2550 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1976.PR08
Description:
File documents mining camp buildings, including an administartion building, assay laboratory building, machine shop and warehouse, Sugarloaf Mountain, near Kamloops, British Columbia. File contains design development drawings, textual records.
AP022.S1.1976.PR08
Description:
File documents mining camp buildings, including an administartion building, assay laboratory building, machine shop and warehouse, Sugarloaf Mountain, near Kamloops, British Columbia. File contains design development drawings, textual records.
Personnes et institutions:
Date:
1976
1976
Titre:
Afton Mines Mining Camp Buildings
Actions:
AP022.S1.1976.PR08
Description:
File documents mining camp buildings, including an administartion building, assay laboratory building, machine shop and warehouse, Sugarloaf Mountain, near Kamloops, British Columbia. File contains design development drawings, textual records.
Afton Mines Mining Camp Buildings
Actions:
AP022.S1.1976.PR08
Description:
File documents mining camp buildings, including an administartion building, assay laboratory building, machine shop and warehouse, Sugarloaf Mountain, near Kamloops, British Columbia. File contains design development drawings, textual records.
Niveau de description archivistique:
Project
Project
Date:
1976
1976
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Lars Spuybroek
Fonds Lars Spuybroek
Numéro de référence:
AP173
Résumé:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
AP173
Résumé:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Personnes et institutions:
Date:
1980s-2010
1980s-2010
Titre:
Fonds Lars Spuybroek
Actions:
AP173
Résumé:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Fonds Lars Spuybroek
Actions:
AP173
Résumé:
The Lars Spuybroek fonds documents the professional practice of architect Lars Spuybroek from his early projects in the 1990s to projects undertaken with his firm NOX from 1995 to 2010. The majority of the documents in the fonds consist of photographic materials, drawings and textual records relating to over 70 projects, such as the H2Oexpo in Neeltje Jans Island, Netherlands (1997), the Maison Folie in Nantes, France (2001) and the D-Tower in Doetinchem, Netherlands (2004).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1980s-2010
1980s-2010
Personnes et institutions:
Numéro de référence:
ARCH250483
Description:
- 1 appareil à dessiner (draghting machine), modèle ? K & E Paragon;
ARCH250483
Description:
- 1 appareil à dessiner (draghting machine), modèle ? K & E Paragon;
Personnes et institutions:
Titre:
Appareil à dessiner
Actions:
ARCH250483
Description:
- 1 appareil à dessiner (draghting machine), modèle ? K & E Paragon;
Appareil à dessiner
Actions:
ARCH250483
Description:
- 1 appareil à dessiner (draghting machine), modèle ? K & E Paragon;
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Windmaschinen (1968-1987)
Windmaschinen (1968-1987)
Numéro de référence:
AP187.S1.1968.PR01
Description:
This project series documents wind machines. Material was produced in 1998. Documenting the project is one sketch.
AP187.S1.1968.PR01
Description:
This project series documents wind machines. Material was produced in 1998. Documenting the project is one sketch.
Personnes et institutions:
Date:
1968
1968
Titre:
Windmaschinen (1968-1987)
Actions:
AP187.S1.1968.PR01
Description:
This project series documents wind machines. Material was produced in 1998. Documenting the project is one sketch.
Windmaschinen (1968-1987)
Actions:
AP187.S1.1968.PR01
Description:
This project series documents wind machines. Material was produced in 1998. Documenting the project is one sketch.
Niveau de description archivistique:
Project
Project
Date:
1968
1968
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
dessins
Quantité:
11 File
dessins
Quantité:
11 File
Numéro de référence:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Personnes et institutions:
Titre:
Elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor
Actions:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor
Actions:
ARCH251073
Description:
elevations, section of chutes, cat walks, stairs, wall sections, exterior walls, monitor, machine base, drainage plan
Classification:
dessins
Quantité:
11 File
dessins
Quantité:
11 File
Personnes et institutions:
Numéro de référence:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Personnes et institutions:
Titre:
Boîte d'instruments de travail
Actions:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Boîte d'instruments de travail
Actions:
ARCH258168
Description:
Pinceau rond pour colle, perforateur, 5 planches cuivre (vierge), ''automatic eyeleter'' (instrument pour faire des oeillets), machine à calculer.
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Personnes et institutions:
Date:
1929
1929
Titre:
Coupes et détails de portes coulissantes pour un projet non identifié
Actions:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Coupes et détails de portes coulissantes pour un projet non identifié
Actions:
ARCH274677
Description:
Coupes et détails des portes coulissantes. Calendrier du Daily Commercial News et une image d'une machine de papeterie de la General Electric Co.
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Personnes et institutions:
Date:
ca. 1880
ca. 1880
Titre:
View of the grounds of Edward Anthony's summer home, Alexandria Bay, New York, United States
Actions:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
View of the grounds of Edward Anthony's summer home, Alexandria Bay, New York, United States
Actions:
PH1984:0977:350
Description:
Presumedly, the dry plates used to produce the image were one of the first samples of machine-coated plates manufactured by George Eastman.
Classification:
photographies
photographies
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Numéro de référence:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Personnes et institutions:
Titre:
Projecteur de films, bobines (reels), ampoule et feuillet d'instructions dans leur boîtier
Actions:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Projecteur de films, bobines (reels), ampoule et feuillet d'instructions dans leur boîtier
Actions:
ARCH250485
Description:
- 1 appareil de projection (projection machine ou projector) modèle "Kodascope Model B"; - 2 bobines (reels); - 1 ampoule (cassée); - 1 feuillet d'instructions; dans leur boîtier
Personnes et institutions:
