33215 Résultats
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
Personnes et institutions:
Date:
1955-1957
1955-1957
Titre:
Portfolio for application to the graduate program at Yale University
Actions:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
Portfolio for application to the graduate program at Yale University
Actions:
DR2012:0011:032
Description:
Ring binder containing drawings, photographs, reprographic copies, stats of architectural, art, and graphic design work, and a watercolour related to Melvin Charney's activities as a student at McGill University, and include the following early projects: - Kitchen details for Mr. and Mrs. A. Zion (1 stat); - Design of vol. 2, no. 2 of YES: A Creative Quarterly (1 copy); - Small weekend house (3 stats); - Curb-service restaurant, for summer use only, on a Laurentian road (2 stat); - Studio-house in the Laurentian mountains (2 stats); - Apartment house to complete an existing pattern of older garden apartments (3 stats); - Community library for the Town of Mount Royal (6 stats); - Motel near the St. Lawrence River (2 stats); - Child centre (3 stats); - Building for the Province of Quebec Architects Association (4 stats); - Cloverdale shopping centre (1 stat); - Morse Jewellers (4 stats); - Steinberg's supermarket, Montreal North; - Reinforced concrete canopy, Molson Stadium (1 sketch, 1 photograph, 1 stat); - Town of Dorval subdivision proposal (1 stat); - Ottawa City Hall, study of lighting of areas in the building (1 stat); - Entrance vestibule, 1552 St. Matthew Street, Montreal (1 stat).
Classification:
dessins, photographies
dessins, photographies
Date:
1955-1957
1955-1957
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personnes et institutions:
Date:
1984-1990
1984-1990
Titre:
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
Classification:
documents textuels
documents textuels
Date:
1984-1990
1984-1990
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Classification:
documents textuels
documents textuels
Date:
1999-2000
1999-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR03
Description:
This project series documents the Duas habitações e duas loja in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 31/80. The office assigned the date 1985 to this project. This project was part of the urban renewal program in Schilderswijk for which Siza designed the urban plan for Deelgebied Zone 5 Schilderswijk-West, the Punt en Komma social housing, Plano de Doedijnstraat, and Van der Vennerpark. The project consisted of two houses, two retail/office spaces, and a parking garage situated on Van der Vennestraat. One house was made with red brick, while the other was given a white exterior. The project was realised with project architect Carlos Castenheira in cooperation with Architektengroep Mecanoo. This project was designed in connection with the Van der Vennepark (project series AP178.S1.1985.PR01 in this fonds). The project series contains sketches, studies, plans, elevations and details. Textual documentation includes a letter from Adri Duivesteijn, The Hague alderman responsible for the urban renewal program, letters from Architektengroep Mecanoo (engeneering firm), notes from meetings on construction, and a letter from Castanheira. Documentation regarding the Van der Vennerpark (file AP178.S1.1985.PR01.001 in this fonds) also contains information related to the housing and shopping complex. Also included are photographs of the model, as well as slides of the model, drawings, and the built project. Note that photographs of the built project can also be found among photographic materials for Punt en Komma (file AP178.S1.1984.PR02.SS1.015 in this fonds).
AP178.S1.1984.PR03
Description:
This project series documents the Duas habitações e duas loja in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 31/80. The office assigned the date 1985 to this project. This project was part of the urban renewal program in Schilderswijk for which Siza designed the urban plan for Deelgebied Zone 5 Schilderswijk-West, the Punt en Komma social housing, Plano de Doedijnstraat, and Van der Vennerpark. The project consisted of two houses, two retail/office spaces, and a parking garage situated on Van der Vennestraat. One house was made with red brick, while the other was given a white exterior. The project was realised with project architect Carlos Castenheira in cooperation with Architektengroep Mecanoo. This project was designed in connection with the Van der Vennepark (project series AP178.S1.1985.PR01 in this fonds). The project series contains sketches, studies, plans, elevations and details. Textual documentation includes a letter from Adri Duivesteijn, The Hague alderman responsible for the urban renewal program, letters from Architektengroep Mecanoo (engeneering firm), notes from meetings on construction, and a letter from Castanheira. Documentation regarding the Van der Vennerpark (file AP178.S1.1985.PR01.001 in this fonds) also contains information related to the housing and shopping complex. Also included are photographs of the model, as well as slides of the model, drawings, and the built project. Note that photographs of the built project can also be found among photographic materials for Punt en Komma (file AP178.S1.1984.PR02.SS1.015 in this fonds).
