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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches,(...)
From the things themselves : architecture and phenomenology
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches, Chinese and Japanese gardens, to the work of contemporary architects.
Théorie de l’architecture
The wildlife analysis
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The Wildlife Analysis is a psychedelic-ethnographic journey to an indefinite country. Usings ballpoint pen mixed with fluorescent and coloured pencil, Dimitri Broquard creates drawings that translate as a lost world, a place between the romantic and the baroque. Broquard seeks inspiration from the Age of Enlightenment, the time of discovering and explaining the world, the(...)
Illustration
décembre 2009
The wildlife analysis
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The Wildlife Analysis is a psychedelic-ethnographic journey to an indefinite country. Usings ballpoint pen mixed with fluorescent and coloured pencil, Dimitri Broquard creates drawings that translate as a lost world, a place between the romantic and the baroque. Broquard seeks inspiration from the Age of Enlightenment, the time of discovering and explaining the world, the myth of "The Savage", the confrontation of rationality and mysticism.
Illustration
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Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the(...)
septembre 2014
Architectural styles: a visual guide
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Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.
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407 pages : illustrations (some color), maps, plans ; 23 cm.
[La Pierre-qui-Vire] : Zodiaque, 1979.
Saintonge romane / François Eygun avec le concours, pour les chapitres sur les Baroques, les églises à coupoles, et l'Aunis, de Jean Dupont ; photos. inédites de Zodiaque ; traduction allemande d'Hilaire de Vos ; traduction anglaise de Paul Veyriras et Jo-Anne Knight.
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407 pages : illustrations (some color), maps, plans ; 23 cm.
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[La Pierre-qui-Vire] : Zodiaque, 1979.
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Borromini a été très présent aux yeux des Suisses sur leurs billets de banque, mais que sait-on de cet architecte célèbre, né près de Lugano en 1599 ? À Rome, où il séjournait à l'Institut suisse, l'écrivain contemporain Etienne Barilier se prit de ferveur pour le maître du baroque dont la vie nous est restée inconnue, à part son suicide. Du grand rival de Bernini(...)
Francesco Borromini : le mystère de l'éclat
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Borromini a été très présent aux yeux des Suisses sur leurs billets de banque, mais que sait-on de cet architecte célèbre, né près de Lugano en 1599 ? À Rome, où il séjournait à l'Institut suisse, l'écrivain contemporain Etienne Barilier se prit de ferveur pour le maître du baroque dont la vie nous est restée inconnue, à part son suicide. Du grand rival de Bernini demeurent les oeuvres. Il ne fut pas facile de percer les secrets de l'Oratoire des Philippins, de Saint-Charles-aux-Quatre-Fontaines, de Saint-Yves-de-la-Sapience... C'est par des visites assidues et des observations fascinantes qu'ont repris chair, en ces pages, de grandes figures du dix-septième siècle romain et le créateur d'une architecture éminemment personnelle. Il ne sera plus possible de fondre les travaux de Borromini dans "le baroque", car on perçoit ici une destinée d'artiste qui va seul. Il demeure sans âge par sa passion des matières et des ordonnances constructives, mais frappé d'un respect aigu, on dirait pascalien, du limité et de l'illimité. Dans les mandats les plus contraignants il révéla son génie.
Architecture, monographies
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Throughout the world, despite the increasing materialism of largely secular societies, churches continue to attract travelers, historians and worshippers. Edward Norman's chronological survey are supported and enhanced by a researched collection of illustrations and photographs. The result is a perfect mix between the most-loved master buildings - from Hagia Sophia to(...)
janvier 1900, London
The house of God : church architecture, style and history
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Throughout the world, despite the increasing materialism of largely secular societies, churches continue to attract travelers, historians and worshippers. Edward Norman's chronological survey are supported and enhanced by a researched collection of illustrations and photographs. The result is a perfect mix between the most-loved master buildings - from Hagia Sophia to Tokyo Cathedral - and the freshness of the less familiar - a mission church in Paraguay, a Baroque shrine in Goa.
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The starting-point for the photography of Kooi (born 1962, Leeuwarden, The Netherlands) is the Dutch landscape, which she transforms into the setting for ambiguous and inexplicable events. The apparent naturalism of her images, which always have the spontaneity of a snapshot, derives from a complex creative process involving preparatory drawings, models, and design of the(...)
Ellen Kooi: within from without
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The starting-point for the photography of Kooi (born 1962, Leeuwarden, The Netherlands) is the Dutch landscape, which she transforms into the setting for ambiguous and inexplicable events. The apparent naturalism of her images, which always have the spontaneity of a snapshot, derives from a complex creative process involving preparatory drawings, models, and design of the lighting and location in a way comparable to film or to the great Baroque paintings.
Monographies photo
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Vera Mercer joined the artistic avant-garde in Paris of the early 1960s; she did portraits of Daniel Spoerri, Marcel Duchamp, Niki de Saint Phalle, and many other artists. The catalog combines these portraits with her early records of the Paris market halls, and, above all, her recent exuberant still lifes. She creates a magnificently baroque ambiance, meticulously(...)
Vera Mercer: Photographs and still lifes
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Vera Mercer joined the artistic avant-garde in Paris of the early 1960s; she did portraits of Daniel Spoerri, Marcel Duchamp, Niki de Saint Phalle, and many other artists. The catalog combines these portraits with her early records of the Paris market halls, and, above all, her recent exuberant still lifes. She creates a magnificently baroque ambiance, meticulously arranging meat, fish, poultry, and vegetables in soft candlelight and classic composing.
Monographies photo
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3 volumes : illustrations (some color), maps, genealogical tables ; 24 cm.
[Versailles] : Centre de Recherche du Château de Versailles ; [Paris] : Éditions de la Maison des sciences de l'homme, ©2012-
Les funérailles princières en Europe : XVIe-XVIIIe siècle / sous la direction de Juliusz A. Chrościcki, Mark Hengerer et Gérard Sabatier.
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3 volumes : illustrations (some color), maps, genealogical tables ; 24 cm.
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[Versailles] : Centre de Recherche du Château de Versailles ; [Paris] : Éditions de la Maison des sciences de l'homme, ©2012-
$86.00
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The essential purpose of a staircase is utilitarian : to facilitate ascent and descent. Yet the design of even the simplest stair is complex, requiring great knowledge, skill, and ingenuity. This volume showcases the astonishing diversity of staircases over the centuries, from the stepped pyramids of the Maya to the exquisitely proportioned stairs of the Renaissance, to(...)
septembre 2013
Staircases : the architecture of ascent
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The essential purpose of a staircase is utilitarian : to facilitate ascent and descent. Yet the design of even the simplest stair is complex, requiring great knowledge, skill, and ingenuity. This volume showcases the astonishing diversity of staircases over the centuries, from the stepped pyramids of the Maya to the exquisitely proportioned stairs of the Renaissance, to the elaborate balustraded confections of the Baroque period, to the virtuosic, computer-aided designs of today.