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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2016.
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[Place of publication not identified] : Scratching the Surface, 2016.
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2018.
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[Place of publication not identified] : Scratching the Surface, 2018.
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Serpentine 2021
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Serpentine 2021
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2018.
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[Place of publication not identified] : Scratching the Surface, 2018.
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[Place of publication not identified] : Scratching the Surface, 2017.
Scratching the Surface: One Year Special with Michael Bierut.
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[Place of publication not identified] : Scratching the Surface, 2017.
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Strelka Press 2018
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Strelka Press 2018
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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material(...)
Happiness by design: modernism and media in the Eames era
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This publication offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.
Théorie de l’architecture
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''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies(...)
Graphic assembly: Montage, media, and experimental architecture in the 1960s
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''Graphic Assembly'' unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies enabled avant-garde architects to reimagine their field.
Théorie de l’architecture
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure(...)
Sensing the future: Moholy-Nagy, media and the arts.Revised edition
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment.
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important(...)
The pornographic delicatessen: Midcentury Montreal's erotic art, media, and spaces
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important examination of the development of erotic art and design in the city’s postwar and Quiet Revolution era. Matthew Purvis surveys a range of erotic materials to rediscover nearly forgotten artworks in a period that expanded definitions of what could be considered art. He stresses the confluence of visual art and film, magazines, and journalism during the period as formal models passed from surrealism and automatism into the evolution of a Quebec-specific variation of Pop Art called "ti-pop."
Architecture de Montréal