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xix, 232 pages : illustrations ; 26 cm
New Haven : Yale University Press, ©1987.
The formation of Islamic art / Oleg Grabar.
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xix, 232 pages : illustrations ; 26 cm
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New Haven : Yale University Press, ©1987.
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vi, 174 pages : illustrations ; 25 cm
New York : Routledge, 2019.
Architecture of defeat / Kengo Kuma ; translated by Hiroshi Watanabe.
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vi, 174 pages : illustrations ; 25 cm
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New York : Routledge, 2019.
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69 pages : illustrations ; 22 cm
México, D.F. : Ediciones Era : Conaculta, INAH, 1998.
Ciudad de México : espejos del siglo XX / José Joaquín Blanco.
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69 pages : illustrations ; 22 cm
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México, D.F. : Ediciones Era : Conaculta, INAH, 1998.
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55 pages : illustrations, plans ; 31 cm.
Stuttgart : Edition Axel Menges, ©2007.
Egon Eiermann / Sep Ruf : Deutsche Pavillons, Brüssel 1958 / text, Immo Boyken ; Photographien/photographs, Heinrich Heidersberger, Georg Pollich, Eberhard Tröger.
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55 pages : illustrations, plans ; 31 cm.
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Stuttgart : Edition Axel Menges, ©2007.
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411 pages : illustrations (some color), facsimiles, plans, portraits ; 29 cm
Zurich : Schiedegger & Spiess, [2022], ©2022
The Swiss National Bank in Zurich : the Pfister building, 1922-2022 / editor, Swiss National Bank ; project management, Martin Blättler, Patrick Halbeisen, Bruno Maurer.
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411 pages : illustrations (some color), facsimiles, plans, portraits ; 29 cm
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Zurich : Schiedegger & Spiess, [2022], ©2022
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91 pages : illustrations ; 22 cm
Cambridge, Mass. : MIT Press, ©2006.
Le Corbusier's hands / André Wogenscky ; translated by Martina Millà Bernad.
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91 pages : illustrations ; 22 cm
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Cambridge, Mass. : MIT Press, ©2006.
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239 pages : illustrations (chiefly color) ; 30 cm
London ; New York : Phaidon Press, 2008.
Beyond the bubble : the new Japanese architecture / [Botond Bognar].
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239 pages : illustrations (chiefly color) ; 30 cm
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London ; New York : Phaidon Press, 2008.
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Josep Maria Jujol
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Résumé:
Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol’s work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized(...)
Architecture, monographies
janvier 2007, Köln, New York, London
Josep Maria Jujol
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Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol’s work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith.
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janvier 2007, Köln, New York, London
Architecture, monographies
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$45.95
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The range of topics covered in “My Kind of City” reflects the breadth of Dittmar's experience in working for better cities for people. Common themes emerge in the engaging prose including Dittmar's belief that improving our cities should not be left to the "experts"; his appreciation for the beautiful and the messy; and his rare combination of deep expertise and modesty.(...)
My kind of city: the collected essays of Hank Dittmar
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The range of topics covered in “My Kind of City” reflects the breadth of Dittmar's experience in working for better cities for people. Common themes emerge in the engaging prose including Dittmar's belief that improving our cities should not be left to the "experts"; his appreciation for the beautiful and the messy; and his rare combination of deep expertise and modesty. As Lynn Richards, CEO of Congress for the New Urbanism expresses in the preface, "Hank's writing is smart without being elitist, witty and poetic, succinct and often surprising."
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août 2019
Théorie de l’urbanisme
$45.00
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The German Pavilions were the actual event at the 1958 Brussels World Fair, because what appeared as an oasis of modesty among the typical exhibition fairground of bizarre sensationalism was precisely what would not have been expected of economic miracle Germany: no showing off or pomposity, just architecture distinguished by its reticence and the refined simplicity of(...)
Egon Eierman / Sep Ruf : Deutsch Pavillons, Brüssel 1958
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The German Pavilions were the actual event at the 1958 Brussels World Fair, because what appeared as an oasis of modesty among the typical exhibition fairground of bizarre sensationalism was precisely what would not have been expected of economic miracle Germany: no showing off or pomposity, just architecture distinguished by its reticence and the refined simplicity of the architectural resources, and by the happy combination of men who created it, all so similar in the nature of their thinking: Egon Eiermann and Sep Ruf as architects, Walter Rossow as landscape and garden planner, and Hans Schwippert responsible for the exhibition programme.