202 Résultats
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers,(...)
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers,(...)
Titre:
Body stages : the metamorphosis of Loïe Fuller
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers, producers, theater and film directors, painters, sculptors, architects, and other performance artists of our times. Loie Fuller played a decisive role in the art nouveau movement, she was the muse who inspired the Electricity Pavilion in 1900, and she orchestrated the first shows, in the contemporary sense of the word, in France. Through a number of photographs, paintings, sculptures, and documents, this volume attempts to unravel the various strands of her extravagant life, to chart her dedication to the performance arts, and to demonstrate her incredible technical inventiveness-in short, to provide an insight into one of the most attractive and influential figures of contemporary creation.
Body stages : the metamorphosis of Loïe Fuller
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers, producers, theater and film directors, painters, sculptors, architects, and other performance artists of our times. Loie Fuller played a decisive role in the art nouveau movement, she was the muse who inspired the Electricity Pavilion in 1900, and she orchestrated the first shows, in the contemporary sense of the word, in France. Through a number of photographs, paintings, sculptures, and documents, this volume attempts to unravel the various strands of her extravagant life, to chart her dedication to the performance arts, and to demonstrate her incredible technical inventiveness-in short, to provide an insight into one of the most attractive and influential figures of contemporary creation.
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livres
livres
Publication:
octobre 2014
octobre 2014
Classification:
livres
livres
Prix:
$48.95
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
octobre 2001
octobre 2001
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
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livres
livres
Publication:
octobre 2001
octobre 2001
Classification:
livres
livres
Prix:
$75.00
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Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
$75.00
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Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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$75.00
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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$75.00
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Résumé:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Classification:
livres
livres
Publication:
décembre 1999, Cambridge, Mass.
décembre 1999, Cambridge, Mass.
Classification:
livres
livres
Prix:
$88.00
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Résumé:
Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the(...)
$88.00
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the(...)
Titre:
Jock Peters: Architecture and design. The varieties of Modernism
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the once-famous Hollander department store in New York City and for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddux Air Lines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Players-Lasky (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
Jock Peters: Architecture and design. The varieties of Modernism
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Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889–1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany, before World War I, and also to Peters's work created after he immigrated to America in 1922. Most notable are his interiors for the once-famous Hollander department store in New York City and for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddux Air Lines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Players-Lasky (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Mitch Epstein : work
Mitch Epstein : work
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have(...)
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have(...)
Titre:
Mitch Epstein : work
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have transformed and influenced one another over time. This book offers a look at each of Epstein’s major projects — “Common Practice” (1973-89); “Vietnam” (1992-95); “The City” (1995-98); “Family Business” (2000-03), and his current, ongoing “American Power.” His early work on the theme of recreation is given its most natural yet unexpected configuration: images from the United States are mixed with those from other parts of the world. A short essay by the artist or an excerpt from his previously published writings orients each chapter. The book includes a DVD of his film, “Dad.” Many of the pictures here have never been seen before, let alone published. For Epstein fans and for those who would like an introduction to the artist’s work, this book is a necessary addition to their library.
Mitch Epstein : work
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have transformed and influenced one another over time. This book offers a look at each of Epstein’s major projects — “Common Practice” (1973-89); “Vietnam” (1992-95); “The City” (1995-98); “Family Business” (2000-03), and his current, ongoing “American Power.” His early work on the theme of recreation is given its most natural yet unexpected configuration: images from the United States are mixed with those from other parts of the world. A short essay by the artist or an excerpt from his previously published writings orients each chapter. The book includes a DVD of his film, “Dad.” Many of the pictures here have never been seen before, let alone published. For Epstein fans and for those who would like an introduction to the artist’s work, this book is a necessary addition to their library.
Classification:
livres
livres
Publication:
novembre 2006, Göttingen
novembre 2006, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$43.95
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The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they(...)
$43.95
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The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they(...)
Titre:
Out of ground zero : case studies in urban renewal
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The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they imagined their future? What have been the effects, in both the short and long term, of these efforts to rebuild the city? From the devastating earthquake that shook Lisbon in 1755 to the Great Chicago fire in 1871; from the bombing of Hiroshima to the destruction of Rotterdam and Plymouth during the second World War; from the cities and towns ravaged by the Bosnian War to the symbolism of the Dome of the Rock in Jerusalem - this book offers varying perspectives on how cities have responded to catastrophic disasters. Following these case studies is a history of destruction and rebuilding in Manhattan, and a reflection on the role of cities in sustaining democratic culture concludes the book. Contributors to this volume include leading urban theorists, architectural historians, cultural critics, architects, and a film-maker.
Out of ground zero : case studies in urban renewal
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$43.95
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Résumé:
The events that took place on September 11, 2001, in New York City are the background for a series of essays exploring the response of different cities at different times to natural or man-made disaster. How have cities coped with cataclysmic change in the urban fabric both physically and psychologically? How have they memorialized what they have lost, and how have they imagined their future? What have been the effects, in both the short and long term, of these efforts to rebuild the city? From the devastating earthquake that shook Lisbon in 1755 to the Great Chicago fire in 1871; from the bombing of Hiroshima to the destruction of Rotterdam and Plymouth during the second World War; from the cities and towns ravaged by the Bosnian War to the symbolism of the Dome of the Rock in Jerusalem - this book offers varying perspectives on how cities have responded to catastrophic disasters. Following these case studies is a history of destruction and rebuilding in Manhattan, and a reflection on the role of cities in sustaining democratic culture concludes the book. Contributors to this volume include leading urban theorists, architectural historians, cultural critics, architects, and a film-maker.
Classification:
livres
livres
Publication:
octobre 2002, New York / Munich
octobre 2002, New York / Munich
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
Publication:
août 2016
août 2016
Titre:
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
Prix:
$38.95
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Résumé:
Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
$38.95
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
Titre:
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Classification:
livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
The Bauhaus: #itsalldesign
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
Titre:
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
The Bauhaus: #itsalldesign
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$95.00
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Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$33.95
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Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
$33.95
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
Titre:
The open studio : Essays on art and aesthetics
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Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
The open studio : Essays on art and aesthetics
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Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
Classification:
livres
livres
Publication:
septembre 2004, Chicago London
septembre 2004, Chicago London
Sujet:
Théorie de l’art
Théorie de l’art
