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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and(...)
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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and(...)
Titre:
Shadows of reality: A catalogue of W.G. Sebald’s photographic materials
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''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and edited by literary scholar Clive Scott and photography curator Nick Warr, this wonderfully comprehensive book covers the multiple photographic facets of Sebald's published work and includes a substantial amount of material that has not been made public before.
Shadows of reality: A catalogue of W.G. Sebald’s photographic materials
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Résumé:
''Shadows of reality'' presents a unique, fully illustrated catalogue of W.G. Sebald's photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition ''Lines of Sight: W.G. Sebald's East Anglia'' and edited by literary scholar Clive Scott and photography curator Nick Warr, this wonderfully comprehensive book covers the multiple photographic facets of Sebald's published work and includes a substantial amount of material that has not been made public before.
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Monographies photo
Monographies photo
Titre:
Jeff Wall : photographs
Jeff Wall : photographs
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Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual(...)
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Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2004, Vienna
janvier 2004, Vienna
Titre:
Jeff Wall : photographs
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Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual photography, his occupation with questions of film and film theory, his interest in popular iconography and his highly complex way of working. Published to accompany the noted exhibition at the Museum Moderner Kunst Stiftung Ludwig in Vienna, this essay collection also specifically concentrates on Wall's close link to the tradition of documentary photography and to photographers like Walker Evans and Dorothea Lange. The book includes essays by Peter Bürger, Achim Hochdörfer, Tom Holert, Homay King, Kaja Silverman, Fred Orton, Gregor Stemmrich, and Friedrich Tietjen.
Jeff Wall : photographs
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Unlike recent publications on Wall's work, this volume treats his oeuvre from a profoundly theoretical angle, inviting scholars to contribute to an understanding of the multi-layered character of his art and to focus on aspects that have up until now received little attention: Wall's reaction to the avant-garde discussion of the 1970s, his position within post-conceptual photography, his occupation with questions of film and film theory, his interest in popular iconography and his highly complex way of working. Published to accompany the noted exhibition at the Museum Moderner Kunst Stiftung Ludwig in Vienna, this essay collection also specifically concentrates on Wall's close link to the tradition of documentary photography and to photographers like Walker Evans and Dorothea Lange. The book includes essays by Peter Bürger, Achim Hochdörfer, Tom Holert, Homay King, Kaja Silverman, Fred Orton, Gregor Stemmrich, and Friedrich Tietjen.
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Monographies photo
Monographies photo
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Titre:
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Sujet:
Théorie de la photographie
Théorie de la photographie
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
Titre:
Lee Friedlander : the little screens
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Lee Friedlander : the little screens
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In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Sujet:
Théorie de la photographie
Théorie de la photographie
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archives
archives
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Auteur:
Sujet:
- Foreign Office Architects.,
- Architecture Spain 20th century Designs and plans.,
- Architecture Spain 21st century Designs and plans.,
- Architecture England 20th century Designs and plans.,
- Architecture England 21st century Designs and plans.,
- Ferry terminals Japan Designs and plans.,
- Restaurants England London Designs and plans.,
- Restaurants New York (State) New York Designs and plans.,
- Architecture Espagne 20e siècle Dessins et plans.,
- Architecture Espagne 21e siècle Dessins et plans.,
- Architecture Angleterre 20e siècle Dessins et plans.,
- Architecture Angleterre 21e siècle Dessins et plans.,
- Gares maritimes Japon Dessins et plans.,
- Restaurants Angleterre Londres Dessins et plans.,
- Restaurants New York (État) New York Dessins et plans.,
- Architecture,
- England,
- Spain,
- English architectural firms.,
- fonds (collections),
- drawings (visual works),
- documents (object genre),
- photographic materials.,
- photographs.,
- project files.,
- architectural drawings (visual works),
- reprographic copies.,
- negatives (photographs),
- maps (documents),
- artifacts (object genre),
- video recordings (physical artifacts),
- VHS.,
- architectural models.,
- books.,
- notebooks.,
- DVDs.,
- Mini-DV.,
- compact discs.,
- floppy disks.,
- files (digital files),
- panoramas (visual works),
- printed ephemera.,
- Architectural drawings,
- Drawings.,
- Photographs.,
- Video recordings.,
- Notebooks.,
- Ephemera.,
- Dessins.,
- Photographies.,
- Dessins d'architecture.,
- Vidéos.,
- Cahiers.,
- Documents éphémères.
Titre:
Foreign Office Architects fonds, 1983-2011.
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Foreign Office Architects fonds, 1983-2011.
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Description:
12.01 linear meters of textual records, 159,095 digital files (358.3 GB) (drawings, textual records, photographs, video recordings), approximately 33,587 reprographic...
Classification:
archives
archives
Auteur:
Sujet:
- Foreign Office Architects.,
- Architecture Spain 20th century Designs and plans.,
- Architecture Spain 21st century Designs and plans.,
- Architecture England 20th century Designs and plans.,
- Architecture England 21st century Designs and plans.,
- Ferry terminals Japan Designs and plans.,
- Restaurants England London Designs and plans.,
- Restaurants New York (State) New York Designs and plans.,
- Architecture Espagne 20e siècle Dessins et plans.,
- Architecture Espagne 21e siècle Dessins et plans.,
- Architecture Angleterre 20e siècle Dessins et plans.,
- Architecture Angleterre 21e siècle Dessins et plans.,
- Gares maritimes Japon Dessins et plans.,
- Restaurants Angleterre Londres Dessins et plans.,
- Restaurants New York (État) New York Dessins et plans.,
- Architecture,
- England,
- Spain,
- English architectural firms.,
- fonds (collections),
- drawings (visual works),
- documents (object genre),
- photographic materials.,
- photographs.,
- project files.,
- architectural drawings (visual works),
- reprographic copies.,
- negatives (photographs),
- maps (documents),
- artifacts (object genre),
- video recordings (physical artifacts),
- VHS.,
- architectural models.,
- books.,
- notebooks.,
- DVDs.,
- Mini-DV.,
- compact discs.,
- floppy disks.,
- files (digital files),
- panoramas (visual works),
- printed ephemera.,
- Architectural drawings,
- Drawings.,
- Photographs.,
- Video recordings.,
- Notebooks.,
- Ephemera.,
- Dessins.,
- Photographies.,
- Dessins d'architecture.,
- Vidéos.,
- Cahiers.,
- Documents éphémères.
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2021
novembre 2021
Titre:
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Sujet:
Théorie de la photographie
Théorie de la photographie
Titre:
Leslie Hewitt
Leslie Hewitt
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Featured in the Guggenheim's 2015 landmark ''Photo-Poetics'' exhibition, New York–based artist Leslie Hewitt (born 1977) is one of the most revered artists working between photography and sculpture. Collaboration has been a central part of Hewitt's art, including projects with William Cordova and Matt Keegan, and her ongoing work with cinematographer Bradford Young(...)
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Résumé:
Featured in the Guggenheim's 2015 landmark ''Photo-Poetics'' exhibition, New York–based artist Leslie Hewitt (born 1977) is one of the most revered artists working between photography and sculpture. Collaboration has been a central part of Hewitt's art, including projects with William Cordova and Matt Keegan, and her ongoing work with cinematographer Bradford Young(...)
Titre:
Leslie Hewitt
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Résumé:
Featured in the Guggenheim's 2015 landmark ''Photo-Poetics'' exhibition, New York–based artist Leslie Hewitt (born 1977) is one of the most revered artists working between photography and sculpture. Collaboration has been a central part of Hewitt's art, including projects with William Cordova and Matt Keegan, and her ongoing work with cinematographer Bradford Young exploring the Menil Collection archive of civil rights-era photographs. That cinematic rumination on historicity and the relationship of the archive to memory, minimalism, lived experience and time, sets an exemplary precedent for this first monograph surveying Hewitt's oeuvre.
