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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
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Privacy and publicity : modern architecture as mass media
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
Privacy and publicity : modern architecture as mass media
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$62.00
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
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livres
livres
Publication:
avril 1996, Cambridge
avril 1996, Cambridge
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Théorie de l’architecture
Théorie de l’architecture
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livres
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1 electronic resource (127 pages ).
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Lüneburg : Meson Press, [2015?]
Lüneburg : Meson Press, [2015?]
Titre:
The politics of micro-decisions : Edward Snowden, net neutrality, and the architectures of the Internet / Florian Sprenger ; translated by Valentine A. Pakis ; with a foreword by Christopher M. Kelty.
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1 electronic resource (127 pages ).
The politics of micro-decisions : Edward Snowden, net neutrality, and the architectures of the Internet / Florian Sprenger ; translated by Valentine A. Pakis ; with a foreword by Christopher M. Kelty.
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1 electronic resource (127 pages ).
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livres
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Lüneburg : Meson Press, [2015?]
Lüneburg : Meson Press, [2015?]
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livres
livres
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$36.50
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
Titre:
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
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livres
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juin 2026
juin 2026
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Social
Social
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135 pages : color illustrations ; 23 cm
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135 pages : color illustrations ; 23 cm
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Karlsruhe, Germany : ZKM | Center for Art and Media, [2025]
Karlsruhe, Germany : ZKM | Center for Art and Media, [2025]
Titre:
Fellow travellers : art as a tool to change the world. Volume 4, Entanglements / editor of the series Alistair Hudson ; editors: Jens Lutz, Miriam Stürner, Theresa Zettelmann, Daniel Pies ; texts: Alistair Hudson, Daniel Pies (work descriptions Eva-Maria Lopez, Zheng Guogu, Paulo Tavares), Erec Gellautz, Paulo Tavares.
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135 pages : color illustrations ; 23 cm
Fellow travellers : art as a tool to change the world. Volume 4, Entanglements / editor of the series Alistair Hudson ; editors: Jens Lutz, Miriam Stürner, Theresa Zettelmann, Daniel Pies ; texts: Alistair Hudson, Daniel Pies (work descriptions Eva-Maria Lopez, Zheng Guogu, Paulo Tavares), Erec Gellautz, Paulo Tavares.
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135 pages : color illustrations ; 23 cm
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Karlsruhe, Germany : ZKM | Center for Art and Media, [2025]
Karlsruhe, Germany : ZKM | Center for Art and Media, [2025]
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xviii, 183 pages ; 24 cm
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xviii, 183 pages ; 24 cm
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Cambridge, Mass. : Harvard University Press, 2011.
Cambridge, Mass. : Harvard University Press, 2011.
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Digital cultures / Milad Doueihi.
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xviii, 183 pages ; 24 cm
Digital cultures / Milad Doueihi.
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xviii, 183 pages ; 24 cm
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Cambridge, Mass. : Harvard University Press, 2011.
Cambridge, Mass. : Harvard University Press, 2011.
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374 pages : illustrations ; 24 cm
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374 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©1996.
Cambridge, Mass. : MIT Press, ©1996.
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Iconography and electronics upon a generic architecture : a view from the drafting room / Robert Venturi.
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374 pages : illustrations ; 24 cm
Iconography and electronics upon a generic architecture : a view from the drafting room / Robert Venturi.
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374 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©1996.
Cambridge, Mass. : MIT Press, ©1996.
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audio
audio
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1 online resource.
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[Place of publication not identified] : Secession, 2024.
[Place of publication not identified] : Secession, 2024.
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Artists: Zach Blas in conversation with Christian Lübbert.
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1 online resource.
Artists: Zach Blas in conversation with Christian Lübbert.
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1 online resource.
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audio
audio
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[Place of publication not identified] : Secession, 2024.
[Place of publication not identified] : Secession, 2024.
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On Won Buddhism and the circularity of things / text, Carlos Jiménez ; photography, Paul Hester.
On Won Buddhism and the circularity of things / text, Carlos Jiménez ; photography, Paul Hester.
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1 volume (unpaged) : chiefly color illustrations ; 32 cm
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1 volume (unpaged) : chiefly color illustrations ; 32 cm
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[Place of publication not identified] : Won Media, [2022], ©2022.
[Place of publication not identified] : Won Media, [2022], ©2022.
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On Won Buddhism and the circularity of things / text, Carlos Jiménez ; photography, Paul Hester.
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1 volume (unpaged) : chiefly color illustrations ; 32 cm
On Won Buddhism and the circularity of things / text, Carlos Jiménez ; photography, Paul Hester.
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1 volume (unpaged) : chiefly color illustrations ; 32 cm
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[Place of publication not identified] : Won Media, [2022], ©2022.
[Place of publication not identified] : Won Media, [2022], ©2022.
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Singapore Art Museum 2022
Singapore Art Museum 2022
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Singapore Art Museum 2022
Singapore Art Museum 2022
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323 pages : illustrations (some color), facsimiles, portraits ; 18 cm.
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323 pages : illustrations (some color), facsimiles, portraits ; 18 cm.
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[Zurich] : Migros-Kulturprozent ; [Basel] : Christoph Merian Verlag, [2019], ©2019
[Zurich] : Migros-Kulturprozent ; [Basel] : Christoph Merian Verlag, [2019], ©2019
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Virtual reality / Dominik Landwehr (Hg./Ed.).
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323 pages : illustrations (some color), facsimiles, portraits ; 18 cm.
Virtual reality / Dominik Landwehr (Hg./Ed.).
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323 pages : illustrations (some color), facsimiles, portraits ; 18 cm.
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[Zurich] : Migros-Kulturprozent ; [Basel] : Christoph Merian Verlag, [2019], ©2019
[Zurich] : Migros-Kulturprozent ; [Basel] : Christoph Merian Verlag, [2019], ©2019
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