2332 Résultats
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Description:
xl, 280 pages : illustrations (colour) ; 23 cm
Description:
xl, 280 pages : illustrations (colour) ; 23 cm
Auteur:
- Cook, Greg (Outreach worker),,
- Crowe, Cathy, 1952-,
- Micallef, Shawn, 1974-,
- Maynard, Robyn,
Sujet:
- Homelessness Ontario Toronto.,
- Homeless persons Services for Ontario Toronto.,
- Shelters for the homeless Ontario Toronto.,
- Housing Ontario Toronto.,
- COVID-19 Pandemic, 2020-2023 Social aspects Ontario Toronto.,
- Itinérance Ontario Toronto.,
- Personnes sans-abri Services Ontario Toronto.,
- Personnes sans-abri Logement Ontario Toronto.,
- Logement Ontario Toronto.,
- Pandémie de COVID-19, 2020-2023 Aspect social Ontario Toronto.,
- Homeless persons Services for,
- Homelessness,
- Housing,
- Shelters for the homeless,
- Social aspects,
- Aboriginal Canadians Health Health services Ontario Toronto.,
- Aboriginal Canadians Economic conditions Ontario Toronto.,
- Aboriginal Canadians Social services Ontario Toronto.,
- Aboriginal Canadians Housing Ontario Toronto.,
- Ontario Toronto
Publication:
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
Titre:
Displacement city : fighting for health and homes in a pandemic / edited by Greg Cook and Cathy Crowe ; foreword by Robyn Maynard ; afterword by Shawn Micallef.
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Description:
xl, 280 pages : illustrations (colour) ; 23 cm
Displacement city : fighting for health and homes in a pandemic / edited by Greg Cook and Cathy Crowe ; foreword by Robyn Maynard ; afterword by Shawn Micallef.
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Description:
xl, 280 pages : illustrations (colour) ; 23 cm
Classification:
livres
livres
Publication:
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
Auteur:
- Cook, Greg (Outreach worker),,
- Crowe, Cathy, 1952-,
- Micallef, Shawn, 1974-,
- Maynard, Robyn,
Sujet:
- Homelessness Ontario Toronto.,
- Homeless persons Services for Ontario Toronto.,
- Shelters for the homeless Ontario Toronto.,
- Housing Ontario Toronto.,
- COVID-19 Pandemic, 2020-2023 Social aspects Ontario Toronto.,
- Itinérance Ontario Toronto.,
- Personnes sans-abri Services Ontario Toronto.,
- Personnes sans-abri Logement Ontario Toronto.,
- Logement Ontario Toronto.,
- Pandémie de COVID-19, 2020-2023 Aspect social Ontario Toronto.,
- Homeless persons Services for,
- Homelessness,
- Housing,
- Shelters for the homeless,
- Social aspects,
- Aboriginal Canadians Health Health services Ontario Toronto.,
- Aboriginal Canadians Economic conditions Ontario Toronto.,
- Aboriginal Canadians Social services Ontario Toronto.,
- Aboriginal Canadians Housing Ontario Toronto.,
- Ontario Toronto
Titre:
Karl Blossfeldt: Masterworks
Karl Blossfeldt: Masterworks
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$70.00
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Résumé:
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade(...)
$70.00
(disponible sur commande)
Résumé:
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade(...)
Titre:
Karl Blossfeldt: Masterworks
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$70.00
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Résumé:
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail.
Karl Blossfeldt: Masterworks
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$70.00
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Résumé:
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail.
Sujet:
Monographies photo
Monographies photo
Titre:
Photographie et écologie
Photographie et écologie
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$41.95
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Résumé:
Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du(...)
$41.95
(disponible sur commande)
Résumé:
Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du(...)
