5873 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Personnes et institutions:
Date:
1954-2010
1954-2010
Titre:
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Classification:
documents textuels
documents textuels
Date:
1954-2010
1954-2010
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257131
Description:
29 files - "Permanent files": Surrey Courthouse, Regina Civic Museum, Fred Hutchinson Cancer Research Centre, Cariboo College,, Administration Bld. Prince-George, Kwantlen College, Union Station Project, New Surrey Campus, Churchill Museum, Lot 47 and 65 Whistler Village, Minory Labrary and Cultural Centre Espansion, GHC Central Speciality Centre South, Deer Lake Arts Centre, Nature, Culture and History Museum/Ecomuseum, Washington State University Spokane Campus and Holland Library, Renewal and Parking Structure and Chemistry Building addition, Vancouver School Board New Education Centre, Vancouver Art Gallery, Prince-George Multi-purpose facility, Nanaimo Performing Arts Centre, Engineering Graduate Research Centre, Langley Civic core development plan public safety building design
ARCH257131
Description:
29 files - "Permanent files": Surrey Courthouse, Regina Civic Museum, Fred Hutchinson Cancer Research Centre, Cariboo College,, Administration Bld. Prince-George, Kwantlen College, Union Station Project, New Surrey Campus, Churchill Museum, Lot 47 and 65 Whistler Village, Minory Labrary and Cultural Centre Espansion, GHC Central Speciality Centre South, Deer Lake Arts Centre, Nature, Culture and History Museum/Ecomuseum, Washington State University Spokane Campus and Holland Library, Renewal and Parking Structure and Chemistry Building addition, Vancouver School Board New Education Centre, Vancouver Art Gallery, Prince-George Multi-purpose facility, Nanaimo Performing Arts Centre, Engineering Graduate Research Centre, Langley Civic core development plan public safety building design
Personnes et institutions:
Titre:
Permanent files on various projects
Actions:
ARCH257131
Description:
29 files - "Permanent files": Surrey Courthouse, Regina Civic Museum, Fred Hutchinson Cancer Research Centre, Cariboo College,, Administration Bld. Prince-George, Kwantlen College, Union Station Project, New Surrey Campus, Churchill Museum, Lot 47 and 65 Whistler Village, Minory Labrary and Cultural Centre Espansion, GHC Central Speciality Centre South, Deer Lake Arts Centre, Nature, Culture and History Museum/Ecomuseum, Washington State University Spokane Campus and Holland Library, Renewal and Parking Structure and Chemistry Building addition, Vancouver School Board New Education Centre, Vancouver Art Gallery, Prince-George Multi-purpose facility, Nanaimo Performing Arts Centre, Engineering Graduate Research Centre, Langley Civic core development plan public safety building design
Permanent files on various projects
Actions:
ARCH257131
Description:
29 files - "Permanent files": Surrey Courthouse, Regina Civic Museum, Fred Hutchinson Cancer Research Centre, Cariboo College,, Administration Bld. Prince-George, Kwantlen College, Union Station Project, New Surrey Campus, Churchill Museum, Lot 47 and 65 Whistler Village, Minory Labrary and Cultural Centre Espansion, GHC Central Speciality Centre South, Deer Lake Arts Centre, Nature, Culture and History Museum/Ecomuseum, Washington State University Spokane Campus and Holland Library, Renewal and Parking Structure and Chemistry Building addition, Vancouver School Board New Education Centre, Vancouver Art Gallery, Prince-George Multi-purpose facility, Nanaimo Performing Arts Centre, Engineering Graduate Research Centre, Langley Civic core development plan public safety building design
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Two Tree Island
Two Tree Island
Numéro de référence:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Personnes et institutions:
Date:
1963-1989, predominant 1971-1974
1963-1989, predominant 1971-1974
Titre:
Two Tree Island
Actions:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Two Tree Island
Actions:
AP144.S2.D84
Description:
File documents an unexecuted project for Two Tree Island, the last uninhabited island in the Thames Estuary, in Essex, England. Cedric Price collaborated with Yorke Rosenberg Mardall Architects (YMR) on the project for client David Keddie, to develop a 178-hectare site on the island which encompassed both existing and reclaimed land, some of which was reserved under a trust for nature conservation. Early proposals showed residential areas, commercial, as well as, industrial zones, and facilities for recreation and leisure activities, including a marina. The final design proposed a much smaller residential area and harbour and included larger conservation and marshland areas in response to local concerns. The project was rejected and a portion of Two Tree Island was leased to the Nature Conservancy (NERC). An Appeal and Public Enquiry lodged by the client was subsequently indefinitely postponed. The architects produced several versions of a consultant's report, created a 'logbook' for the project, and published a brochure and promotional material for a public meeting. Existing conditions and reference material in the file includes maps of the area showing locations for a photo survey; Port of Authority of London plans showing water depths at various locations; a drawing of Marine Island, Essex; and a collage of photos of the area mounted on a board. Sketches by Cedric Price show development plans for the island and explore alternate "open" and "closed" configurations for the basin. Sketch sections