
Description:
The private home of Edward Anthony. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Personnes et institutions:
Date:
ca. 1880
ca. 1880
Titre:
View of Edward Anthony's summer house, Alexandria Bay, New York, United States of America
Actions:
PH1984:0977:349
Description:
The private home of Edward Anthony. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
View of Edward Anthony's summer house, Alexandria Bay, New York, United States of America
Actions:
PH1984:0977:349
Description:
The private home of Edward Anthony. Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Classification:
photographies
photographies
Date:
ca. 1880
ca. 1880
Personnes et institutions:
