16754 Résultats
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Personnes et institutions:
Date:
2007-2013
2007-2013
Titre:
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Classification:
documents textuels
documents textuels
Date:
2007-2013
2007-2013
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH265781
ARCH265781
Personnes et institutions:
Date:
1994
1994
Classification:
photographies
photographies
Date:
1994
1994
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153574
Description:
Invitation cards for conference On Architectural Education/USA, held at the Museum of Modern Art, Nov.12 & 13, 1971.
ARCH153574
Description:
Invitation cards for conference On Architectural Education/USA, held at the Museum of Modern Art, Nov.12 & 13, 1971.
Personnes et institutions:
Date:
November 1971
November 1971
Titre:
Invitation cards for conference On Architectural Education/USA
Actions:
ARCH153574
Description:
Invitation cards for conference On Architectural Education/USA, held at the Museum of Modern Art, Nov.12 & 13, 1971.
Invitation cards for conference On Architectural Education/USA
Actions:
ARCH153574
Description:
Invitation cards for conference On Architectural Education/USA, held at the Museum of Modern Art, Nov.12 & 13, 1971.
Classification:
documents textuels
documents textuels
Date:
November 1971
November 1971
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Date:
published 1859-1860
published 1859-1860
Titre:
Album of views of cities showing royal palaces and religious and public architecture, Spain
Actions:
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
Album of views of cities showing royal palaces and religious and public architecture, Spain
Actions:
PH1980:0048.06:001-051
Description:
Album PH1980:0048.06:001-051 comprises 22 views of Seville, 16 views of Granada, four views of Madrid and three views of El Escorial, three views of Cadiz, two views of Aranjuez, and one view of Málaga. The 22 views of Seville include: 12 views of palaces, nine of the Royal Alcazar, two of the Palace of San Talmo, and one of the Archbishop's palace; three views of Seville Cathedral; three views of Pontius Pilate's House; and one view each of the Triana Bridge, the Real Maestranza bullfighting arena, the Law Courts on Constitution Square, and the Golden Tower. The 16 views of Granada include: 11 views of the Alhambra; four views of the city; and one view of Granada Cathedral. The four views of Madrid and three views of El Escorial include: three views of the Monastery of San Lorenzo del Escorial; and one view each of the Royal Palace, the Alcala Gate, the Prado Museum, and a bullfighting arena. The three views of Cadiz include: one view of Saint Anthony's Church; one view of the Calle Ancah [Main Street]; and one view of the city. The two views of Aranjuez include: one view of the Royal Palace and one view of the Casa del Labrador. There is one panorama of Málaga.
Classification:
photographies
photographies
Date:
published 1859-1860
published 1859-1860
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Classification:
documents textuels
documents textuels
Date:
2002-2014
2002-2014
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:002:093
Description:
Says that Suzanne Pagé at the Museum of Modern Art in Paris is interested in the photos of "pop" subway.
PHCON2002:0016:002:093
Description:
Says that Suzanne Pagé at the Museum of Modern Art in Paris is interested in the photos of "pop" subway.
Personnes et institutions:
Date:
14 March 1974
14 March 1974
Titre:
Letter from Baudoin Lebon to Gordon Matta-Clark
Actions:
PHCON2002:0016:002:093
Description:
Says that Suzanne Pagé at the Museum of Modern Art in Paris is interested in the photos of "pop" subway.
Letter from Baudoin Lebon to Gordon Matta-Clark
Actions:
PHCON2002:0016:002:093
Description:
Says that Suzanne Pagé at the Museum of Modern Art in Paris is interested in the photos of "pop" subway.
Classification:
documents textuels
documents textuels
Date:
14 March 1974
14 March 1974
Personnes et institutions:
Classification:
dessins
dessins
Titre:
MoMA Drawings
MoMA Drawings
Numéro de référence:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
Personnes et institutions:
Date:
1978
1978
Titre:
MoMA Drawings
Actions:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
MoMA Drawings
Actions:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
Classification:
dessins
dessins
Date:
1978
1978
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Personnes et institutions:
Titre:
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
Personnes et institutions:
Date:
1997
1997
Titre:
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Actions:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Actions:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
Classification:
documents textuels
documents textuels
Date:
1997
1997
Personnes et institutions:
