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In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s(...)
Automatic architecture: motivating form after modernism
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In the 1960s and ’70s, architects, influenced by recent developments in computing and the rise of structuralist and poststructuralist thinking, began to radically rethink how architecture could be created. Though various new approaches gained favor, they had one thing in common: they advocated moving away from the traditional reliance on an individual architect’s knowledge and instincts and toward the use of external tools and processes that were considered objective, logical, or natural. Automatic architecture was born.
Théorie de l’architecture
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In(...)
Killing the moonlight: Modernism in Venice
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new.
Théorie de l’architecture
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and(...)
juillet 2006, San Francisco
NorCalMod: icons of Northern California modernism
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Many people think modernist architecture never flowered in California north of the San Fernando Valley. "NorCalMod" dispels that notion in an illustrated history showcasing examples of its contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and Crafts buildings already existed?) pulling heavyweights such as Frank Lloyd Wright, Lewis Mumford, and Walter Gropius into the fray. Ultimately, that existing "Bay Region Style" would remain the area's architectural hallmark, but not before hundreds of important modernist projects, many still standing yet unjustly neglected today, had been established. The photos in this book open our eyes to a long-lost chapter in the history of California architecture.
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance,(...)
The speed handbook: velocity, pleasure, modernism
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how people were incited to abhor slowness and desire speed. He examines how they were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Théorie/ philosophie
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Joseph Eichler was a pioneering developer who defied conventional wisdom by hiring progressive architects to design modernist homes for the growing middle class of the 1950s. He was known for his innovations, including "built-ins" for streamlined kitchen work, for introducing a multipurpose room adjacent to the kitchen, and for the classic atrium that melded the indoors(...)
Eichler : modernism rebuilds the American dream
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Joseph Eichler was a pioneering developer who defied conventional wisdom by hiring progressive architects to design modernist homes for the growing middle class of the 1950s. He was known for his innovations, including "built-ins" for streamlined kitchen work, for introducing a multipurpose room adjacent to the kitchen, and for the classic atrium that melded the indoors with the outdoors. For nearly twenty years, Eichler Homes built thousands of dwellings in California, acquiring national and international acclaim. Eichler: Modernism Rebuilds the American Dream examines Eichler's legacy as seen in his original homes and in the revival of the Modernist movement, which continues to grow today. The homes that Eichler built were modern in concept and expression, and yet comfortable for living. Eichler's work left a legacy of design intergrity and set standards for housing developers that remain unparalleled in the history of American building. This book captures and illustrates that legacy with impressive detail, engaging history, firsthand recollections about Eichler and his vision, and 250 photographs of Eichler homes in their prime.
Architecture résidentielle
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What is new German architecture? What are its distinguishing features, its character? This publication presents an extensive portrait of contemporary architecture in Germany. Well-known authors in the field describe 25 state-of-the art buildings and projects by German architects from 1990 to the present, and, by means of a selection of ten architectural firms, provide an(...)
octobre 2002, Ostfildern
New German architecture : a reflexive modernism
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What is new German architecture? What are its distinguishing features, its character? This publication presents an extensive portrait of contemporary architecture in Germany. Well-known authors in the field describe 25 state-of-the art buildings and projects by German architects from 1990 to the present, and, by means of a selection of ten architectural firms, provide an overview of the most important movements in German architecture since 1975.
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
Koloman Moser : master of Viennese modernism
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Design, monographies
livres
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In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst(...)
Mediating modernism: architectural cultures in Britain
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In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst numerous recent books have radically re-thought the construct of modernism, this is the first book to re-think modernism in relation to British architecture.
livres
décembre 2006
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Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the(...)
Hippie modernism: the struggle for utopia
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Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.
Architecture expérimentale
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1 videodisc (approximately 57 min.) : sound, color ; 4 3/4 in.
New York, NY : Michael Blackwood Productions, ©2005.
The New modernists : German architecture for the 21st century / produced by Michael Blackwood Productions in association with Saarländischer Rundfunk.
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1 videodisc (approximately 57 min.) : sound, color ; 4 3/4 in.
vidéo
New York, NY : Michael Blackwood Productions, ©2005.