2332 Résultats
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
Titre:
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
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livres
livres
Publication:
novembre 2019
novembre 2019
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Photographie- collections
Photographie- collections
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livres
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2002, Cambridge, Massachusetts / London, England
mars 2002, Cambridge, Massachusetts / London, England
Titre:
Czech photographic avant-garde 1918-1948
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
Czech photographic avant-garde 1918-1948
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
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livres
livres
Publication:
mars 2002, Cambridge, Massachusetts / London, England
mars 2002, Cambridge, Massachusetts / London, England
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Viaggio in Italia
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
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Photographie- collections
Photographie- collections
Publication:
novembre 2024
novembre 2024
Titre:
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
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livres
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novembre 2024
novembre 2024
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Photographie- collections
Photographie- collections
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livres
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New York in photobooks
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
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livres
livres
Publication:
mars 2017
mars 2017
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Photographie- collections
Photographie- collections
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189 pages : illustrations (chiefly color) ; 29 cm
Description:
189 pages : illustrations (chiefly color) ; 29 cm
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Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Titre:
INUA : Inuit moving forward together = Inuit nunangat ungammuaktut atautikkut.
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189 pages : illustrations (chiefly color) ; 29 cm
INUA : Inuit moving forward together = Inuit nunangat ungammuaktut atautikkut.
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189 pages : illustrations (chiefly color) ; 29 cm
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Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
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Jeux de mains
Jeux de mains
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The(...)
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The(...)
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Photographie- collections
Photographie- collections
Publication:
mars 2021
mars 2021
Titre:
Jeux de mains
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, 'Jeux de mains' confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book.
Jeux de mains
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, 'Jeux de mains' confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book.
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livres
livres
Publication:
mars 2021
mars 2021
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Photographie- collections
Photographie- collections
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304 pages : illustrations (some color) ; 28 cm
Description:
304 pages : illustrations (some color) ; 28 cm
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New York, NY : The Museum of Modern Art, 2019., ©2019
New York, NY : The Museum of Modern Art, 2019., ©2019
Titre:
MoMA PS1 : a history / edited by Klaus Biesenbach and Bettina Funcke.
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304 pages : illustrations (some color) ; 28 cm
MoMA PS1 : a history / edited by Klaus Biesenbach and Bettina Funcke.
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304 pages : illustrations (some color) ; 28 cm
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livres
Publication:
New York, NY : The Museum of Modern Art, 2019., ©2019
New York, NY : The Museum of Modern Art, 2019., ©2019
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Titre:
The unphotographable
The unphotographable
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$55.00
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
Titre:
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
The unphotographable
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$55.00
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
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livres
livres
Publication:
mars 2013
mars 2013
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$59.99
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
Titre:
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
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livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Histoire de sports
Histoire de sports
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$37.95
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les(...)
$37.95
(disponible en magasin)
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
mai 2024
mai 2024
Titre:
Histoire de sports
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$37.95
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les rapprochements entre les sportifs et les photographes prennent des chemins de traverse dans la collection de la Médiathèque du patrimoine et de la photographie (MPP). Le sport et la compétition, mis en lumière en cette année d'olympiades en France, fournissent une occasion unique d'exhumer des images rarement montrées. Celles-ci mettent en relation des photographes travaillant à la commande ou menant des projets personnels, qu'ils soient écrivains-photographes, comme Émile Zola, photoreporters, comme Guy Le Querrec et Renée Falcke, illustrateurs, comme René-Jacques, ou plasticiens, comme Gladys
Histoire de sports
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$37.95
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les rapprochements entre les sportifs et les photographes prennent des chemins de traverse dans la collection de la Médiathèque du patrimoine et de la photographie (MPP). Le sport et la compétition, mis en lumière en cette année d'olympiades en France, fournissent une occasion unique d'exhumer des images rarement montrées. Celles-ci mettent en relation des photographes travaillant à la commande ou menant des projets personnels, qu'ils soient écrivains-photographes, comme Émile Zola, photoreporters, comme Guy Le Querrec et Renée Falcke, illustrateurs, comme René-Jacques, ou plasticiens, comme Gladys
Classification:
livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Photographie- collections
Photographie- collections
