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The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with(...)
Flashpoint! Protest photography in print, 1950-present
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$140.00
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The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with ideological and tribal conflicts. Since its inception, photography has captured defining historical moments, serving as either a tool or a document of protest—or both. In placing photobooks next to posters, DIY zines and independent journals, ''Flashpoint!'' explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance. Is it a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold, as in an anonymously designed poster or ink-stained fliers plastered on street walls? Or an elegantly designed photobook, published a year or more later, often with the help of well-known photographers, writers and designers, to document a past uprising? Whether outright rage or a more subtle artist-driven commentary, protest photography in print covers all of these formats and sometimes transcends rigid media definitions, as it blurs the lines between what constitutes a book, zine, journal, poster or newspaper.
Photographie- collections
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En livrant une généalogie de la pensée écologique dans les sciences sociales et en l’illustrant par une série d’enquêtes, cet ouvrage défend trois approches complémentaires de l’étude des milieux de vie humains. Il revient, d’abord, à Chicago, aux origines de l’écologie humaine, quand ont été forgés les premiers outils d’analyse statistique et cartographique des(...)
Écologie humaine : Une science sociale des milieux de vie
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$66.95
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En livrant une généalogie de la pensée écologique dans les sciences sociales et en l’illustrant par une série d’enquêtes, cet ouvrage défend trois approches complémentaires de l’étude des milieux de vie humains. Il revient, d’abord, à Chicago, aux origines de l’écologie humaine, quand ont été forgés les premiers outils d’analyse statistique et cartographique des territoires urbains et suburbains. Il rend compte, ensuite, d’une anthropologie des mondes sociaux, avec leurs espaces de vie et leurs histoires de vie : une série de cas d’étude, de la banlieue parisienne à Bruxelles, Hollywood ou Hambourg, démontre ici la fécondité de cette ethnographie des milieux de vie. Il propose, enfin, une troisième perspective qui combine une sémiologie et une psychologie écologiques. Centrée sur les corps des citadins et les champs d’expérience à leurs entours, elle décrit leurs façons de s’ancrer dans différentes espèces d’espaces, de les percevoir et de les transformer. Ces territoires, lieux d’appropriation, d’expérimentation et de protestation, sont aussi des terrains de conquête et de résistance : l’écologie humaine s’ouvre alors au droit à la ville. Trois perspectives sur l’écologie humaine qui explorent comment les sociétés humaines sculptent leurs milieux de vie.
L'humain et la ville
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Strelka Press 2013
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Strelka Press 2013
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The Journal of Aesthetics & Protest WdKA Research Center 2024
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The Journal of Aesthetics & Protest WdKA Research Center 2024
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Description:
xi, 287 pages : illustrations ; 27 cm.
Austin : University of Texas Press, 2012.
Nathan Lyons : selected essays, lectures, and interviews / edited by Jessica S. McDonald.
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xi, 287 pages : illustrations ; 27 cm.
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Austin : University of Texas Press, 2012.
$27.95
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases,(...)
Whitewalling: art, race, & protest in 3 acts
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. "Whitewalling: Art, Race & Protest in 3 Acts" reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship.
Théorie de l’art
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Description:
xvi, 516 pages : illustrations, map ; 26 cm
Minneapolis : Univ Of Minnesota Press, 2012., ©2012
Debates in the digital humanities / Matthew K. Gold, editor.
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xvi, 516 pages : illustrations, map ; 26 cm
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Minneapolis : Univ Of Minnesota Press, 2012., ©2012
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Description:
154 pages ; 24 cm
New York : Zone Books, 1994.
The society of the spectacle / Guy Debord.
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154 pages ; 24 cm
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New York : Zone Books, 1994.
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The Avery Review 2016
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The Avery Review 2016
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Echoing with a Difference: Curating Voices and the Politics of Participation [electronic resource].
OnCurating.org 2024
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OnCurating.org 2024