2653 Résultats
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livres
livres
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iv, 78 leaves : illustrations (some colour) ; 28 cm.
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iv, 78 leaves : illustrations (some colour) ; 28 cm.
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Publication:
[Vancouver] : University of British Columbia, 2005.
[Vancouver] : University of British Columbia, 2005.
Titre:
Reconsidering the Binning House / by Adele Margot Weder.
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iv, 78 leaves : illustrations (some colour) ; 28 cm.
Reconsidering the Binning House / by Adele Margot Weder.
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iv, 78 leaves : illustrations (some colour) ; 28 cm.
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livres
livres
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[Vancouver] : University of British Columbia, 2005.
[Vancouver] : University of British Columbia, 2005.
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livres
livres
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Description:
517 leaves : ill., plans ; 28 cm.
Description:
517 leaves : ill., plans ; 28 cm.
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c1997.
c1997.
Titre:
L'appareil de l'architecture moderne = New materials and architectural modernity in France, 1889-1934 / by Réjean Legault.
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517 leaves : ill., plans ; 28 cm.
L'appareil de l'architecture moderne = New materials and architectural modernity in France, 1889-1934 / by Réjean Legault.
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517 leaves : ill., plans ; 28 cm.
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livres
livres
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c1997.
c1997.
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livres
livres
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xvii, 120 pages : illustrations ; 26 cm
Description:
xvii, 120 pages : illustrations ; 26 cm
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Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
Titre:
Ontology of construction : on nihilism of technology in theories of modern architecture / Gevork Hartoonian.
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xvii, 120 pages : illustrations ; 26 cm
Ontology of construction : on nihilism of technology in theories of modern architecture / Gevork Hartoonian.
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xvii, 120 pages : illustrations ; 26 cm
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livres
livres
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Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
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livres
livres
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x, 384 pages : illustrations ; 25 cm
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x, 384 pages : illustrations ; 25 cm
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London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
Titre:
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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x, 384 pages : illustrations ; 25 cm
Anthropology of the arts : a reader / edited by Gretchen Bakke and Marina Peterson.
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x, 384 pages : illustrations ; 25 cm
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livres
livres
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London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., ©2017
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livres
livres
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x, 207 pages ; 24 cm
Description:
x, 207 pages ; 24 cm
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Cambridge : Polity Press, 1989.
Cambridge : Polity Press, 1989.
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Against postmodernism : a marxist critique / Alex Callinicos.
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x, 207 pages ; 24 cm
Against postmodernism : a marxist critique / Alex Callinicos.
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x, 207 pages ; 24 cm
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livres
livres
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Cambridge : Polity Press, 1989.
Cambridge : Polity Press, 1989.
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livres
livres
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247 pages : illustrations (chiefly color) ; 28 cm
Description:
247 pages : illustrations (chiefly color) ; 28 cm
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[Stuttgart, Germany] : Arnoldsche, [2020]
[Stuttgart, Germany] : Arnoldsche, [2020]
Titre:
Gesamtkunstwerke : Architektur von Arne Jacobsen und Otto Weitling in Deutschland = architecture by Arne Jacobsen and Otto Weitling in Germany / Hendrik Bohle, Jan Dimog (Hg./eds.) ; translator, Joan Clough with Richard Horden.
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247 pages : illustrations (chiefly color) ; 28 cm
Gesamtkunstwerke : Architektur von Arne Jacobsen und Otto Weitling in Deutschland = architecture by Arne Jacobsen and Otto Weitling in Germany / Hendrik Bohle, Jan Dimog (Hg./eds.) ; translator, Joan Clough with Richard Horden.
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247 pages : illustrations (chiefly color) ; 28 cm
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livres
livres
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[Stuttgart, Germany] : Arnoldsche, [2020]
[Stuttgart, Germany] : Arnoldsche, [2020]
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livres
livres
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$72.50
(disponible sur commande)
Résumé:
Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the(...)
$72.50
(disponible sur commande)
Résumé:
Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the(...)
Titre:
Hippie modernism: the struggle for utopia
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$72.50
(disponible sur commande)
Résumé:
Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.
Hippie modernism: the struggle for utopia
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Prix:
$72.50
(disponible sur commande)
Résumé:
Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.
Classification:
livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Architecture expérimentale
Architecture expérimentale
Classification:
livres
livres
Prix:
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst(...)
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst(...)
Titre:
Mediating modernism: architectural cultures in Britain
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$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst numerous recent books have radically re-thought the construct of modernism, this is the first book to re-think modernism in relation to British architecture.
Mediating modernism: architectural cultures in Britain
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Prix:
$70.50
(disponible sur commande)
Résumé:
In this illustrated volume, Andrew Higgott demonstrates how architectural books and journals have created twentieth century architectural culture in Britain. Mediating Modernism discusses the publications, language and images which, in the act of 'describing', 'interpreting' or 'illustrating' the architecture, have created it in architectural discourse. Whilst numerous recent books have radically re-thought the construct of modernism, this is the first book to re-think modernism in relation to British architecture.
Classification:
livres
livres
Publication:
décembre 2006
décembre 2006
Classification:
livres
livres
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$90.00
(disponible sur commande)
Résumé:
Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
$90.00
(disponible sur commande)
Résumé:
Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
Titre:
Koloman Moser : master of Viennese modernism
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$90.00
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Résumé:
Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Koloman Moser : master of Viennese modernism
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Prix:
$90.00
(disponible sur commande)
Résumé:
Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Classification:
livres
livres
Publication:
novembre 2002, London
novembre 2002, London
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
Titre:
Bauhaus, modernism & the illustrated book
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$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Bauhaus, modernism & the illustrated book
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Prix:
$45.95
(disponible sur commande)
Résumé:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Classification:
livres
livres
Publication:
avril 2004, London
avril 2004, London
