56712 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Personnes et institutions:
Date:
1986-1998
1986-1998
Titre:
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
Classification:
documents textuels
documents textuels
Date:
1986-1998
1986-1998
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Localisation:
Antichambre de la salle octogonale
Antichambre de la salle octogonale
Date:
6 décembre 1989 au 11 février 1990
6 décembre 1989 au 11 février 1990
Titre:
Manufactures de la Nouvelle-Angleterre : photographies de Serge Hambourg
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Manufactures de la Nouvelle-Angleterre : photographies de Serge Hambourg
Actions:
Description:
Pendant trois ans, Serge Hambourg a pris plus de 400 photographies de manufactures historiques de la Nouvelle-Angleterre commandées par le CCA. Ces formes architecturales, représentées dans leur environnement, mettent en valeur la beauté austère des intérieurs et des extérieurs. Les photos tracent l’évolution de ce type de bâtiment. Ces images montrent des structures de(...)
Classification:
expositions
expositions
Date:
6 décembre 1989 au
11 février 1990
6 décembre 1989 au
11 février 1990
Localisation:
Antichambre de la salle octogonale
Antichambre de la salle octogonale
Classification:
dessins
dessins
Numéro de référence:
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Personnes et institutions:
Date:
August 1988
August 1988
Titre:
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Classification:
dessins
dessins
Date:
August 1988
August 1988
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
Personnes et institutions:
Date:
1991
1991
Titre:
Press coverage related to projects
Actions:
DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
Press coverage related to projects
Actions:
DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
Classification:
documents textuels
documents textuels
Date:
1991
1991
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Sketchbook 443: Serralves
Sketchbook 443: Serralves
Numéro de référence:
AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
Personnes et institutions:
Date:
January-February 1998
January-February 1998
Titre:
Sketchbook 443: Serralves
Actions:
AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
Sketchbook 443: Serralves
Actions:
AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
Classification:
dessins
dessins
Date:
January-February 1998
January-February 1998
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
Personnes et institutions:
Date:
January-February 1999
January-February 1999
Titre:
Sketchbook 456: Serralves - Hanover
Actions:
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
Sketchbook 456: Serralves - Hanover
Actions:
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
Classification:
dessins
dessins
Date:
January-February 1999
January-February 1999
Personnes et institutions:
Classification:
événements
événements
Date:
16 mars 2024, 19h30
16 mars 2024, 19h30
Classification:
événements
événements
Date:
16 mars 2024
19h30
16 mars 2024
19h30
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
Personnes et institutions:
Date:
November 1991
November 1991
Titre:
Sketchbook 323: Bar Serralves - Barcelona - Haia
Actions:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
Sketchbook 323: Bar Serralves - Barcelona - Haia
Actions:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
Classification:
dessins
dessins
Date:
November 1991
November 1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Personnes et institutions:
Date:
1983-2005
1983-2005
Titre:
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Niveau de description archivistique:
Project
Project
Date:
1983-2005
1983-2005
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Personnes et institutions:
Date:
August 1988
August 1988
Titre:
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
Classification:
dessins
dessins
Date:
August 1988
August 1988
Personnes et institutions:
