Lewis Hine
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this(...)
Lewis Hine
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this influx. But as he wearied of photographing poverty, Hine developed an idealized vision of the worker that emphasized the dignity of labor--a vision that culminated in his legendary Men at Work series, first published in 1932 and today a classic American photobook. “We call this the Machine Age,” he wrote in its introduction, “But the more machines we use, the more do we need real men to make and direct them.” This volume, which includes a complete facsimile of Men at Work, is compiled from the collection of the George Eastman House, to whom Hine’s son bequeathed his archive after his death. It includes both well-known series and recently discovered early works, plus rare family photographs, ephemera and a detailed chronology.
Monographies photo
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This book presents a selection of mostly unpublished materials from the Walker Evans Archive, the vast collection of negatives and papers acquired in 1994 from the artist's estate by The (...)
Unclassified : a Walker Evans anthology
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This book presents a selection of mostly unpublished materials from the Walker Evans Archive, the vast collection of negatives and papers acquired in 1994 from the artist's estate by The Metropolitan Museum of Art. Previously unpublished writings open up surprising insights into Evans's intellectual path, while previously unknown photographs from the Metropolitan's collection of 40,000 negatives and transparencies reveal the artist at work.
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février 2000, Zurich/New York
Monographies photo
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The Grand Tour
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
The Grand Tour
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
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septembre 1998, Tucson, Arizona
Monographies photo
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447 pages : color illustrations ; 32 cm
New York (N.Y.) : BIG NDN Press : DelMonico Books, [2023], New York (N.Y.) : ARTBOOK / D.A.P., ©2023
An Indigenous present / edited by Jeffrey Gibson and Jenelle Porter.
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447 pages : color illustrations ; 32 cm
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New York (N.Y.) : BIG NDN Press : DelMonico Books, [2023], New York (N.Y.) : ARTBOOK / D.A.P., ©2023
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viii, 483 pages : illustrations ; 26 cm
Montreal : McGill-Queen's University Press, 2013., ©2013
On architecture : Melvin Charney : a critical anthology / edited by Louis Martin.
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viii, 483 pages : illustrations ; 26 cm
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Montreal : McGill-Queen's University Press, 2013., ©2013
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Hong Kong : the way it was
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A collection of photographs by Ed van der Elsken of Hong Kong in the mid-twentieth century.
Hong Kong : the way it was
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A collection of photographs by Ed van der Elsken of Hong Kong in the mid-twentieth century.
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juillet 1997, New York
Monographies photo
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$32.95
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This catalogue accompanies an exhibition of Walker Evans' photographs from the collection of Marian and Benjamin Hill.
Walker Evans : simple secrets
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This catalogue accompanies an exhibition of Walker Evans' photographs from the collection of Marian and Benjamin Hill.
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octobre 1998, New York
Monographies photo
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary(...)
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. ''Facing Black Star'' aims to fruitfully highlight this tension between research expectations and challenges.
Théorie de la photographie
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel(...)
Jay Maisel: New York in the 50s
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel began his career in photography in 1954. While his portfolio includes the likes of Marilyn Monroe and Miles Davis, he is perhaps best known for capturing the light, color, and gesture found in every day life. This unique vision kept him busy for over 40 years shooting annual reports, magazine covers, jazz albums, advertising and more for an array of clients worldwide. Recently, Maisel has gone back to his archive of early work, and put together a collection of black-and-white images he made as a young man in the 1950s, evidence of a lifetime’s pursuit of a craft and a special talent, one of the best-kept secrets in photographic history. “New York in the ‘50s” is a beautifully-produced monograph that will be equally appreciated by Jay Maisel’s followers, and anyone who has stepped inside his muse, New York City.
Monographies photo
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
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