Personnes et institutions:
Date:
1985-1988
1985-1988
Titre:
Duas habitações e duas lojas [Housing and shopping complex, Schilderswijk], The Hague, The Netherlands (1985-1988)
Actions:
AP178.S1.1984.PR03
Description:
This project series documents the Duas habitações e duas loja in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 31/80. The office assigned the date 1985 to this project. This project was part of the urban renewal program in Schilderswijk for which Siza designed the urban plan for Deelgebied Zone 5 Schilderswijk-West, the Punt en Komma social housing, Plano de Doedijnstraat, and Van der Vennerpark. The project consisted of two houses, two retail/office spaces, and a parking garage situated on Van der Vennestraat. One house was made with red brick, while the other was given a white exterior. The project was realised with project architect Carlos Castenheira in cooperation with Architektengroep Mecanoo. This project was designed in connection with the Van der Vennepark (project series AP178.S1.1985.PR01 in this fonds). The project series contains sketches, studies, plans, elevations and details. Textual documentation includes a letter from Adri Duivesteijn, The Hague alderman responsible for the urban renewal program, letters from Architektengroep Mecanoo (engeneering firm), notes from meetings on construction, and a letter from Castanheira. Documentation regarding the Van der Vennerpark (file AP178.S1.1985.PR01.001 in this fonds) also contains information related to the housing and shopping complex. Also included are photographs of the model, as well as slides of the model, drawings, and the built project. Note that photographs of the built project can also be found among photographic materials for Punt en Komma (file AP178.S1.1984.PR02.SS1.015 in this fonds).
Duas habitações e duas lojas [Housing and shopping complex, Schilderswijk], The Hague, The Netherlands (1985-1988)
Actions:
AP178.S1.1984.PR03
Description:
This project series documents the Duas habitações e duas loja in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 31/80. The office assigned the date 1985 to this project. This project was part of the urban renewal program in Schilderswijk for which Siza designed the urban plan for Deelgebied Zone 5 Schilderswijk-West, the Punt en Komma social housing, Plano de Doedijnstraat, and Van der Vennerpark. The project consisted of two houses, two retail/office spaces, and a parking garage situated on Van der Vennestraat. One house was made with red brick, while the other was given a white exterior. The project was realised with project architect Carlos Castenheira in cooperation with Architektengroep Mecanoo. This project was designed in connection with the Van der Vennepark (project series AP178.S1.1985.PR01 in this fonds). The project series contains sketches, studies, plans, elevations and details. Textual documentation includes a letter from Adri Duivesteijn, The Hague alderman responsible for the urban renewal program, letters from Architektengroep Mecanoo (engeneering firm), notes from meetings on construction, and a letter from Castanheira. Documentation regarding the Van der Vennerpark (file AP178.S1.1985.PR01.001 in this fonds) also contains information related to the housing and shopping complex. Also included are photographs of the model, as well as slides of the model, drawings, and the built project. Note that photographs of the built project can also be found among photographic materials for Punt en Komma (file AP178.S1.1984.PR02.SS1.015 in this fonds).
Niveau de description archivistique:
Project
Project
Date:
1985-1988
1985-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974-1975
circa 1974-1975
Titre:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Personnes et institutions:
Date:
1959-1999
1959-1999
Titre:
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1959-1999
1959-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Hair Tent
Hair Tent
Numéro de référence:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1971
1963-1971
Titre:
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 76
File 76
Date:
1963-1971
1963-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Niveau de description archivistique:
File 4
File 4
Date:
1991-1993
1991-1993
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
