33214 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Personnes et institutions:
Date:
1959-1999
1959-1999
Titre:
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1959-1999
1959-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Hair Tent
Hair Tent
Numéro de référence:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1971
1963-1971
Titre:
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 76
File 76
Date:
1963-1971
1963-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Niveau de description archivistique:
File 4
File 4
Date:
1991-1993
1991-1993
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
George Rohault de Fleury
George Rohault de Fleury
Numéro de référence:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Personnes et institutions:
Date:
1866, 1874
1866, 1874
Titre:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Niveau de description archivistique:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR02
Description:
This project series documents the design and construction of the University of Ottawa Health Sciences Building in Ottawa, Ontario from 1974-1984. The office identified the project number as 7402. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Health Sciences Building. The distinction between these names should be noted when viewing the materials. The Health Sciences Building was built as a teaching hospital and the main hub of clinical learning at the University of Ottawa’s School of Medicine. The building was conceived as a response to a lack of research spaces in Ottawa hospitals at that time. The building was proposed to be 230,000 net assigned square feet, with 75,000 net assigned square feet designated as research space. The project is recorded through textual records, construction photographs, drawings and artwork dating from 1971-1984. The textual records show correspondence with the clients, consultants and contractors, construction change orders and instructions, site and construction reports, meeting minutes, specifications, financial records, detail and product research and planning, and schedules. There are also a large number of detail drawings disbursed throughout the textual records. Box AP018.S1.1974.PR02.001 contains an index to the textual records, which was created by the office.
AP018.S1.1974.PR02
Description:
This project series documents the design and construction of the University of Ottawa Health Sciences Building in Ottawa, Ontario from 1974-1984. The office identified the project number as 7402. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Health Sciences Building. The distinction between these names should be noted when viewing the materials. The Health Sciences Building was built as a teaching hospital and the main hub of clinical learning at the University of Ottawa’s School of Medicine. The building was conceived as a response to a lack of research spaces in Ottawa hospitals at that time. The building was proposed to be 230,000 net assigned square feet, with 75,000 net assigned square feet designated as research space. The project is recorded through textual records, construction photographs, drawings and artwork dating from 1971-1984. The textual records show correspondence with the clients, consultants and contractors, construction change orders and instructions, site and construction reports, meeting minutes, specifications, financial records, detail and product research and planning, and schedules. There are also a large number of detail drawings disbursed throughout the textual records. Box AP018.S1.1974.PR02.001 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1971-1984
1971-1984
Titre:
University of Ottawa Health Sciences Building, Ottawa, Ontario (1974-1984)
Actions:
AP018.S1.1974.PR02
Description:
This project series documents the design and construction of the University of Ottawa Health Sciences Building in Ottawa, Ontario from 1974-1984. The office identified the project number as 7402. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Health Sciences Building. The distinction between these names should be noted when viewing the materials. The Health Sciences Building was built as a teaching hospital and the main hub of clinical learning at the University of Ottawa’s School of Medicine. The building was conceived as a response to a lack of research spaces in Ottawa hospitals at that time. The building was proposed to be 230,000 net assigned square feet, with 75,000 net assigned square feet designated as research space. The project is recorded through textual records, construction photographs, drawings and artwork dating from 1971-1984. The textual records show correspondence with the clients, consultants and contractors, construction change orders and instructions, site and construction reports, meeting minutes, specifications, financial records, detail and product research and planning, and schedules. There are also a large number of detail drawings disbursed throughout the textual records. Box AP018.S1.1974.PR02.001 contains an index to the textual records, which was created by the office.
University of Ottawa Health Sciences Building, Ottawa, Ontario (1974-1984)
Actions:
AP018.S1.1974.PR02
Description:
This project series documents the design and construction of the University of Ottawa Health Sciences Building in Ottawa, Ontario from 1974-1984. The office identified the project number as 7402. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Health Sciences Building. The distinction between these names should be noted when viewing the materials. The Health Sciences Building was built as a teaching hospital and the main hub of clinical learning at the University of Ottawa’s School of Medicine. The building was conceived as a response to a lack of research spaces in Ottawa hospitals at that time. The building was proposed to be 230,000 net assigned square feet, with 75,000 net assigned square feet designated as research space. The project is recorded through textual records, construction photographs, drawings and artwork dating from 1971-1984. The textual records show correspondence with the clients, consultants and contractors, construction change orders and instructions, site and construction reports, meeting minutes, specifications, financial records, detail and product research and planning, and schedules. There are also a large number of detail drawings disbursed throughout the textual records. Box AP018.S1.1974.PR02.001 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1971-1984
1971-1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Personnes et institutions:
Date:
1961 - 1970
1961 - 1970
Titre:
Imperial Oil Limited, Ontario Region Office Building, North York (1960-1962)
Actions:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Imperial Oil Limited, Ontario Region Office Building, North York (1960-1962)
Actions:
AP018.S1.1960.PR02
Description:
This project series documents the Imperial Oil Ontario region office in North York, Ontario from 1960-1962. The office identified the project number as 6049. This project consisted of a three-storey, 110,000 square foot building located at the corner of Don Mills Road and Eglington Avenue. The front entrance was accessed from a circular driveway off Wynford Drive, with parking lots on either side that held 330 vehicles. The basement level had storage rooms, machine and boiler rooms, a telephone switch gear room and shipping areas. The first floor included food service areas, offices, locker rooms, and a doctor's office complete with x-ray rooms, treatment areas and a quiet room for female employees, among others. The second floor contained administrative areas for accounting, data control and banking, while the third floor contained more offices. The building's frame consisted of a rectangular steel skeleton faced with concrete panels. The ground level was recessed 20 feet to allow for sidewalks around the building. Concrete columns at this level supported the upper two storeys. The landscaped surroundings include long, fountain-spotted reflecting pools. This project won the silver Massey Medal for Architecture in 1964, as well as an honourable distinction at the International Exhibition of Architects VIII Biennial of São Paula in 1965. The project is recorded through drawings, textual records and a photograph dating from 1961-1970. The drawings are mostly reprographic copies that include plans, sections, elevations, details, schedules and electrical, mechanical and structural drawings. The textual records consist of specifications originally arranged with the drawings. The photograph shows the finished buillding.
Niveau de description archivistique:
Project
Project
Date:
1961 - 1970
1961 - 1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Personnes et institutions:
Date:
1973-1984
1973-1984
Titre:
Residence of Mr. & Mrs. A.W. Billes, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Residence of Mr. & Mrs. A.W. Billes, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR02
Description:
This project series documents the design and construction of the residence of A.W. Billes and his family at 30 High Point Road in North York, Toronto from 1973-1975. The office identified the project number as 7302. This project consisted of a ten bedroom home for Toronto businessman Alfred W. Billes, who was part of the Canadian Tire founding family and part owner at this time. The extravagant home included tennis courts, a pool, an indoor atrium with gardens, staff quarters, a library, and a piano room, among others. Built in the Bridle Path neighbourhood, the home was designed in the modernist style with two terraced balconies facing the street. Following the completion of the project, A.W. Billes sued the firm of Parkin Partnership Architects Planners over dissatisfaction with the construction, a case that was appealed all the way to the Supreme Court. Parkin lost the case in 1984 and had to pay A.W. Billes approximately $125,000. The project is recorded through drawings, photographs, slides, a project painting, and textual records dating from 1973-1984. The drawings are a mix of original sketches and construction drawings. The photographs and slides show the completed project. The textual records include construction documentation, design notes, interoffice memos, correspondence, meeting and site reports, extensive lawsuit documentation, contract data, a project manual for the homeowners and consultancy records. Some of the drawings and textual records are labelled Part 7', but it is unclear from the documentation what this refers to. There are a large number of construction drawings, some sketches, and detail drawings arranged within the textual materials.
Niveau de description archivistique:
Project
Project
Date:
1973-1984
1973-1984
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Personnes et institutions:
Date:
1949-2019
1949-2019
Titre:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
