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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin(...)
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin(...)
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El Lissitzky on paper: Print culture, architecture, politics, 1919-1933
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin regime. With such a varied history and body of work, scholars have often struggled to identify the core principles that tied his diverse oeuvre together. With this book, Johnson presents a significant contribution to scholarship on this major artist, revealing new connections between Lissitzky’s work in architecture and visual art and bringing to light sources from largely unstudied Russian archives.
El Lissitzky on paper: Print culture, architecture, politics, 1919-1933
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin regime. With such a varied history and body of work, scholars have often struggled to identify the core principles that tied his diverse oeuvre together. With this book, Johnson presents a significant contribution to scholarship on this major artist, revealing new connections between Lissitzky’s work in architecture and visual art and bringing to light sources from largely unstudied Russian archives.
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mai 2024
mai 2024
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Architecture, monographies
Architecture, monographies
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339 pages (pages [173-324] plates) plate, plans 35 cm
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339 pages (pages [173-324] plates) plate, plans 35 cm
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Moskva, Gos. izd-vo arkhitektury i gradostroitelʹstva, 1950.
Moskva, Gos. izd-vo arkhitektury i gradostroitelʹstva, 1950.
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Памятники русского зодчества. Pami︠a︡tniki russkogo zodchestva.
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339 pages (pages [173-324] plates) plate, plans 35 cm
Памятники русского зодчества. Pami︠a︡tniki russkogo zodchestva.
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339 pages (pages [173-324] plates) plate, plans 35 cm
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Moskva, Gos. izd-vo arkhitektury i gradostroitelʹstva, 1950.
Moskva, Gos. izd-vo arkhitektury i gradostroitelʹstva, 1950.
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180 pages : illustrations (some color) ; 21 cm
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180 pages : illustrations (some color) ; 21 cm
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Sankt-Peterburg : Gos. muzeĭ istorii Sankt-Peterburga, 2008.
Sankt-Peterburg : Gos. muzeĭ istorii Sankt-Peterburga, 2008.
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Архитектор Андрей Андреевич Оль, 1883-1958 : графика и документы в собрании Государственного музея истории Санкт-Петербурга : каталог / [составители и авторы комментариев Л.А. Кирикова and others]. Arkhitektor Andreĭ Andreevich Olʹ, 1883-1958 : grafika i dokumenty v sobranii Gosudarstvennogo muzei︠a︡ istorii Sankt-Peterburga : katalog / [sostaviteli i avtory kommentariev L.A. Kirikova and others].
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180 pages : illustrations (some color) ; 21 cm
Архитектор Андрей Андреевич Оль, 1883-1958 : графика и документы в собрании Государственного музея истории Санкт-Петербурга : каталог / [составители и авторы комментариев Л.А. Кирикова and others]. Arkhitektor Andreĭ Andreevich Olʹ, 1883-1958 : grafika i dokumenty v sobranii Gosudarstvennogo muzei︠a︡ istorii Sankt-Peterburga : katalog / [sostaviteli i avtory kommentariev L.A. Kirikova and others].
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180 pages : illustrations (some color) ; 21 cm
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Sankt-Peterburg : Gos. muzeĭ istorii Sankt-Peterburga, 2008.
Sankt-Peterburg : Gos. muzeĭ istorii Sankt-Peterburga, 2008.
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pages 1603-1822 : illustrations (some color), photographs, facsimiles ; 26 cm.
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pages 1603-1822 : illustrations (some color), photographs, facsimiles ; 26 cm.
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Ekaterinburg : Izdatelʹstvo TATLIN, [2024]
Ekaterinburg : Izdatelʹstvo TATLIN, [2024]
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Челябинский тракторный завод и соцгород ЧТЗ / автор: Евгения Конышева. Cheli︠a︡binskiĭ traktornyĭ zavod i sot︠s︡gorod ChTZ / avtor: Evgenii︠a︡ Konysheva.
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pages 1603-1822 : illustrations (some color), photographs, facsimiles ; 26 cm.
Челябинский тракторный завод и соцгород ЧТЗ / автор: Евгения Конышева. Cheli︠a︡binskiĭ traktornyĭ zavod i sot︠s︡gorod ChTZ / avtor: Evgenii︠a︡ Konysheva.
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pages 1603-1822 : illustrations (some color), photographs, facsimiles ; 26 cm.
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Ekaterinburg : Izdatelʹstvo TATLIN, [2024]
Ekaterinburg : Izdatelʹstvo TATLIN, [2024]
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586, [5] pages : illustrations, plans ; 27 cm
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586, [5] pages : illustrations, plans ; 27 cm
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Moskva : Gos. izd-vo lit-ry po stroitelʹstvu, arkhitekture i stroitelʹnym materialam, 1961.
Moskva : Gos. izd-vo lit-ry po stroitelʹstvu, arkhitekture i stroitelʹnym materialam, 1961.
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Труды VI сессии Академии строительства и архитектуры СССР по вопросам градостроительства, 7-9 декабря 1960 г. / [редакционная коллегия, Н.В. Баронов [and others]]. Trudy VI sessii Akademii stroitelʹstva i arkhitektury SSSR po voprosam gradostroitelʹstva, 7-9 dekabri︠a︡ 1960 g. / [redakt︠s︡ionnai︠a︡ kollegii︠a︡, N.V. Baronov [and others]].
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586, [5] pages : illustrations, plans ; 27 cm
Труды VI сессии Академии строительства и архитектуры СССР по вопросам градостроительства, 7-9 декабря 1960 г. / [редакционная коллегия, Н.В. Баронов [and others]]. Trudy VI sessii Akademii stroitelʹstva i arkhitektury SSSR po voprosam gradostroitelʹstva, 7-9 dekabri︠a︡ 1960 g. / [redakt︠s︡ionnai︠a︡ kollegii︠a︡, N.V. Baronov [and others]].
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586, [5] pages : illustrations, plans ; 27 cm
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Moskva : Gos. izd-vo lit-ry po stroitelʹstvu, arkhitekture i stroitelʹnym materialam, 1961.
Moskva : Gos. izd-vo lit-ry po stroitelʹstvu, arkhitekture i stroitelʹnym materialam, 1961.
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334 pages : illustrations ; 22 cm.
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334 pages : illustrations ; 22 cm.
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Sankt-Peterburg : Ploshchadʹ iskusstv, 2013.
Sankt-Peterburg : Ploshchadʹ iskusstv, 2013.
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Луга : архитектурно-краеведческий очерк / Александр Носков. Luga : arkhitekturno-kraevedcheskiĭ ocherk / Aleksandr Noskov.
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334 pages : illustrations ; 22 cm.
Луга : архитектурно-краеведческий очерк / Александр Носков. Luga : arkhitekturno-kraevedcheskiĭ ocherk / Aleksandr Noskov.
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334 pages : illustrations ; 22 cm.
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Sankt-Peterburg : Ploshchadʹ iskusstv, 2013.
Sankt-Peterburg : Ploshchadʹ iskusstv, 2013.
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270 pages : illustrations ; 20 x 21 cm
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270 pages : illustrations ; 20 x 21 cm
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Moskva : [Soi︠u︡z arkhitektorov SSSR], 1980.
Moskva : [Soi︠u︡z arkhitektorov SSSR], 1980.
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1975-1980 : к четырнадцатой конференции Московской организации Ордена Ленина Союза архитекторов СССР : отчет Московской организации СА СССР. 1975-1980 : k chetyrnadt︠s︡atoĭ konferent︠s︡ii Moskovskoĭ organizat︠s︡ii Ordena Lenina Soi︠u︡za arkhitektorov SSSR : otchet Moskovskoĭ organizat︠s︡ii SA SSSR.
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270 pages : illustrations ; 20 x 21 cm
1975-1980 : к четырнадцатой конференции Московской организации Ордена Ленина Союза архитекторов СССР : отчет Московской организации СА СССР. 1975-1980 : k chetyrnadt︠s︡atoĭ konferent︠s︡ii Moskovskoĭ organizat︠s︡ii Ordena Lenina Soi︠u︡za arkhitektorov SSSR : otchet Moskovskoĭ organizat︠s︡ii SA SSSR.
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270 pages : illustrations ; 20 x 21 cm
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Moskva : [Soi︠u︡z arkhitektorov SSSR], 1980.
Moskva : [Soi︠u︡z arkhitektorov SSSR], 1980.
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395 pages, 6 unnumbered pages of plates (2 folded) : illustrations, map, plans ; 25 cm.
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395 pages, 6 unnumbered pages of plates (2 folded) : illustrations, map, plans ; 25 cm.
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Frankfurt/Main : Weidlich Reprints, ©1983.
Frankfurt/Main : Weidlich Reprints, ©1983.
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Die Bau- und Kunstdenkmäler in Königsberg / [Adolf Boetticher].
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395 pages, 6 unnumbered pages of plates (2 folded) : illustrations, map, plans ; 25 cm.
Die Bau- und Kunstdenkmäler in Königsberg / [Adolf Boetticher].
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395 pages, 6 unnumbered pages of plates (2 folded) : illustrations, map, plans ; 25 cm.
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Frankfurt/Main : Weidlich Reprints, ©1983.
Frankfurt/Main : Weidlich Reprints, ©1983.
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$63.95
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Résumé:
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
$63.95
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
Publication:
septembre 2018
septembre 2018
Titre:
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
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septembre 2018
septembre 2018
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177 pages : illustrations (some colour) ; 22 cm
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177 pages : illustrations (some colour) ; 22 cm
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[Moscow] : Sergey Gordeev, [2010]
[Moscow] : Sergey Gordeev, [2010]
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Nikolay Sokolov / S.O. Khan-Magomedov ; translation, Ksenya Gurshtein.
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177 pages : illustrations (some colour) ; 22 cm
Nikolay Sokolov / S.O. Khan-Magomedov ; translation, Ksenya Gurshtein.
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177 pages : illustrations (some colour) ; 22 cm
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[Moscow] : Sergey Gordeev, [2010]
[Moscow] : Sergey Gordeev, [2010]
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