Smokehouse Associates
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Résumé:
Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public(...)
septembre 2022
Smokehouse Associates
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Prix:
$69.95
(disponible sur commande)
Résumé:
Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Published over fifty years after the collective’s founding, this volume offers the first critical examination of the group’s work. With previously unpublished images and ephemera and a rich chronology, it serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent.
livres
Description:
237 pages ; 21 cm.
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
livres
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
$69.95
(disponible en magasin)
Résumé:
This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
Théorie de l’architecture
juillet 2020
Race and modern architecture: a critical history from Enlightenment to the present
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$69.95
(disponible en magasin)
Résumé:
This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Théorie de l’architecture