42 Résultats
Classification:
livres
livres
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Description:
1 volume (unpaged) : illustrations ; 23 cm
Description:
1 volume (unpaged) : illustrations ; 23 cm
Auteur:
Sujet:
- Mike Smith Studio.,
- Artistic collaboration England London.,
- Art, English England London 20th century.,
- Art, English England London 21st century.,
- Collaboration artistique Angleterre Londres.,
- Art anglais Angleterre Londres 20e siècle.,
- Art anglais Angleterre Londres 21e siècle.,
- Art, English,
- Artistic collaboration,
- England London
Publication:
London : Trolley, 2003.
London : Trolley, 2003.
Titre:
Making art work : [Mike Smith Studio] / editor, Patsy Craig ; design, Patsy Craig, Donald Mak, Ena Andrade ; interviews, William Furlong ; text, Germano Celant.
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Description:
1 volume (unpaged) : illustrations ; 23 cm
Making art work : [Mike Smith Studio] / editor, Patsy Craig ; design, Patsy Craig, Donald Mak, Ena Andrade ; interviews, William Furlong ; text, Germano Celant.
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Description:
1 volume (unpaged) : illustrations ; 23 cm
Classification:
livres
livres
Publication:
London : Trolley, 2003.
London : Trolley, 2003.
Auteur:
Sujet:
- Mike Smith Studio.,
- Artistic collaboration England London.,
- Art, English England London 20th century.,
- Art, English England London 21st century.,
- Collaboration artistique Angleterre Londres.,
- Art anglais Angleterre Londres 20e siècle.,
- Art anglais Angleterre Londres 21e siècle.,
- Art, English,
- Artistic collaboration,
- England London
Classification:
livres
livres
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Description:
233 pages : illustrations ; 24 cm
- Bibliothèque main price 267708 | BIB 113528 | c. 2 | Disponible
- Bibliothèque main 191808 | ID NA2500.S124; ID:97-B2822 | c. 1 | Disponible
Description:
233 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Internationale situationniste Influence.,
- Situationistische Internationale,
- International situationniste Influence.,
- Architecture Philosophy.,
- Avant-garde (Aesthetics) Europe History 20th century.,
- Architecture Philosophie.,
- architectural theory.,
- Avant-garde (Aesthetics),
- Influence (Literary, artistic, etc.),
- Stadtgestaltung,
- Architektur,
- Städtebau,
- Stedenbouw.,
- Situationisme.,
- Avant-garde (Aesthetics) Europe 20th century.,
- Europe,
- History
Publication:
Cambridge Mass. : MIT Press, ©1998.
Cambridge Mass. : MIT Press, ©1998.
Titre:
The situationist city / Simon Sadler.
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Description:
233 pages : illustrations ; 24 cm
The situationist city / Simon Sadler.
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- Bibliothèque main price 267708 | BIB 113528 | c. 2 | Disponible
- Bibliothèque main 191808 | ID NA2500.S124; ID:97-B2822 | c. 1 | Disponible
Description:
233 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge Mass. : MIT Press, ©1998.
Cambridge Mass. : MIT Press, ©1998.
Auteur:
Sujet:
- Internationale situationniste Influence.,
- Situationistische Internationale,
- International situationniste Influence.,
- Architecture Philosophy.,
- Avant-garde (Aesthetics) Europe History 20th century.,
- Architecture Philosophie.,
- architectural theory.,
- Avant-garde (Aesthetics),
- Influence (Literary, artistic, etc.),
- Stadtgestaltung,
- Architektur,
- Städtebau,
- Stedenbouw.,
- Situationisme.,
- Avant-garde (Aesthetics) Europe 20th century.,
- Europe,
- History
Classification:
livres
livres
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Description:
xix, 321 pages : illustrations ; 26 cm
Description:
xix, 321 pages : illustrations ; 26 cm
Auteur:
Sujet:
- National characteristics, American.,
- Depressions 1929 United States.,
- Depression, Mental Social aspects United States.,
- Memory Social aspects United States.,
- Crises économiques 1929 États-Unis.,
- Dépression Aspect social États-Unis.,
- Civilization,
- Depression, Mental Social aspects,
- Depressions,
- Memory Social aspects,
- Depression,
- Weltwirtschaftskrise,
- United States Civilization 1918-1945.,
- United States Civilization 1945-,
- Reno (Nev.) History 20th century Sources.,
- Key West (Fla.) History 20th century Sources.,
- Harlem (New York, N.Y.) History 20th century Sources.,
- Hollywood (Los Angeles, Calif.) History 20th century Sources.,
- États-Unis Civilisation 1918-1945.,
- États-Unis Civilisation 1945-,
- California Los Angeles Hollywood,
- Florida Key West,
- Nevada Reno,
- New York (State) New York Harlem,
- United States,
- USA,
- History,
- Sources
Publication:
Durham : Duke University Press, 2008.
Durham : Duke University Press, 2008.
Titre:
Down in the dumps : place, modernity, American Depression / Jani Scandura.
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Description:
xix, 321 pages : illustrations ; 26 cm
Down in the dumps : place, modernity, American Depression / Jani Scandura.
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Exemplaires:
Description:
xix, 321 pages : illustrations ; 26 cm
Classification:
livres
livres
Publication:
Durham : Duke University Press, 2008.
Durham : Duke University Press, 2008.
Auteur:
Sujet:
- National characteristics, American.,
- Depressions 1929 United States.,
- Depression, Mental Social aspects United States.,
- Memory Social aspects United States.,
- Crises économiques 1929 États-Unis.,
- Dépression Aspect social États-Unis.,
- Civilization,
- Depression, Mental Social aspects,
- Depressions,
- Memory Social aspects,
- Depression,
- Weltwirtschaftskrise,
- United States Civilization 1918-1945.,
- United States Civilization 1945-,
- Reno (Nev.) History 20th century Sources.,
- Key West (Fla.) History 20th century Sources.,
- Harlem (New York, N.Y.) History 20th century Sources.,
- Hollywood (Los Angeles, Calif.) History 20th century Sources.,
- États-Unis Civilisation 1918-1945.,
- États-Unis Civilisation 1945-,
- California Los Angeles Hollywood,
- Florida Key West,
- Nevada Reno,
- New York (State) New York Harlem,
- United States,
- USA,
- History,
- Sources
Classification:
livres
livres
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Description:
243 pages : illustrations (chiefly color), portraits ; 27 cm
Description:
243 pages : illustrations (chiefly color), portraits ; 27 cm
Auteur:
- Dion, Mark, 1961-,
- Iwona Blazwick -- Iwona Blazwick and Mark Dion in conversation -- Candy Stobbs -- Ben Luke -- Chelsea Kinchin-Smith -- Marion Endt-Jones -- Gilda Williams -- Magnus af Petersens -- Petra Lange-Berndt -- Andrea Barrett.,
- Blazwick, Iwona,,
- Whitechapel Art Gallery,
Sujet:
- Dion, Mark, 1961- Exhibitions.,
- Dion, Mark, 1961- Interviews.,
- Dion, Mark, 1961- Criticism and interpretation.,
- Dion, Mark, 1961- Themes, motives.,
- Dion, Mark, 1961- Expositions.,
- Dion, Mark, 1961-,
- Art and science 20th century Exhibitions.,
- Art and science 21st century Exhibitions.,
- Conceptual art United States 20th century Exhibitions.,
- Conceptual art United States 21st century Exhibitions.,
- Installations (Art) 21st century Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Art, Modern 21st century Exhibitions.,
- Art et sciences 20e siècle Expositions.,
- Art et sciences 21e siècle Expositions.,
- Art conceptuel États-Unis 20e siècle Expositions.,
- Art conceptuel États-Unis 21e siècle Expositions.,
- Installations (Art) 21e siècle Expositions.,
- Art 20e siècle Expositions.,
- Art 21e siècle Expositions.,
- Themes, motives.,
- Installations (Art),
- Conceptual art.,
- Art, Modern.,
- Art and science.,
- United States.,
- Essay,
- Interview,
- Exhibition catalogs.,
- exhibition catalogs.,
- interviews.,
- illustrated books.,
- Interviews.,
- Illustrated works.,
- Essays.,
- Criticism, interpretation, etc.,
- Catalogues d'exposition.,
- Essais.,
- Ouvrages illustrés.
Publication:
London : Whitechapel Gallery, 2018., ©2018
London : Whitechapel Gallery, 2018., ©2018
Titre:
Theatre of the natural world / Mark Dion ; editor, Iwona Blazwick.
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Description:
243 pages : illustrations (chiefly color), portraits ; 27 cm
Theatre of the natural world / Mark Dion ; editor, Iwona Blazwick.