Titre:
Photographie et écologie
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$41.95
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Résumé:
Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du médium photographique. Elle propose une entrée en matière, une invitation au dialogue, une mise en relation sensible et critique des images et de l'écologie. La collection « Superscripte » propose des textes introductifs et synthétiques sur des pratiques photographiques contemporaines dans toutes leur diversité, par le prisme d'une notion unique – l'exposition, la violence ou l'image-objet. En conjuguant des ouvrages écrits par des artistes, des chercheurs et chercheuses ou des critiques, il s'agit de valoriser les subjectivités personnelles et les compétences qui découlent des différentes manières de penser les images. Imaginée pour les photographes, les historien·ne·s de l'art ou un public amateur, cette série souhaite donner les clés pour appréhender certaines thématiques ou formes photographiques, omniprésentes dans la culture visuelle d'aujourd'hui.
Photographie et écologie
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Prix:
$41.95
(disponible sur commande)
Résumé:
Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du médium photographique. Elle propose une entrée en matière, une invitation au dialogue, une mise en relation sensible et critique des images et de l'écologie. La collection « Superscripte » propose des textes introductifs et synthétiques sur des pratiques photographiques contemporaines dans toutes leur diversité, par le prisme d'une notion unique – l'exposition, la violence ou l'image-objet. En conjuguant des ouvrages écrits par des artistes, des chercheurs et chercheuses ou des critiques, il s'agit de valoriser les subjectivités personnelles et les compétences qui découlent des différentes manières de penser les images. Imaginée pour les photographes, les historien·ne·s de l'art ou un public amateur, cette série souhaite donner les clés pour appréhender certaines thématiques ou formes photographiques, omniprésentes dans la culture visuelle d'aujourd'hui.
Sujet:
Photographie- collections
Photographie- collections
Prix:
$39.95
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
$39.95
(disponible sur commande)
Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
Titre:
Aperture magazine anthology: the minor white years, 1952–1976
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$39.95
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
Aperture magazine anthology: the minor white years, 1952–1976
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$39.95
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
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$58.50
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
$58.50
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
Publication:
avril 2005, Minneapolis
avril 2005, Minneapolis
Titre:
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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$58.50
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Résumé:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and(...)
$78.95
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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and(...)
Titre:
Shadows of reality: A catalogue of W.G. Sebald’s photographic materials
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$78.95
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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and edited by literary scholar Clive Scott and photography curator Nick Warr, this wonderfully comprehensive book covers the multiple photographic facets of Sebald's published work and includes a substantial amount of material that has not been made public before.
Shadows of reality: A catalogue of W.G. Sebald’s photographic materials
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$78.95
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Résumé:
''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and edited by literary scholar Clive Scott and photography curator Nick Warr, this wonderfully comprehensive book covers the multiple photographic facets of Sebald's published work and includes a substantial amount of material that has not been made public before.
Sujet:
Monographies photo
Monographies photo
Titre:
Jeff Wall : photographs
Jeff Wall : photographs
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$42.00
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Résumé:
Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual(...)
$42.00
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Résumé:
Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2004, Vienna
janvier 2004, Vienna
Titre:
Jeff Wall : photographs
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$42.00
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Résumé:
Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual photography, his occupation with questions of film and film theory, his interest in popular iconography and his highly complex way of working. Published to accompany the noted exhibition at the Museum Moderner Kunst Stiftung Ludwig in Vienna, this essay collection also specifically concentrates on Wall's close link to the tradition of documentary photography and to photographers like Walker Evans and Dorothea Lange. The book includes essays by Peter Bürger, Achim Hochdörfer, Tom Holert, Homay King, Kaja Silverman, Fred Orton, Gregor Stemmrich, and Friedrich Tietjen.
Jeff Wall : photographs
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$42.00
(disponible sur commande)
Résumé:
Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual photography, his occupation with questions of film and film theory, his interest in popular iconography and his highly complex way of working. Published to accompany the noted exhibition at the Museum Moderner Kunst Stiftung Ludwig in Vienna, this essay collection also specifically concentrates on Wall's close link to the tradition of documentary photography and to photographers like Walker Evans and Dorothea Lange. The book includes essays by Peter Bürger, Achim Hochdörfer, Tom Holert, Homay King, Kaja Silverman, Fred Orton, Gregor Stemmrich, and Friedrich Tietjen.