Leslie Hewitt
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Résumé:
Featured in the Guggenheim's 2015 landmark ''Photo-Poetics'' exhibition, New York–based artist Leslie Hewitt (born 1977) is one of the most revered artists working between photography and sculpture. Collaboration has been a central part of Hewitt's art, including projects with William Cordova and Matt Keegan, and her ongoing work with cinematographer Bradford Young exploring the Menil Collection archive of civil rights-era photographs. That cinematic rumination on historicity and the relationship of the archive to memory, minimalism, lived experience and time, sets an exemplary precedent for this first monograph surveying Hewitt's oeuvre.
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$52.50
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Here, published for the first time, is one of photography's unknown masterworks: a Viennese lawyer and photographer [Dr. Emil Mayer] whose prints were largely destroyed by the Gestapo after his death. This extraordinary collection establishes Mayer as a master of photography, one of the first in a line of street photographers that includes André Kertész and Henri(...)
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Résumé:
Here, published for the first time, is one of photography's unknown masterworks: a Viennese lawyer and photographer [Dr. Emil Mayer] whose prints were largely destroyed by the Gestapo after his death. This extraordinary collection establishes Mayer as a master of photography, one of the first in a line of street photographers that includes André Kertész and Henri(...)
Titre:
Viennese types: [Wiener typen]. Photographs c. 1910 by Dr. Emil Mayer
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Résumé:
Here, published for the first time, is one of photography's unknown masterworks: a Viennese lawyer and photographer [Dr. Emil Mayer] whose prints were largely destroyed by the Gestapo after his death. This extraordinary collection establishes Mayer as a master of photography, one of the first in a line of street photographers that includes André Kertész and Henri Cartier-Bresson. Mayer's photographs, taken during the last years of the horse and carriage, offer us a rare and intimate vision of a bygone age. The result is a book that is lyrical, moving, and exquisitely beautiful.
Viennese types: [Wiener typen]. Photographs c. 1910 by Dr. Emil Mayer
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Résumé:
Here, published for the first time, is one of photography's unknown masterworks: a Viennese lawyer and photographer [Dr. Emil Mayer] whose prints were largely destroyed by the Gestapo after his death. This extraordinary collection establishes Mayer as a master of photography, one of the first in a line of street photographers that includes André Kertész and Henri Cartier-Bresson. Mayer's photographs, taken during the last years of the horse and carriage, offer us a rare and intimate vision of a bygone age. The result is a book that is lyrical, moving, and exquisitely beautiful.
Classification:
livres
livres
Publication:
janvier 2000, New York
janvier 2000, New York
Sujet:
Monographies photo
Monographies photo
Titre:
Habiter Berlin, 1900-1920
Habiter Berlin, 1900-1920
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Résumé:
Ce livre rassemble 175 photographies d'intérieurs berlinois réalisées entre 1903 et 1920, pour le compte d'une enquête " hygiéniste " sur l'habitat menée par une caisse locale d'assurance maladie des métiers du commerce. L'objectif de cette campagne photographique d'ampleur était d'inciter à l'amélioration de l'habitat berlinois et à l'éradication de l'insalubrité. Cette(...)
$59.95
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Résumé:
Ce livre rassemble 175 photographies d'intérieurs berlinois réalisées entre 1903 et 1920, pour le compte d'une enquête " hygiéniste " sur l'habitat menée par une caisse locale d'assurance maladie des métiers du commerce. L'objectif de cette campagne photographique d'ampleur était d'inciter à l'amélioration de l'habitat berlinois et à l'éradication de l'insalubrité. Cette(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
septembre 2016
septembre 2016
Titre:
Habiter Berlin, 1900-1920
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$59.95
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Résumé:
Ce livre rassemble 175 photographies d'intérieurs berlinois réalisées entre 1903 et 1920, pour le compte d'une enquête " hygiéniste " sur l'habitat menée par une caisse locale d'assurance maladie des métiers du commerce. L'objectif de cette campagne photographique d'ampleur était d'inciter à l'amélioration de l'habitat berlinois et à l'éradication de l'insalubrité. Cette collection est exceptionnelle dans l'histoire de la photographie, à plus d'un titre : par son thème : approche photographique des espaces domestiques en présence de leurs occupants ; par son époque : juste avant et pendant la Grande Guerre ; par sa durée : sur deux décennies ; par son unité de lieu, au coeur de Berlin ; par sa prouesse technique : photographier des intérieurs sombres constitue une difficulté majeure. Le document dans son ensemble renseigne également tout un pan de l'économie liée au travail à domicile. L'articulation logement/atelier est très explicite : on perçoit l'espace du travail et les dispositifs techniques qui s'y rattachent. Par leur qualité, leur vérité, leur rigueur documentaire (notamment par la précision des légendes), elles sont saisissantes et peuvent susciter un certain effroi au vu des conditions d'habiter une métropole ouvrière au tournant du XXe siècle. Elles nous font pénétrer au sein des foyers et de l'espace privé des classes populaires, dans l'univers des mal logés et même des sans-abri qu'on y accueille.
