33214 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0162.02:001-020
Description:
Album comprises 20 photographs showing decorative ceiling paintings for the New Opera of Paris and titled as follows: Le/Nouvel /Opéra /de Paris / Peintures /décoratives / Plafonds / panneaux - voutes - tympans /par/Charles Garnier /architecte, membre de l'Institut /D et Cie /Paris / Librairie Générale de l'Architecture et des Travaux Publics /Ducher et Cie /Editeurs /51, rue des Écoles, 51 /1876. The list of plates is as follows: Table des Planches Salle 1.- Plafond: Jules Lenepveu Foyer de la danse 2.- Danse champêtre - Gustave Boulanger 3.- Danse bachique - id. 4.- Danse amoureuse - id. 5.- Danse guerrière - Gustave Boulanger 6.- Voussures du plafond - id. 7.- Voussures du plafond - id. Grand Foyer 8.- Le jugement de Pâris - Paul Baudry 9.- L'Assaut - id. 10. - Les Bergers - id. 11. - Le rêve de Sainte-Cécile - Paul Baudry 12. - Jupiter et les Corybantes - id. Salon a pans coupés à l'Ouest du grand foyer 13. - La musique amoureuse - Félix Barrias 14. - La Musique champêtre - id. 15. - La musique dramatique - id. 16. - Plafond: Les dieux de l'Olympe - Félix Barrias Salon à pans coupés à l'est du grand foyer 17. - Apollon recevant la lyre - Élie Delaunay 18. - Orphée et Eurydice - id. 19. - Amphion - Élie Delaunay 20. - Plafond: Le Zodiaque - id.
PH1979:0162.02:001-020
Description:
Album comprises 20 photographs showing decorative ceiling paintings for the New Opera of Paris and titled as follows: Le/Nouvel /Opéra /de Paris / Peintures /décoratives / Plafonds / panneaux - voutes - tympans /par/Charles Garnier /architecte, membre de l'Institut /D et Cie /Paris / Librairie Générale de l'Architecture et des Travaux Publics /Ducher et Cie /Editeurs /51, rue des Écoles, 51 /1876. The list of plates is as follows: Table des Planches Salle 1.- Plafond: Jules Lenepveu Foyer de la danse 2.- Danse champêtre - Gustave Boulanger 3.- Danse bachique - id. 4.- Danse amoureuse - id. 5.- Danse guerrière - Gustave Boulanger 6.- Voussures du plafond - id. 7.- Voussures du plafond - id. Grand Foyer 8.- Le jugement de Pâris - Paul Baudry 9.- L'Assaut - id. 10. - Les Bergers - id. 11. - Le rêve de Sainte-Cécile - Paul Baudry 12. - Jupiter et les Corybantes - id. Salon a pans coupés à l'Ouest du grand foyer 13. - La musique amoureuse - Félix Barrias 14. - La Musique champêtre - id. 15. - La musique dramatique - id. 16. - Plafond: Les dieux de l'Olympe - Félix Barrias Salon à pans coupés à l'est du grand foyer 17. - Apollon recevant la lyre - Élie Delaunay 18. - Orphée et Eurydice - id. 19. - Amphion - Élie Delaunay 20. - Plafond: Le Zodiaque - id.
Personnes et institutions:
Date:
published 1876
published 1876
Titre:
Paris Opéra recently built, interior close-ups of decorative paintings on the ceiling and interior, Paris, France
Actions:
PH1979:0162.02:001-020
Description:
Album comprises 20 photographs showing decorative ceiling paintings for the New Opera of Paris and titled as follows: Le/Nouvel /Opéra /de Paris / Peintures /décoratives / Plafonds / panneaux - voutes - tympans /par/Charles Garnier /architecte, membre de l'Institut /D et Cie /Paris / Librairie Générale de l'Architecture et des Travaux Publics /Ducher et Cie /Editeurs /51, rue des Écoles, 51 /1876. The list of plates is as follows: Table des Planches Salle 1.- Plafond: Jules Lenepveu Foyer de la danse 2.- Danse champêtre - Gustave Boulanger 3.- Danse bachique - id. 4.- Danse amoureuse - id. 5.- Danse guerrière - Gustave Boulanger 6.- Voussures du plafond - id. 7.- Voussures du plafond - id. Grand Foyer 8.- Le jugement de Pâris - Paul Baudry 9.- L'Assaut - id. 10. - Les Bergers - id. 11. - Le rêve de Sainte-Cécile - Paul Baudry 12. - Jupiter et les Corybantes - id. Salon a pans coupés à l'Ouest du grand foyer 13. - La musique amoureuse - Félix Barrias 14. - La Musique champêtre - id. 15. - La musique dramatique - id. 16. - Plafond: Les dieux de l'Olympe - Félix Barrias Salon à pans coupés à l'est du grand foyer 17. - Apollon recevant la lyre - Élie Delaunay 18. - Orphée et Eurydice - id. 19. - Amphion - Élie Delaunay 20. - Plafond: Le Zodiaque - id.
