2636 Résultats
Classification:
livres
livres
Titre:
Frey
Frey
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Prix:
$12.95
(disponible sur commande)
Résumé:
Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au(...)
$12.95
(disponible sur commande)
Résumé:
Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2008, Hong Kong, Köln, Tokyo, Paris, Londres
octobre 2008, Hong Kong, Köln, Tokyo, Paris, Londres
Titre:
Frey
Actions:
Prix:
$12.95
(disponible sur commande)
Résumé:
Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au Musée d Art Moderne de New York, comme une illustration rare du mouvement en Amérique. Peu après Frey découvrit le désert californien, où il s'établit et réalisa la plus grande partie de son oeuvre. Cherchant tout au long de sa vie de nouvelles manières de construire, et travaillant également sur les matériaux préfabriqués, il publia régulièrement les résultats de ses recherches. Son talent visionnaire et ses demeures élégantes et clairement structurées ont fait de lui le fondateur du « modernisme du désert ».
Frey
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Prix:
$12.95
(disponible sur commande)
Résumé:
Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au Musée d Art Moderne de New York, comme une illustration rare du mouvement en Amérique. Peu après Frey découvrit le désert californien, où il s'établit et réalisa la plus grande partie de son oeuvre. Cherchant tout au long de sa vie de nouvelles manières de construire, et travaillant également sur les matériaux préfabriqués, il publia régulièrement les résultats de ses recherches. Son talent visionnaire et ses demeures élégantes et clairement structurées ont fait de lui le fondateur du « modernisme du désert ».
Classification:
livres
livres
Publication:
octobre 2008, Hong Kong, Köln, Tokyo, Paris, Londres
octobre 2008, Hong Kong, Köln, Tokyo, Paris, Londres
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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Description:
iv, 78 leaves : illustrations (some colour) ; 28 cm.
Description:
iv, 78 leaves : illustrations (some colour) ; 28 cm.
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Publication:
[Vancouver] : University of British Columbia, 2005.
[Vancouver] : University of British Columbia, 2005.
Titre:
Reconsidering the Binning House / by Adele Margot Weder.
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iv, 78 leaves : illustrations (some colour) ; 28 cm.
Reconsidering the Binning House / by Adele Margot Weder.
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Description:
iv, 78 leaves : illustrations (some colour) ; 28 cm.
Classification:
livres
livres
Publication:
[Vancouver] : University of British Columbia, 2005.
[Vancouver] : University of British Columbia, 2005.
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livres
livres
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Description:
517 leaves : ill., plans ; 28 cm.
Description:
517 leaves : ill., plans ; 28 cm.
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c1997.
c1997.
Titre:
L'appareil de l'architecture moderne = New materials and architectural modernity in France, 1889-1934 / by Réjean Legault.
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Description:
517 leaves : ill., plans ; 28 cm.
L'appareil de l'architecture moderne = New materials and architectural modernity in France, 1889-1934 / by Réjean Legault.
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Description:
517 leaves : ill., plans ; 28 cm.
Classification:
livres
livres
Publication:
c1997.
c1997.
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livres
livres
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Description:
xvii, 120 pages : illustrations ; 26 cm
Description:
xvii, 120 pages : illustrations ; 26 cm
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Publication:
Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
Titre:
Ontology of construction : on nihilism of technology in theories of modern architecture / Gevork Hartoonian.
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Description:
xvii, 120 pages : illustrations ; 26 cm
Ontology of construction : on nihilism of technology in theories of modern architecture / Gevork Hartoonian.
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Description:
xvii, 120 pages : illustrations ; 26 cm
Classification:
livres
livres
Publication:
Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
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livres
livres
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Description:
x, 207 pages ; 24 cm
Description:
x, 207 pages ; 24 cm
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Publication:
Cambridge : Polity Press, 1989.
Cambridge : Polity Press, 1989.
Titre:
Against postmodernism : a marxist critique / Alex Callinicos.
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x, 207 pages ; 24 cm
Against postmodernism : a marxist critique / Alex Callinicos.
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Description:
x, 207 pages ; 24 cm
Classification:
livres
livres
Publication:
Cambridge : Polity Press, 1989.
Cambridge : Polity Press, 1989.
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livres
livres
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x, 384 pages : illustrations ; 25 cm
Description:
x, 384 pages : illustrations ; 25 cm
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Publication:
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
Titre:
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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x, 384 pages : illustrations ; 25 cm
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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Description:
x, 384 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
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livres
livres
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247 pages : illustrations (chiefly color) ; 28 cm
Description:
247 pages : illustrations (chiefly color) ; 28 cm
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[Stuttgart, Germany] : Arnoldsche, [2020]
[Stuttgart, Germany] : Arnoldsche, [2020]
Titre:
Gesamtkunstwerke : Architektur von Arne Jacobsen und Otto Weitling in Deutschland = architecture by Arne Jacobsen and Otto Weitling in Germany / Hendrik Bohle, Jan Dimog (Hg./eds.) ; translator, Joan Clough with Richard Horden.
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247 pages : illustrations (chiefly color) ; 28 cm
Gesamtkunstwerke : Architektur von Arne Jacobsen und Otto Weitling in Deutschland = architecture by Arne Jacobsen and Otto Weitling in Germany / Hendrik Bohle, Jan Dimog (Hg./eds.) ; translator, Joan Clough with Richard Horden.
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Description:
247 pages : illustrations (chiefly color) ; 28 cm
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livres
livres
Publication:
[Stuttgart, Germany] : Arnoldsche, [2020]
[Stuttgart, Germany] : Arnoldsche, [2020]
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Classification:
livres
livres
Prix:
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst(...)
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst(...)
Titre:
Mediating modernism: architectural cultures in Britain
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Prix:
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst numerous recent books have radically re-thought the construct of modernism, this is the first book to re-think modernism in relation to British architecture.
Mediating modernism: architectural cultures in Britain
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Prix:
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst numerous recent books have radically re-thought the construct of modernism, this is the first book to re-think modernism in relation to British architecture.
Classification:
livres
livres
Publication:
décembre 2006
décembre 2006
Classification:
livres
livres
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$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
Titre:
Bauhaus, modernism & the illustrated book
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Prix:
$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Bauhaus, modernism & the illustrated book
Actions:
Prix:
$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Classification:
livres
livres
Publication:
avril 2004, London
avril 2004, London
Classification:
livres
livres
Prix:
$61.50
(disponible sur commande)
Résumé:
In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s(...)
$61.50
(disponible sur commande)
Résumé:
In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s(...)
Titre:
Automatic architecture: motivating form after modernism
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Prix:
$61.50
(disponible sur commande)
Résumé:
In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s knowledge and instincts and toward the use of external tools and processes that were considered objective, logical, or natural. Automatic architecture was born.
Automatic architecture: motivating form after modernism
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Prix:
$61.50
(disponible sur commande)
Résumé:
In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s knowledge and instincts and toward the use of external tools and processes that were considered objective, logical, or natural. Automatic architecture was born.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