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Description:
243 pages : illustrations (chiefly color), portraits ; 27 cm
Classification:
livres
livres
Publication:
London : Whitechapel Gallery, 2018., ©2018
London : Whitechapel Gallery, 2018., ©2018
Auteur:
- Dion, Mark, 1961-,
- Iwona Blazwick -- Iwona Blazwick and Mark Dion in conversation -- Candy Stobbs -- Ben Luke -- Chelsea Kinchin-Smith -- Marion Endt-Jones -- Gilda Williams -- Magnus af Petersens -- Petra Lange-Berndt -- Andrea Barrett.,
- Blazwick, Iwona,,
- Whitechapel Art Gallery,
Sujet:
- Dion, Mark, 1961- Exhibitions.,
- Dion, Mark, 1961- Interviews.,
- Dion, Mark, 1961- Criticism and interpretation.,
- Dion, Mark, 1961- Themes, motives.,
- Dion, Mark, 1961- Expositions.,
- Dion, Mark, 1961-,
- Art and science 20th century Exhibitions.,
- Art and science 21st century Exhibitions.,
- Conceptual art United States 20th century Exhibitions.,
- Conceptual art United States 21st century Exhibitions.,
- Installations (Art) 21st century Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Art, Modern 21st century Exhibitions.,
- Art et sciences 20e siècle Expositions.,
- Art et sciences 21e siècle Expositions.,
- Art conceptuel États-Unis 20e siècle Expositions.,
- Art conceptuel États-Unis 21e siècle Expositions.,
- Installations (Art) 21e siècle Expositions.,
- Art 20e siècle Expositions.,
- Art 21e siècle Expositions.,
- Themes, motives.,
- Installations (Art),
- Conceptual art.,
- Art, Modern.,
- Art and science.,
- United States.,
- Essay,
- Interview,
- Exhibition catalogs.,
- exhibition catalogs.,
- interviews.,
- illustrated books.,
- Interviews.,
- Illustrated works.,
- Essays.,
- Criticism, interpretation, etc.,
- Catalogues d'exposition.,
- Essais.,
- Ouvrages illustrés.
Titre:
Huma Bhabha
Huma Bhabha
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Prix:
$83.00
(disponible sur commande)
Résumé:
Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
$83.00
(disponible sur commande)
Résumé:
Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Publication:
novembre 2010
novembre 2010
Titre:
Huma Bhabha
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Prix:
$83.00
(disponible sur commande)
Résumé:
Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Huma Bhabha
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Prix:
$83.00
(disponible sur commande)
Résumé:
Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Titre:
Rachel Harrison: fake titel
Rachel Harrison: fake titel
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Prix:
$55.00
(disponible sur commande)
Résumé:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the(...)
$55.00
(disponible sur commande)
Résumé:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the(...)
Publication:
février 2014
février 2014
Titre:
Rachel Harrison: fake titel
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Prix:
$55.00
(disponible sur commande)
Résumé:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012).
Rachel Harrison: fake titel
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Prix:
$55.00
(disponible sur commande)
Résumé:
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012).
Titre:
Gabriel Orozco: Asterisms
Gabriel Orozco: Asterisms
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Prix:
$55.00
(disponible sur commande)
Résumé:
Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while(...)
$55.00
(disponible sur commande)
Résumé:
Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while(...)
Titre:
Gabriel Orozco: Asterisms
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Prix:
$55.00
(disponible sur commande)
Résumé:
Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while invoking several of the artist’s recurrent motifs, including the effects of erosion, the poetry of the mundane, the relationship between the macro and the micro and the tension between nature and culture.
Gabriel Orozco: Asterisms
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Prix:
$55.00
(disponible sur commande)
Résumé:
Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while invoking several of the artist’s recurrent motifs, including the effects of erosion, the poetry of the mundane, the relationship between the macro and the micro and the tension between nature and culture.
Titre:
Waste (object lessons)
Waste (object lessons)
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Prix:
$21.95
(disponible sur commande)
Résumé:
Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those(...)
$21.95
(disponible sur commande)
Résumé:
Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those(...)
Titre:
Waste (object lessons)
Actions:
Prix:
$21.95
(disponible sur commande)
Résumé:
Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more.
Waste (object lessons)
Actions:
Prix:
$21.95
(disponible sur commande)
Résumé:
Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more.
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
What's left
What's left
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Prix:
$38.00
(disponible sur commande)
Résumé:
The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and(...)
$38.00
(disponible sur commande)
Résumé:
The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and(...)
Titre:
What's left
Actions:
Prix:
$38.00
(disponible sur commande)
Résumé:
The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and communal living meet in both places, as diverse as they may seem, as do other places drawn together using non-linear, multi-layered methods to explore subjects like the history of the Colorado River, the social functions of books and libraries, and disciplines as diverse as chemistry, architecture, social psychology, agriculture, language and disaster response.
What's left
Actions:
Prix:
$38.00
(disponible sur commande)
Résumé:
The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and communal living meet in both places, as diverse as they may seem, as do other places drawn together using non-linear, multi-layered methods to explore subjects like the history of the Colorado River, the social functions of books and libraries, and disciplines as diverse as chemistry, architecture, social psychology, agriculture, language and disaster response.
Classification:
livres
livres
Publication:
janvier 2008
janvier 2008
Prix:
$49.95
(disponible sur commande)
Résumé:
Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
$49.95
(disponible sur commande)
Résumé:
Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
Titre:
Bureau of the centre for the study of surrealism and its legacy
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Prix:
$49.95
(disponible sur commande)
Résumé:
Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Bureau of the centre for the study of surrealism and its legacy
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.