show established maximum flood heights on the proposed schemes (see sketches in Works II, p. 86). A series of schematic drawings by YMR develop preliminary schemes exploring alternate layouts in relation to the primary basin configuration. A perspective drawing shows a view of the site from the main road to the island. Design development drawings include both original drawings and reprographic copies and include bird's-eye view perspective sketches; diagrams showing "domestic development" and projected "typical patterning"; and diagrammatic plans/charts showing existing and reclaimed areas, compatibility of activities, and degrees of accessibility (see typical diagram in Works II, p. 87). Other design development drawings include standard plans, sections and elevations, as well as site plans, land-use plans for the marina, plans showing alternate layouts for the marina dock, plans showing Thames tidal defences, site sections, and breakwater profiles. Working drawings for the marina by consulting engineers Sir Frederick Snow and Partners include survey plans, detailed sections illustrating the reinforcement and stabilization of the marine bed, and task sequencing diagrams and charts. Publication and presentation material includes photographs of rendered perspectives, over 18 watercolour renderings of Two Tree Island by Cedric Price, and a mock-up for a 13-page brochure or report summarizing the project. Many drawings are also included in the textual records, which also include Cedric Price's diary on the project. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 86-87. Material in this file was produced between 1963 and 1989, but predominantly between 1971 and 1974. Cedric Price's office lists the following firms as the main consultants for this project: Felix J. Samuely & Partners and Sir Frederick Snow & Partners, Consulting Engineers; Baker Wilkins & Smith, Quantity Surveyors; Prof. Peter Cowan, Director, Joint Unit for Planning Research; Prof. Peter Willmott, Director Institute of Community Studies; Prof. G. P. Wibberley, Professor of Countryside Planning, University of London; M. A. B. Boddington, Rural Planning Services. One drawing in DR1995:0255:011-021 is attributed to Costain Civil Engineering Ltd. File contains cartographic materials, conceptual drawings, design development drawings, presentation drawings, consultant drawings, model, and textual records.
Niveau de description archivistique:
File 84
File 84
Date:
1963-1989, predominant 1971-1974
1963-1989, predominant 1971-1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2002-2015
2002-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Miragaia, Porto
Miragaia, Porto
Numéro de référence:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1977
1975-1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Maison Coloniale
Maison Coloniale
Numéro de référence:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Personnes et institutions:
Date:
1986-1990
1986-1990
Titre:
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Niveau de description archivistique:
Projet
Projet
Date:
1986-1990
1986-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Quinta da Bela Flor, Lisboa
Quinta da Bela Flor, Lisboa
Numéro de référence:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1976
circa 1976
Titre:
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1976
circa 1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Personnes et institutions:
Date:
2002-2012
2002-2012
Titre:
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Niveau de description archivistique:
Project
Project
Date:
2002-2012
2002-2012
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Dans la première moitié du XXe siècle, chacun des trois architectes que présente l’exposition a marqué par ses réalisations un quartier ou un secteur de la ville : Ludger Lemieux (1872-1953), le quartier Saint-Henri; Ernest lsbell Barott (1884-1966), le quartier Saint-Antoine, plus précisément les versants sud et ouest du Mont-Royal; et Ernest Cormier (1885-1980), le(...)
Dans la première moitié du XXe siècle, chacun des trois architectes que présente l’exposition a marqué par ses réalisations un quartier ou un secteur de la ville : Ludger Lemieux (1872-1953), le quartier Saint-Henri; Ernest lsbell Barott (1884-1966), le quartier Saint-Antoine, plus précisément les versants sud et ouest du Mont-Royal; et Ernest Cormier (1885-1980), le(...)
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Date:
20 mai 1983 au 19 août 1983
20 mai 1983 au 19 août 1983
Titre:
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
Actions:
Description:
Dans la première moitié du XXe siècle, chacun des trois architectes que présente l’exposition a marqué par ses réalisations un quartier ou un secteur de la ville : Ludger Lemieux (1872-1953), le quartier Saint-Henri; Ernest lsbell Barott (1884-1966), le quartier Saint-Antoine, plus précisément les versants sud et ouest du Mont-Royal; et Ernest Cormier (1885-1980), le(...)
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
Actions:
Description:
Dans la première moitié du XXe siècle, chacun des trois architectes que présente l’exposition a marqué par ses réalisations un quartier ou un secteur de la ville : Ludger Lemieux (1872-1953), le quartier Saint-Henri; Ernest lsbell Barott (1884-1966), le quartier Saint-Antoine, plus précisément les versants sud et ouest du Mont-Royal; et Ernest Cormier (1885-1980), le(...)
Classification:
expositions
expositions
Date:
20 mai 1983 au
19 août 1983
20 mai 1983 au
19 août 1983
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