Sujet:
Monographies photo
Monographies photo
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$29.95
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Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
$29.95
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Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Titre:
Photography's other histories
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$29.95
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Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Photography's other histories
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$29.95
(disponible sur commande)
Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
archives
archives
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Auteur:
Sujet:
- Foreign Office Architects.,
- Architecture Spain 20th century Designs and plans.,
- Architecture Spain 21st century Designs and plans.,
- Architecture England 20th century Designs and plans.,
- Architecture England 21st century Designs and plans.,
- Ferry terminals Japan Designs and plans.,
- Restaurants England London Designs and plans.,
- Restaurants New York (State) New York Designs and plans.,
- Architecture Espagne 20e siècle Dessins et plans.,
- Architecture Espagne 21e siècle Dessins et plans.,
- Architecture Angleterre 20e siècle Dessins et plans.,
- Architecture Angleterre 21e siècle Dessins et plans.,
- Gares maritimes Japon Dessins et plans.,
- Restaurants Angleterre Londres Dessins et plans.,
- Restaurants New York (État) New York Dessins et plans.,
- Architecture,
- England,
- Spain,
- English architectural firms.,
- fonds (collections),
- drawings (visual works),
- documents (object genre),
- photographic materials.,
- photographs.,
- project files.,
- architectural drawings (visual works),
- reprographic copies.,
- negatives (photographs),
- maps (documents),
- artifacts (object genre),
- video recordings (physical artifacts),
- VHS.,
- architectural models.,
- books.,
- notebooks.,
- DVDs.,
- Mini-DV.,
- compact discs.,
- floppy disks.,
- files (digital files),
- panoramas (visual works),
- printed ephemera.,
- Architectural drawings,
- Drawings.,
- Photographs.,
- Video recordings.,
- Notebooks.,
- Ephemera.,
- Dessins.,
- Photographies.,
- Dessins d'architecture.,
- Vidéos.,
- Cahiers.,
- Documents éphémères.
Titre:
Foreign Office Architects fonds, 1983-2011.
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Foreign Office Architects fonds, 1983-2011.
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Classification:
archives
archives
Auteur:
Sujet:
- Foreign Office Architects.,
- Architecture Spain 20th century Designs and plans.,
- Architecture Spain 21st century Designs and plans.,
- Architecture England 20th century Designs and plans.,
- Architecture England 21st century Designs and plans.,
- Ferry terminals Japan Designs and plans.,
- Restaurants England London Designs and plans.,
- Restaurants New York (State) New York Designs and plans.,
- Architecture Espagne 20e siècle Dessins et plans.,
- Architecture Espagne 21e siècle Dessins et plans.,
- Architecture Angleterre 20e siècle Dessins et plans.,
- Architecture Angleterre 21e siècle Dessins et plans.,
- Gares maritimes Japon Dessins et plans.,
- Restaurants Angleterre Londres Dessins et plans.,
- Restaurants New York (État) New York Dessins et plans.,
- Architecture,
- England,
- Spain,
- English architectural firms.,
- fonds (collections),
- drawings (visual works),
- documents (object genre),
- photographic materials.,
- photographs.,
- project files.,
- architectural drawings (visual works),
- reprographic copies.,
- negatives (photographs),
- maps (documents),
- artifacts (object genre),
- video recordings (physical artifacts),
- VHS.,
- architectural models.,
- books.,
- notebooks.,
- DVDs.,
- Mini-DV.,
- compact discs.,
- floppy disks.,
- files (digital files),
- panoramas (visual works),
- printed ephemera.,
- Architectural drawings,
- Drawings.,
- Photographs.,
- Video recordings.,
- Notebooks.,
- Ephemera.,
- Dessins.,
- Photographies.,
- Dessins d'architecture.,
- Vidéos.,
- Cahiers.,
- Documents éphémères.
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Prix:
$22.00
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Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
$22.00
(disponible sur commande)
Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
Titre:
Lee Friedlander : the little screens
Actions:
Prix:
$22.00
(disponible sur commande)
Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Lee Friedlander : the little screens
Actions:
Prix:
$22.00
(disponible sur commande)
Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Sujet:
Théorie de la photographie
Théorie de la photographie