Habiter Berlin, 1900-1920
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$59.95
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Résumé:
Ce livre rassemble 175 photographies d'intérieurs berlinois réalisées entre 1903 et 1920, pour le compte d'une enquête " hygiéniste " sur l'habitat menée par une caisse locale d'assurance maladie des métiers du commerce. L'objectif de cette campagne photographique d'ampleur était d'inciter à l'amélioration de l'habitat berlinois et à l'éradication de l'insalubrité. Cette collection est exceptionnelle dans l'histoire de la photographie, à plus d'un titre : par son thème : approche photographique des espaces domestiques en présence de leurs occupants ; par son époque : juste avant et pendant la Grande Guerre ; par sa durée : sur deux décennies ; par son unité de lieu, au coeur de Berlin ; par sa prouesse technique : photographier des intérieurs sombres constitue une difficulté majeure. Le document dans son ensemble renseigne également tout un pan de l'économie liée au travail à domicile. L'articulation logement/atelier est très explicite : on perçoit l'espace du travail et les dispositifs techniques qui s'y rattachent. Par leur qualité, leur vérité, leur rigueur documentaire (notamment par la précision des légendes), elles sont saisissantes et peuvent susciter un certain effroi au vu des conditions d'habiter une métropole ouvrière au tournant du XXe siècle. Elles nous font pénétrer au sein des foyers et de l'espace privé des classes populaires, dans l'univers des mal logés et même des sans-abri qu'on y accueille.
Sujet:
Photographie- collections
Photographie- collections
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$90.00
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Résumé:
"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving(...)
$90.00
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Résumé:
"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving(...)
Titre:
Thomas Ruff : works 1979-2011
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Résumé:
"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving the way to the "grand gallery" museum walls for large-format photos. This collection presents selected works from Thomas Ruff's large-format series, beginning with his small Interiors, the large Portraits, his Architectural Photos, the Starry Skies, his abstract Substrata, the Nudes, which make use of pornographic material taken from the internet, and finally his latest creation: Stellar Landscapes. The book features essays by Thomas Weski and Okwui Enwezor and appears in conjunction with an extensive Thomas Ruff retrospective exhibition at the Haus der Kunst in Munich."
Thomas Ruff : works 1979-2011
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Résumé:
"German photo artist Thomas Ruff is a master of conceptual serial photography. He made a name for himself in the early eighties with oversized, superrealistic color portraits of his artist friends and as a pioneer of the Diasec process used to mount photographic images onto acrylic glass, thereby obviating frames, liberating photography from the print gallery and paving the way to the "grand gallery" museum walls for large-format photos. This collection presents selected works from Thomas Ruff's large-format series, beginning with his small Interiors, the large Portraits, his Architectural Photos, the Starry Skies, his abstract Substrata, the Nudes, which make use of pornographic material taken from the internet, and finally his latest creation: Stellar Landscapes. The book features essays by Thomas Weski and Okwui Enwezor and appears in conjunction with an extensive Thomas Ruff retrospective exhibition at the Haus der Kunst in Munich."
Sujet:
Monographies photo
Monographies photo