Paris Opéra recently built, interior close-ups of decorative paintings on the ceiling and interior, Paris, France
Actions:
PH1979:0162.02:001-020
Description:
Album comprises 20 photographs showing decorative ceiling paintings for the New Opera of Paris and titled as follows: Le/Nouvel /Opéra /de Paris / Peintures /décoratives / Plafonds / panneaux - voutes - tympans /par/Charles Garnier /architecte, membre de l'Institut /D et Cie /Paris / Librairie Générale de l'Architecture et des Travaux Publics /Ducher et Cie /Editeurs /51, rue des Écoles, 51 /1876. The list of plates is as follows: Table des Planches Salle 1.- Plafond: Jules Lenepveu Foyer de la danse 2.- Danse champêtre - Gustave Boulanger 3.- Danse bachique - id. 4.- Danse amoureuse - id. 5.- Danse guerrière - Gustave Boulanger 6.- Voussures du plafond - id. 7.- Voussures du plafond - id. Grand Foyer 8.- Le jugement de Pâris - Paul Baudry 9.- L'Assaut - id. 10. - Les Bergers - id. 11. - Le rêve de Sainte-Cécile - Paul Baudry 12. - Jupiter et les Corybantes - id. Salon a pans coupés à l'Ouest du grand foyer 13. - La musique amoureuse - Félix Barrias 14. - La Musique champêtre - id. 15. - La musique dramatique - id. 16. - Plafond: Les dieux de l'Olympe - Félix Barrias Salon à pans coupés à l'est du grand foyer 17. - Apollon recevant la lyre - Élie Delaunay 18. - Orphée et Eurydice - id. 19. - Amphion - Élie Delaunay 20. - Plafond: Le Zodiaque - id.
Classification:
photographies
photographies
Date:
published 1876
published 1876
Personnes et institutions:
Classification:
documents textuels
Quantité:
18 file
documents textuels
Quantité:
18 file
Numéro de référence:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
Article Texts, 1996-1997
Actions:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Article Texts, 1996-1997
Actions:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Classification:
documents textuels
Quantité:
18 file
documents textuels
Quantité:
18 file
Date:
1996-1997
1996-1997
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Personnes et institutions:
Date:
circa 1971-2015
circa 1971-2015
Titre:
Kenneth Frampton writings (FR-I)
Actions:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Kenneth Frampton writings (FR-I)
Actions:
AP197.S1.SS9.014
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from FR- I. The largest portion of this box consists of articles, correspondence and research files on Tony Fretton; a dossier on the 1994 Mies van der Rohe Pavilion Award in which Frampton was a nominator from 1994-1996; various articles, drafts and correspondence on Steven Holl; drafts of "Homage a Finlandia: Finnish Architecture and the Unfinished Modern Project," a Nils Wickberg lecture, Aalto University; and correspondence and drafts of a Michael Hopkins essay featured in "Hopkins: the work of Michael Hopkins and Partners." Other subjects and architects explored in these texts relate to: Tony Fretton; Hiromi Fuiji; futurism; on Galfetti's Aula; Antoni Gaudí; globalism and its discontents; Giorgio Grassi; Vittorio Gregotti; the Guggenheim; Dan S. Hanganu; the work of Hariri Hariri; Herman Hertzberger; homage to Iberia; industrialization; and an introduction to "Inside Architecture" by Vittorio Gregotti.
Classification:
documents textuels
documents textuels
Date:
circa 1971-2015
circa 1971-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Casal das Figueiras, Setubal
Casal das Figueiras, Setubal
Numéro de référence:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1978-1979
1978-1979
Titre:
Casal das Figueiras, Setubal
Actions:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
Casal das Figueiras, Setubal
Actions:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1978-1979
1978-1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
circa 1919 -1920
circa 1919 -1920
Titre:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
Personnes et institutions:
Date:
2002-2010
2002-2010
Titre:
Parque de Pedras Salgadas, Pedras Salgadas, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
Parque de Pedras Salgadas, Pedras Salgadas, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
Niveau de description archivistique:
Project
Project
Date:
2002-2010
2002-2010
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Personnes et institutions:
Date:
1994-2014
1994-2014
Titre:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Niveau de description archivistique:
Project
Project
Date:
1994-2014
1994-2014
Personnes et institutions:
