$105.00
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
Concrete mon amour: The raw imprint of modernism
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Brutalisme
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to(...)
Modernism and the architecture of private life
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to rethink Victorian design and reconstruct the form, function, and meaning of the home to meet the demands of modernity. In this study, Rosner draws on a host of previously unexamined archival sources and reveals the many personal and aesthetic connections among modern British writers, interior designers, and architects, elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art.
Théorie de l’architecture
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and(...)
Le Corbusier's Chandigarh Revisited: Preservation as future modernism
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and architecture today. What lessons, if any, does the utopian ethos within modernism offer in the face of the climate crisis, rising authoritarianism, and the digital explosion? Via chapters focused on the hydrologics of the master plan, the symbolism of the Capitol buildings, and the archeology of the unbuilt Museum of Knowledge, this book makes the future-preservation case for Chandigarh as an ‘open’ work, a project that was set up by design to be ‘completed’ by others in times yet to come.
Architecture, monographies
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
Greater American camera: Making Modernism in Mexico
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
Photographie- collections
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
février 2014
Bauhaus: the art of the students
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
$90.95
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In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations — to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals — in response to challenges posed by rapid change. The twelve essays(...)
Modernism and landscape architecture, 1890-1940
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In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations — to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals — in response to challenges posed by rapid change. The twelve essays included in this volume grapple with the definition and significance of modernism in landscape design during this transformative era.
Jardins
vidéo
Description:
1 videocassette (58 min., 32 sec.) : sound, color ; 1/2 in.
New York, N.Y. : Michael Blackwood Productions, ©1992.
The New modernists : six European architects / writer and consultant, Kenneth Frampton ; edited by Julie Stone ; photographed by Mead Hunt ; director and producer, Michael Blackwood.
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1 videocassette (58 min., 32 sec.) : sound, color ; 1/2 in.
vidéo
New York, N.Y. : Michael Blackwood Productions, ©1992.
livres
Description:
184 pages : illustrations ; 26 cm.
New York : Museum of Modern Art, 1991., New York : Harry N. Abrams
American art of the 1960s / the Museum of Modern Art.
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Description:
184 pages : illustrations ; 26 cm.
livres
New York : Museum of Modern Art, 1991., New York : Harry N. Abrams
livres
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127 pages : illustrations ; 30 cm
Stuttgart : Edition Axel Menges, ©2005.
Bruno Paul : the life and work of a pragmatic modernist / William Owen Harrod.
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127 pages : illustrations ; 30 cm
livres
Stuttgart : Edition Axel Menges, ©2005.
$47.95
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This selection of groundbreaking essays offers an overdue reassessment of the aims and intentions of European architecture and urbanism over the period 1880-1960. It pursues those stimuli to human creativity - myth, history, spirituality - which have not been admitted to the standard histories of twentieth-century architecture and urbanism. Nine chapters by distinguished(...)
Modernism and the spirit of the city
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This selection of groundbreaking essays offers an overdue reassessment of the aims and intentions of European architecture and urbanism over the period 1880-1960. It pursues those stimuli to human creativity - myth, history, spirituality - which have not been admitted to the standard histories of twentieth-century architecture and urbanism. Nine chapters by distinguished scholars focus on the city as the dominant generator of social, political and cultural institutions and structures in late nineteenth and twentieth-century Europe.
Théorie de l’urbanisme